Sapatos Vermelhos

'Bunhongshin' (Pink Shoes) is a fine example of the growing Korean film industry. While still lacking enough refinements for universal appeal, it still is an entertaining yarn and a fine scary movie.

A pair of bright pink shoes keep popping up on a subway line. For inexplicable reasons, any girl who sees them becomes violently attached to the shoes (to the point of beating anyone who might touch them), that is until someone/thing comes along and severs the girls feet as a penance for wearing the garment.

Visually top-notch, with nice color and camera usage. Most notable are the scare scenes; the imagery in these scenes is creepy and effective in conveying dread. Some limited optical effects and CG round out the package.

Performance wise, it's a mixed bag and where the film takes the biggest hit. Acting is suffice, but nothing special. The story just doesn't work; it is not only disjointed and uninvolved, it's also just plain difficult to understand what the hell happened in the end. As is the norm for many Korean film, the pacing is all kinds of wrong; taking way too long to make a point and dragging on way too many scenes needlessly.

For the spot-on horror imagery, 'Bunhongshin' is one to look out for, just try to ignore the scripting and pacing issues.

7/10

South Korean supernatural horror (supposedly very loosely based on Hans Christian Andersen's tale of the same name).

Sun-jae is in an unhappy marriage. After catching her husband having sex with another woman she moves out with her young daughter, Tae-su, into a rundown apartment block. One day she spots a pair of high-heeled shoes apparently abandoned in a subway car and takes them home. Immediately she becomes obsessed with them. Back at her apartment, daughter Tae-su tries to take them from her, becoming just as obsessed. When Sun-jae's best friend, Kim Mi-hee, visits she *also* becomes obsessed with them, going so far as to steal them for herself. However, as she's walking home she's killed by an unseen force, When her body is found the stolen shoes are missing, somehow soon returned to Sun-jae. It seems that every female who comes into contact with the shoes becomes overcome with a compulsion to own them and a willingness to do anything to achieve that. Sun-jae eventually finds a link between the shoes and a Japanese dancer in 1940s Japan-occupied Korea, named Keiko; the shoes were central to a tragic series of events - which seem to have left behind a malign influence and a desire for retribution.

Actress Kim Hye-soo is very good as Sun-jae, and Park Yeon-ah is terrific as Tae-su, spending the whole movie running scared, sad, or very angry (I can't find a date of birth for her, but she looks to be about eight years old). The basic idea is promising. But the storyline is shown in such a confusing way, the film feels about 15 minutes too long, and it's unbelievably 'J-horror generic' (I realise it's South Korean). I'm happy to watch a ton of Asian horror movies about cursed objects, past wrongs, and revenge-obsessed, long-haired ghost girls - so long as they're *good*. This feels as though director Yong-gyun Kim watched all the Ring and Grudge movies, and - especially - Dark Water, and then just mixed and matched parts he liked. There's a very strong, atmospheric opening inside a deserted subway station that really raises the expectations; it's a shame the rest of the film doesn't live up to it. 5.5/10.

Recently, there is much criticism aimed at a seemingly stagnant Asian Horror market, with increasing remarks that the genre has run out of ideas with more and more modern releases stealing blatantly from other, more successful films such as The Ring, Ju-On and Dark Water.

Whilst The Red Shoes isn't exactly an exercise in originality, 'borrowing' ideas is not the problem here. Yes, there are similarities with other movies mentioned above; we indeed have a single mother and young daughter relationship at the film's core, yes, they have a penchant for renting a dirty, run down apartment and yes, we have a cursed inanimate object - or objects - (the eponymous shoes) that reek havoc on those who encounter them.

We also have atmospheric, claustrophobic cinematography; (although epileptics should be aware that there are more flashing neons here than in an 80's themed disco). We also have decent acting, but much of this is style over substance. The film takes itself deadly seriously, but the concept of haunted footwear just plain isn't frightening.

With The Ring, the curse spread through various copies of the video-tape, but in order for the curse to spread here, we have to endure scenes of histrionic screaming women and girls trying to steal the shoes from each other at various times of the day/night - the whole thing just seems so unlikely. Not content to lend the shoes an air of supernatural mystery, the film-makers also 'treat' us to some pretty looking, but ultimately distracting and too frequent flash-backs where the shoes supposedly tragic (but ultimately dull) history is revealed.

Finally, The Red Shoes also falls very short in the scares. I watched it twice, alone, and not one of the film's attempts to chill/shock or scare me worked. All in all, The Red Shoes will prove a bitter (and expensive at £20.00) disappointment to fans of horror, who like me, expect - if not originality, then at least to be frightened.

'THE RED SHOES' is a supernatural tale with its center revolving around a pretty typical plot involving a mother alone with her daughter, struggling in the world. The reoccurring images you see in far too many Korean ghost stories are present here. There are pale faced girls with long black hair hanging in their face and cursed artifacts that bring misfortune to those that possess them. But there are enough unique touches paired with an intriguing performance by the lead actress that helps to elevate its status.

Sun-Jae unexpectedly goes home in the middle of the day to find her husband banging some other woman. She moves out on her own with her young daughter Han Tae-su to an inexpensive apartment near Goksung Station. She meets handsome young architect, In-cheol who is designing her eye clinic and the two embark on a relationship. On the subway on her way home Sun-Jae sees a seemingly abandoned pair of shoes she cannot resist picking up. The shoes bring the worst out in people, including her daughter who becomes obsessed with them on sight. When a friend is found dead and her daughters behavior becomes more severe, Sun-Jae and In-cheol will need to solve the mystery behind the cursed footwear before it's too late.

Bloody death scenes filmed in sterile white environments can be extremely effective. The opening scene of 'THE RED SHOES' is an outstanding example of this. There are some cherry props also. The main character is obsessed with shoes. The depth of the obsession is shown with a massive glass store display prop. The stacked glass boxes showcases each individual pair of shoes. The visuals are strong throughout. There are some respectable moments of suspense, but not nearly enough of them. Violence and gore is slim but I enjoyed what there was of it. The performances were strong and there is some interesting character development. I found the lead actress, Hye-su Kim fascinating. The love interest, In-cheol is very easy on the eyes. The problem is, that I liked the films individual pieces more than the completed work. I had a serious issue with certain "spooky" images. One in particular stood out because it is a carbon copy of something I've seen in at least two other films and seemed completely irrelevant to the story. Obviously added in for mood, it was totally ineffective. There are some predictable plot twists that also bog it down. The story is uneven and trips over its own feet, but ultimately for a ghost story it just isn't very scary. That said, I still think this is a really nice looking film with strong performances and enough special touches that it's worth a watch.

I'm in a quandary over this film. Like many other reviewers have amply illustrated here, this film is like a Korean Klone in lots of ways. It borrows moves from the Ringu play-book, the Dark Water play-book, the Ju-On play-book, The Eye play-book...please stop me. It's got a daughter and mother all alone in the world facing supernatural evil. It's got hunched-over, black-haired teens with bad attitudes and osteoporosis floating around upside-down and showing up in elevators. It's got the cheating hubby, the young love interest, the entrepreneurial "young Asian professional female" slowly losing her mind. Most importantly, it's got the requisite cursed artifact (not a wig, not a videotape, not a pair of transplanted corneas, but a swanky set of pink stilettos that a particular ghost doesn't want any mortal wearing).

BUT GOSH DARN IT, I LIKED THIS FILM! I guess it says something if I feel compelled to excuse myself for this fact, but I really did care for the characters and the serious situation they are hopelessly trapped in. Indeed, I was hooked by the grue--people getting their feet forcibly removed gets my attention. The cinematography is colorful, and artful, and top notch--as we have come to expect from Korean directors. (Did you catch those cool on-purpose-out-of-focus shots? Fuzzy weirdness...) The music is actually pretty unique--the low-key guitar ditty that recurs off and on is melodic, and personal, and not overwrought. Yes, the plot "twists and turns" in terribly predictable ways: Could our protagonist really be the guilty one? Is it possible that we might find the answer to the horrible mystery by rifling through old newspaper copy in the library? Even though we've "properly buried" the red shoes with their owner, is it possible the evil will return nevertheless to wreak ultimate revenge? When we get to the end, will the decidedly downbeat narrative actually make very little sense? Yes, you've seen--and come to expect--it all.

But, darn it, this flick is done with such panache in a very gutsy way. The characters are carefully drawn, the direction is solid. And when you get right down to it, America simply does not make films like this. I don't think America ever will again. We used to make great, sad, horror films, but not anymore. We real horror fans have got to rely on films like "Bunhongsin" to get our fix. In fact, that's precisely why I give this film the benefit of the doubt.