Adicionar um enredo no seu idiomaA promising undercover agent assigned to lure and arrest gay men defies professional orders when he falls in love with a target.A promising undercover agent assigned to lure and arrest gay men defies professional orders when he falls in love with a target.A promising undercover agent assigned to lure and arrest gay men defies professional orders when he falls in love with a target.
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- 3 vitórias e 1 indicação no total
Avaliações em destaque
Watched at the 2025 Sundance Film Festival.
The experiences of how gay individuals are going through and the homophobia around is sad and unfortunate, especially with today's climate. Director Carmen Emmi has created an interesting movie about heartbreak, lust, gay identity, and closeted emotions with great performances from Tom Blyth and Russell Tovey, atmospheres, direction, and writing throughout. The narrative strikes with some interesting themes, character dynamics and tension revolving around its setting. While it's conventional writing does have some moments that feel a bit messy, no doubt Emmi has an ambitious tale to tell.
The theme about love and the closeted aspects of being gay is explored pretty well. Examining the troubled effects and feelings one can go through and using a cop vibe approach is quite an interesting take. As mentioned, the main two lead performances are great as the feelings and emotions they are going through are both, while aren't perfect, understandable and honest. Editing wise, there are some weird editing choices that are a bit headaching, alongside with some strange dialogue choices and pacing that feels aimless.
Otherwise, it's a good romantic thriller that achieves with its purpose and themes. Providing a really good third act that leaves the satisfaction on rise.
The experiences of how gay individuals are going through and the homophobia around is sad and unfortunate, especially with today's climate. Director Carmen Emmi has created an interesting movie about heartbreak, lust, gay identity, and closeted emotions with great performances from Tom Blyth and Russell Tovey, atmospheres, direction, and writing throughout. The narrative strikes with some interesting themes, character dynamics and tension revolving around its setting. While it's conventional writing does have some moments that feel a bit messy, no doubt Emmi has an ambitious tale to tell.
The theme about love and the closeted aspects of being gay is explored pretty well. Examining the troubled effects and feelings one can go through and using a cop vibe approach is quite an interesting take. As mentioned, the main two lead performances are great as the feelings and emotions they are going through are both, while aren't perfect, understandable and honest. Editing wise, there are some weird editing choices that are a bit headaching, alongside with some strange dialogue choices and pacing that feels aimless.
Otherwise, it's a good romantic thriller that achieves with its purpose and themes. Providing a really good third act that leaves the satisfaction on rise.
I really struggle to care about romance films. Love is such a private, subjective, and in many ways arbitrary experience and, as a show-don't-tell medium, movies in my opinion just aren't an easy art through which to explore how people feel it. Generally movies standardize it to "well she fills his X deficit/need and he fills her Y deficit/need and that's why they work". I don't care about such contrived, transactional relationship.
Plainclothes, however, completely breaks through this trap. For spoilers I won't detail how, but this easily the most "real" romance I've seen in recent memory, perhaps late memory. I teared up several times in this one. If you're gay or bi, this is especially moving. But even if you're not, you're in for a novel concept and a tense story to keep you glued through an eye-opening experience about gay love, or the lackthereof...
Another reason this works so well is that, while substantively a tragic romance, it FEELS like you're watching a thriller due to the pacing, anxious cinematography, and tense writing structure.
So, so good. Keep an eye out on the creative team. Exceptional film.
Plainclothes, however, completely breaks through this trap. For spoilers I won't detail how, but this easily the most "real" romance I've seen in recent memory, perhaps late memory. I teared up several times in this one. If you're gay or bi, this is especially moving. But even if you're not, you're in for a novel concept and a tense story to keep you glued through an eye-opening experience about gay love, or the lackthereof...
Another reason this works so well is that, while substantively a tragic romance, it FEELS like you're watching a thriller due to the pacing, anxious cinematography, and tense writing structure.
So, so good. Keep an eye out on the creative team. Exceptional film.
Plainclothes
An excellent movie set in the 90's that explored the reality of being gay and trying to deny that truth in a straight world of friends and family. Supposedly built on a true story.
The ever present expectations of everyone around you to be what they expect you to be, is well played out in this movie.
Tom Blyth plays Lucas, a cop, who detail at the present is entrapment of gay men, here he meets Russell Tovey, who's playing Andrew and there is an instant connection. The movie skirted around the all to common reality that many a gay man cannot realised his true sexuality whilst his parents are alive and then when that moment arrives all hell breaks loose.
This was a cleverly scripted and crafted movie that alternated between the police work and the embryonic romantic relationship between Lucas and Andrew. There is more than an element of fixation on Lucas's part as this is his first entanglement.
I thought this was all played very convincingly and stated in spades no one can choose their sexuality or sexual preference regardless of their own intellectual desires, it just cannot be denied.
I'm going to give this firm 8 outta 10, a most believable set of scenarios.
An excellent movie set in the 90's that explored the reality of being gay and trying to deny that truth in a straight world of friends and family. Supposedly built on a true story.
The ever present expectations of everyone around you to be what they expect you to be, is well played out in this movie.
Tom Blyth plays Lucas, a cop, who detail at the present is entrapment of gay men, here he meets Russell Tovey, who's playing Andrew and there is an instant connection. The movie skirted around the all to common reality that many a gay man cannot realised his true sexuality whilst his parents are alive and then when that moment arrives all hell breaks loose.
This was a cleverly scripted and crafted movie that alternated between the police work and the embryonic romantic relationship between Lucas and Andrew. There is more than an element of fixation on Lucas's part as this is his first entanglement.
I thought this was all played very convincingly and stated in spades no one can choose their sexuality or sexual preference regardless of their own intellectual desires, it just cannot be denied.
I'm going to give this firm 8 outta 10, a most believable set of scenarios.
I've read that this movie was kind of expensive to make but man...it doesn't show at all. I think the actors are doing their best with a pretty basic script, but the production is just bad.
It's not the VHS resource - Gregg Araki's work still looks interesting today. It's the editing, the cheesy close-ups and everything that goes by the numbers: even the antagonist has no redeemable qualities. Tovey is the highlight - he elevates the material with his performance but there's just so much he can do. It's not a terrible movie but I needed to bring some objectivity to the reviews posted so far..
It's not the VHS resource - Gregg Araki's work still looks interesting today. It's the editing, the cheesy close-ups and everything that goes by the numbers: even the antagonist has no redeemable qualities. Tovey is the highlight - he elevates the material with his performance but there's just so much he can do. It's not a terrible movie but I needed to bring some objectivity to the reviews posted so far..
The only spoiler I want to give about this finely acted and directed film is to say that it literally shows male love as it should be seen. The plot is basically about a plainclothes policeman who entraps men in public toilets. Set in the late nineties of the last century I had the feeling that this could be today in any place that represses forcefully homosexuality. Tom Blyth is superb as the man who entraps and while doing so he entraps himself in a passion for another man ( played well by Russell Tovey ) and how both of them fall into a transitory, but real love relationship. The film is truthful in its description of sex and how versatile it can be. Both men are willing to open themselves to each other and role playing so often seen in LGBTQ cinema has no place here. It is the best loving sexual scene I have seen and I have seen many. I urge anyone who cherishes diversity to see these two great actors, Blyth and Tovey show us both painful truth and ecstatic joy. An essential film.
Você sabia?
- CuriosidadesDirector Carmen Emmi considered having Russell Tovey play Andrew a dream come true, since he's a huge fan of the HBO series Looking (2014) and wasn't sure if he would be interested in the role.
- Trilhas sonorasAdagio for a Funeral
Written by Ryan Lofty
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