Whole New Thing

I saw this to a packed audience at the Toronto International Film Festival today with director, lead actor, and producers in attendance.

This film exceeded my expectations and was enjoyable to watch. This film explores sexuality and relationships mainly through a home-schooled boy whose family integrates him into a regular school, coming into contact with students and one teacher in particular. This was an engrossing and very interesting exploration of this topic with tenderness, realism, and an excellent screenplay.

A few outstanding aspects:

1) SCREENPLAY: very intelligent, strong characters, motivations, with some very witty lines that really worked and, at times, got me laughing. Good flow.

2) VERY STRONG ACTING: The lead actor (first film for Aaron Webber) was very well cast, not to mention the performances from all leads was very strong. Kudos to the director for pulling this together.

3) VISUALS: The scenes and visuals are slightly out of the ordinary resulting in something that intrigues and makes it worth watching.

There is, however, one small area that was lacking believability which would make this an otherwise outstanding film: the evolving relationship of the lead character with his teacher. A bit more care with this crescendo is what is needed. With a few tweaks highlighting a special moment, or an additional scene, the movie would be perfect. I was thoroughly engrossed in the characters and story and give this movie a very strong endorsement.

This is a perfect Canadian family-in-crisis movie even if a 13 yr.old androgynous boy takes most of the attention. None of these characters knows where they are going and flip-flop along in irritable desperation until son and Mum break the mold and seek some freedom. In the interval a great witty screenplay involves us fully with editing from heaven which keeps the action running along. And the cinematographer is certainly no slouch with snow and pines shown as if painted by the Group of Seven. We expect good performance from the better known actors here but Aaron Webber in his first movie role interlocks the other characters in an insightful and low keyed performance.I only had a problem with the too neat ending which seems to overreach for dramatic incident and then comes up with a couple of overworked clichés which seem out of place in this thoughtful and revelatory drama.

The elements that were designed to visually encompass this film, are absolutely great! From the house, the clothing (or lack of) of Aaron's character family to the lighting schemes in every situation, Whole New Thing is exactly what Hollywood should tackle: a good story that resonates with real life situations, and a treatment where twists and turns, not manipulation, lead to a very convincing film.

The textures of every small detail were almost handcrafted, especially the music. This is one of the reasons why Canadian films are important: they are a counterweight to American films, (though I still believe that Canadians, as Chileans, Mexicans and all of America's peoples are American).

I'm proud of this film and the way it explores (maybe not in depth, because it was not its purpose) a really difficult issue to which we all close our eyes and ears, and think as impossible and weird. My hat off too for the co-writer and actor Daniel McIvor.

Maybe you'll love to see this film over and over again just to discover how well done it is!

Wow, this is a really thoughtful, well-made coming-of-age film. With a sea of dreck in this genre flooding the market, it is refreshing to see such a well written, sincerely performed narrative that feels so real and personal. Set in snowy Nova Scotia, the story of a bookish 13 year old named Emerson falling in love with his male school teacher (who is gay), might easily veer toward the distasteful, but this film never does. The performances are honest and heartfelt and the storyline goes to some unexpected places, contributing nicely to it's indy feel. There are a few moments that might have been more thoroughly explored (Emerson's relationship with an geeky school friend, the obvious direction of his awakening sexuality, is given short shrift.) But overall, this was an intelligently made, sweet and sincere film about human relationships - something that we can never have enough of.

This is one of those rare, seemingly perfect little movies that takes a specific situation and somehow makes it seem to contain the whole world… a universal story that contains a humor and poignancy we can all relate to. I'm thinking of movies like Harold and Maude, or The Graduate. It has that sheer deliciousness, a meal you find that you want to eat over and over. I saw it at the Toronto International Film Festival sort of by chance, it fit into my schedule and I wasn't expecting much, just another Canadian movie that might be competently made and sincere but somehow would fall short of really being satisfying or engaging or having much to say. Boy was I wrong. In the days that followed, the movie would not leave my head. And then I happened to be in Montreal this week and last night it was the opening night film at the image + nation film festival here so I went to see it again. And it was even better the second time, which is the real test with this kind of movie, by which I mean the kind that has lines of dialog you just want to repeat ("how long does this right of passage thing last?" or dad explaining to his son why masturbation is better than wet dreams, "too much laundry is bad for the environment"), and a cast of characters you wish you knew in real life. They are so complex and real, and the movie sees them with love and acceptance but at the same time humor, in spite of their failings and foolish actions. Its also the nuanced performances; as the teacher Daniel McIvor shows the character's strength and weakness. As the boy Aaron Weber is a revelation, the gutsiness of this kid's performance, from his naked saunas to his simultaneous innocence and calculation, is amazing (and hard to believe its his first film role). The story is consistently surprising, it never sells its characters short, or the audience, respects us enough to not spell everything out. The screenings were filled not only with laughter, but gasps of disbelief at how far the 13 year old main character goes. I still can't figure out how the filmmakers took something that should have been off-putting and weird (13 year old boy putting the moves on his gay 40-something English teacher) and made it something not only consistently surprising but touching and funny and involving. It is not per se a gay coming of age movie, I suppose you could say that it's a bisexual coming of age movie but really it seemed much more than that (as the kid in the movie says, "those are just labels"). Calling it a gay Napoleon Dynamite like one of the other reviews did is kind of silly, because that movie takes so-called *normal* people and makes them seem weird, this movie takes so-called *weird* people and makes us recognize ourselves in them even if we would judge them in real life. And this movie is damn funny but in a way that is at the same time open-hearted and totally unsentimental. After two viewings I feel like there's still so much more there to be revealed in this movie, and I think it's one I will return to again and again. Can't wait until I can purchase it on DVD. If this movie isn't widely distributed it will be a crime.