A Profecia

I really liked the original Omen. It didn't need to be re-made. There is nothing that modern film-making has brought to this film to make it stand out against the original. It's not as scary, not as honest or raw. The original film is genuinely disturbing -- from the dogs, to the nanny, to Damien... this modern remake just isn't as convincing. It has it's moments, and isn't that terrible, but there's an annoying distance, or separation between the subject matter and the film. It's too clean, too polished... it just isn't evil enough.

The music is not as good, the deaths are not as disturbing. But should we judge this film on its own merits? No, because it's a carbon copy remake. There is very little new material worth mentioning.

The only positive thing to say is that for anyone who hasn't seen the original, it's worth a look -- on DVD. But even then I'd recommend the original.

This remake fundamentally centres on the rebirth of the anti-Christ, it's a creepy story where occurs gruesome deaths concerning Satan's son. American diplomat's family (Liev Schreiber, Julia Stiles in the roles previously starred by Gregory Peck and Lee Remick) adopts a baby ,he's named Damien and has the devil mark : 666 . One time grown-up , young boy possessed with mysterious demonic powers causing wreak havoc and bizarre killings wherever he goes . The parents hire a nanny (Mia Farrow in the role of Billie Whitelaw) schemes that delightful child anti-Christ can have him carry out all her evil plans . The little boy seems to be around when inexplicable deaths happen including rid of several interfering adults with the aim for world domination . Damien is poised for ruling devil over earth . Meanwhile the father is warned by a priest named Brennan (Pete Postlethwaite in the role of Patrick Thoughton) and a photographer (David Thewlis in the role of David Warner).

After the Exorcist , Richard Donner's Omen was one of the most famous films of all time and the major possession movie of the 70s and created an authentic sensation , originating even various sequels: Damien: Omen 2 , The final conflict and Omen 4 . The inevitable comparison between Liev Schreiber and Gregory Peck reveals that Liev is just too cool for this role in spite of Peck is an immortal star . The chief excitement lies in seeing what new and amazing victim can be dreamt by the believable FX technicians . Meantime Damien seems to dispatch new bizarre killing every few minutes of the movie . Atmospheric score by Marco Beltrani,however I miss impressive score by Jerry Goldsmith , deservedly winner one Academy Award . It's all frightening amusing , if predictable but we have seen the previous classic movie but also its predictability is redeemed in part by the charismatic performance of excellent protagonists and all around . Although redundant to original film is a fitting description of the director John Moore ; however , being sometimes a shot-for-shot recreation but it doesn't insult the viewer's intelligence . The studio originally wanted the film to receive a PG-13 rating but John Moore insisted on an R-rating, suggesting people would "smell a cop-out" if a remake of original Omen was to receive a family friendly certificate .

In a nutshell, if you've never heard of the original or are unaware of the storyline, the average horror film lover will enjoy this flick. If however you saw/liked the original, you'll likely still enjoy it..but you'll know exactly what's coming next because it is very faithful to the original. In fact, in most scenes, it's a line-by-line remake, and many camera shots are virtually identical to the 1976 version. What has changed is that Damien's parents are younger, and it's been updated to reflect a contemporary world of today. Also, the screenwriter decided to throw in 9/11 and recent disasters as indicators that the Armageddon is on it's way via Damien Thorne. (SPOILERS FOLLOW) There are elements of "Final Destination", but the original Omen was in fact the first to play with this type of death scene(s), where things mysteriously happen to people through strange accidents,etc. Having said that, these scenes are a little different from the original (most of them anyway) and again, as a horror fan, you'll enjoy the fact that they don't pull any punches graphically.

Acting wise, the film was somewhat weak - particularly Mia Farrow's performance. In an fitting homage to Rosemary's Baby, Farrow is cast as Mrs.Baylock, the satanic disciple, summoned to protect the Devil's son (in a sense, like her character in Rosemary's Baby)Damien Thorne, in the form of a nanny. I found that she was not nearly as creepy and menacing as the original actress. Julia Stiles was not strong either, and Schrieber was OK. The kid who plays Damien isn't bad, but it's just another brooding kid role with few lines so it's tough to screw that up.

Visually i loved this film, and a few sequences in particular were very very well done. As for the scares, there aren't many at all, and a few could be seen coming a mile away (dream sequence/mirror open then shuts to see apparition in rear,etc..) I did jump physically in one sequence where i wasn't expecting it (which i won't mention specifically so it may surprise you too).

So, it was an entertaining 2 hours. Nothing terribly new, and not as creepy or Gothic as the first one. In a way, i was hoping it might go in a different direction, but perhaps, it's the producers' ultimate compliment to the original - keep it very similar,just updating it for a new generation of horror fans. Recommended.

"The Omen" is one of those movies that still hold up so well, there's really no need to remake them. The date of June 6th 2006 was probably the most tempting thing for producers to release a new version of this film now.

Well, you can't say they did a bad job. This year's "The Omen" is solid as a rock and very faithful to the original. So faithful in fact, that one has to wonder what the whole point of it is.

Liev Schreiber and Julia Stiles are an odd choice for the leading couple but they're both okay in their respective roles. The direction is just okay, too, but you gotta be thankful that no cheap scares (or not too many of them) were thrown in to keep viewers interested. On the other hand, it must be said that the movie is a bit slow at the beginning, especially if you already know the plot. Opinions will differ on how well recent events such as 9/11, the tsunami in Sri Lanka or the death of Pope John Paul II. were integrated into the story, but that's not really a major issue. The few changes John Moore made involve a different way of dying for one character and two or three rather effective dream sequences (the last one sticks out - it's a sequence of really creepy images without any sound effects at all, probably my favorite moment of the whole movie). Also watch out for a nice reference to "Don't Look Now".

The most interesting thing, however, is the complete absence of the infamous choral score that made the original so scary. God knows why it's not here, it sure wouldn't have seem dated.

If I realized anything watching this movie it's how amazing the script was in the first place. It builds up perfectly, it's thrilling as hell (excuse the pun) and there are no plot holes to be found. This is why "The Omen" still works greatly and will hopefully be enjoyed by a lot of young people who haven't seen the original. For everyone else there's no reason to spend money on a movie we have already seen in a superior version.

Virtual scene-for-scene remake of the 1976 Omen film with the 21st century music video gloss that passes for cinematography now. That this was made by the same director who would later do the awful Max Payne and A Good Day to Die Hard should come as no surprise. John Moore is a director more focused on making a film look good than actually be good.

Did The Omen need to be remade? Of course not but such is the nature of the business. Before I start going on a diatribe about that, I'd better get back to this film and what's good or bad about it. What's good: some nicely staged scenes, but nothing particularly creative or original. For a director so obsessed with visuals, Moore offers little to improve upon the original's film's creative death set pieces. He just copies them. How creatively bankrupt is this man? As for the bad: the movie is plodding, unoriginal, often boring with no suspense or scares worth mentioning. Will viewers unfamiliar with the original film feel the same way? I think so unless these viewers are just generally unfamiliar with movies altogether. The cast is nothing to write home about. Julia Stiles tries and Liev Schrieber is dull as mud. Mia Farrow does fine with a performance that, judging by some of the praise I've seen, is a tad overrated.

Overall, it's yet another misfire remake of a superior film. Do yourself a favor and see the original instead. If you already have seen the original, watch something else. Something new or something old you haven't seen before. Just not another crappy horror remake.