Heróis

All of the reviews I've read of this movie have savaged it and, personally, I didn't think it was nearly bad as bad as all that. There were some interesting characters (the guy they enlist to help them hide themselves from the bad guys comes to mind here), and it put a new and interesting spin on the whole "people with super powers" genre. BUT...what really makes me love this film is the depictions of Hong Kong. See, I have been living in Hong Kong for almost 5 years now and I've told all my friends and family that if they want to get a good look at the many sides of the city (other than the touristy facade is typically presented), watch this movie. The film makers really did a great job of capturing what it's like to wander around Hong Kong, and the cinematography is like eye candy.

I was really surprised by how entertained I was by this. There were many negative reviews of this film and after watching the film I realised how many critics are actually quite lazy. They derided the plot as convoluted but actually I found it complex but understandable. To dismiss it as a heroes knock-off is also unfair. It's a sci-fi film but that doesn't mean all sci-fi films are the same. The film makes good use of its Hong Kong location more so than any recent film I've seen and the characters were memorable. The special effects were there for the story and not the other way around. I usually read film reviews but am glad, in this instance, I ignored them.

"Push" is the best movie from a recent new genre of science fiction movies. This new genre of movies, which includes "Jumper" and "Wanted", generally involves characters with psychic or psionic abilities, a conspiratorial shadow group, and an unlikely anti-hero, set against a banal or dystopian realism. "Push" blows these other two admittedly weak offerings out of the cinematic water.

Both the visuals and the action in "Push" are quite good. "Push" is set in Hong-Kong. The city has enough exotic flavor to be interesting and enough grit to provide a realistic backdrop for the more fanciful elements of the film. The filmmakers captured the feeling of a William Gibson novel without having to set the film at night in the rain for the entire movie.

The action sequences are excellent. "Push" does not suffer from the hyper-kinetic, shake-the-camera-until-the-viewer-is-confused action sequences of "Bourne Ultimatum" or "Quantum of Solace". In "Push", you know who is punching whom and you can tell who is winning.

Visual effects? Here is what sold me on this film and on this filmmaker's vision: When a "mover" (a person with telekinetic powers) uses his ability to push something away or to enhance the power of a punch (yes, I said TK-enhanced fight sequences...don't drool on your keyboard) the visual effects people were smart enough to consider the effect on the nearby air. The air gets...crimped, and as a result the light refracts in a split second rainbow pattern at the moment of impact. That level of forethought and detail is what "Jumper" and "Wanted" lacked.

Another element that this movie possesses that "Jumper" and "Wanted" doesn't is a focus on the characters. Any movie or show about psychic powers or "superpowers" lives or dies on the relationships between the characters. The male lead and Dakota Fanning are excellent together and quickly establish a rapport that gives the film more depth. Honorable mention goes to the enemy "watcher"--she is genuinely threatening, lollipop notwithstanding. I also loved the tip of the hat to the anime genre exhibited in Cassie's (Fanning) wardrobe.

This movie is worth every bit of the matinée price I paid. And I will probably watch it again.

A few points: One, this is not a superhero movie. While people who like "Heroes" and some of the Marvel films might enjoy this movie, one should not go in expecting that kind of experience.

Two, I do wish that the producers had about 15 million extra dollars. The extra money would have allowed them to show more of the story and neatly tie a couple of loose ends, rather than telling the audience. I sincerely hope this film does well enough to garner a more expansively budgeted sequel.

Three, this movie has some minor plot issues, especially a small deux ex machina cum Toyota, that might bother some. But, if you choose to buy into the experience, "Push" will take you on a fantastic ride.

-Blindcurve

Dakota Fanning leads off with a narrative exposition about Nazi beginnings of Division and the various mutant powers. There are a plethora of these: Watcher, Mover, Pusher, Shifter, Shadow, Bleeder. This is a complex array and they are dumped on the viewer en masse, which makes this highly complex magic system become formless and impenetrable.

Set in Hong Kong with an exceptionally capable cast roster there are some great scenes and the cinematography is beautiful. The plot consists of running around talking to a bewildering array of NPC quest givers in search for a MacGuffin that does something important - it is never quite clear what! Perhaps a smaller cast and more focus, with some abilities held back for a sequel, would have been better.

The star of the show is Fanning and her 'father/daughter' relationship with Chris Evans is effectively portrayed. Initially this was planned as the first movie in a trilogy, it is clear why no more were made; I gave up the will to live about halfway through!

Push offers a very interesting premise with its wide variety of psychics and the agency trying to keep it all under control and use them. Hong Kong offers an exotic background for the action to take place.

The movie makes an interesting attempt at being half action thriller, reminiscent of a Bourne movie, and half super-hero blockbuster, in the tradition of the X-Men. But director Paul McGuigan is never able to make us fully feel for the characters and their ordeal and the action sequences, while pleasant to watch, never instill emotional response. We're not scared for anyone, our blood does not pump during chases either.

The two stars of Push are an unlikely duo of actor which surprised me somewhat. Chris Evans has often been derided as being just another bland pretty face. Here, he is paired with young Dakota Fanning, who has been revered by many as a child prodigy actress. What's interesting to me is that, had I not seen previous films from these two, I wouldn't notice much difference in quality between the two. They both give a suitable performance. Neither Oscar-worthy nor garbage.

Unfortunately, the support cast is very weak. Camilla Belle is pretty but bland as usual. Cliff Curtis and Djimon Hounsou are both amazing actors but here they have very little to work with. I blame McGuigan and writer David Bourla for not providing them with opportunities to shine.

What makes this movie a 5 rather than a 6 is its confusing and botched conclusion. As if somehow the production ran out of time and needed to wrap things up on the spot. Perhaps hoping for a sequel? Push has an intriguing premise and more than enough basic material to be stretched into a trilogy or even a short TV series but as is the rule of thumb with those sort of things, it is doubtful things will get better should sequels be produced.

I wish the premise had been used to tell a better story, in a better way.