Depois que uma balsa é bombardeada em Nova Orleans, uma agente se junta a uma investigação usando tecnologia de vigilância experimental.Depois que uma balsa é bombardeada em Nova Orleans, uma agente se junta a uma investigação usando tecnologia de vigilância experimental.Depois que uma balsa é bombardeada em Nova Orleans, uma agente se junta a uma investigação usando tecnologia de vigilância experimental.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 6 indicações no total
Donna W. Scott
- Beth
- (as Donna Scott)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
It's a real shame that everything I had read about Déjà Vu concerned the high-powered explosions and loud clatter of guru/producer Jerry Bruckheimer. No mention, except maybe as a footnote, was given to A-list director Tony Scott and the magic he has woven in his past three films. The man who brought us Top Gun has seen a sort of revival in style lately with the entertaining Spy Game, the amazing Man on Fire, and the kinetic Domino. Scott has taken the quick cuts of music videos and has infused them into his shooting style. His editor better be making some good money as these films fly by with filters, jump-cuts, grain, and camera angles swiveling at every turn. Greatly overshadowed by brother Ridley Scott and his more serious, award-winning epics, Tony has been pumping out some of the most solid and entertaining films of the past couple decades. With a reuniting of semi-regular star Denzel Washington, Déjà Vu proves that when Bruckheimer is paired with a like mind, his usual drivel can become great. Scott shows us how to hone the explosions, noise, and clutter to an effective level and gives us a helluva ride.
Déjà Vu could have easily reduced itself to timetravel farce, going by the books to show a time warp in order to solve a crime. The far-fetched premise of being able to see the past as it happens four and a half days later should seem crazy and by watching the previews you are given the idea that it will be just a series of do-overs. Fortunately the trailers these days show a totally different movie than what has been crafted. Scott and his screenwriters have not only developed a sci-fi tale seeped in enough reality to at least be looked upon as plausible for the sake of the story, but they nicely tidy up any chance of their being a plothole. Our story begins with a devastating domestic terrorist act upon a ferry carrying over 500 people, Navy and family. Washington's ATF agent is brought in and discovers that it was no accident. Intrigued by the efficiency he displays, an FBI agent, played with nicely effective restraint by Val Kilmer, calls him in to check out a new toy they have to find who the perpetrator is. During the use of this screen of the past, Denzel acquires a feeling of obligation to do all he can to prevent what he sees from occurring in the present, no matter what consequences that might entail for the future. The quest to stop the violence begins with an attractive young woman who unknowingly has become an integral part in what will ultimately transpire.
The beauty of this film is that with multiple timelines being shown parallel to each other, there are many questions that desperately need answering. To credit all involved, they appear to have put themselves in the audience's shoes and piece-by-piece wrote in a reason for everything. Anything that is seen either in the past, present, or future has a reason for being there and will be intelligently explained. Also, the performances are stellar, Denzel and Kilmer as well as a quietly maniacal Jim Caviezel and the emotionally exasperated Paula Patton, and the visuals unique. While Scott has toned down the ultra-kinetic cuts and filters for the main action, his style is still stamped on the graphics of their screen showing the past. The motion trails and speed scans lend a stylized digital editing program feel and are gorgeous to watch. Déjà Vu's best sequence, however, is the crazy car chase during the present in pursuit of a vehicle in the past, definitely a rush and orchestrated almost flawlessly. Even though Ridley gets the accolades and Tony gets the hack/overproduced label, I must say, while they are the best directing duo in Hollywood, I might have to give the edge on pure cinematic entertainment to the younger Tony. He is on a roll and doesn't seem to be stopping anytime soon.
Déjà Vu could have easily reduced itself to timetravel farce, going by the books to show a time warp in order to solve a crime. The far-fetched premise of being able to see the past as it happens four and a half days later should seem crazy and by watching the previews you are given the idea that it will be just a series of do-overs. Fortunately the trailers these days show a totally different movie than what has been crafted. Scott and his screenwriters have not only developed a sci-fi tale seeped in enough reality to at least be looked upon as plausible for the sake of the story, but they nicely tidy up any chance of their being a plothole. Our story begins with a devastating domestic terrorist act upon a ferry carrying over 500 people, Navy and family. Washington's ATF agent is brought in and discovers that it was no accident. Intrigued by the efficiency he displays, an FBI agent, played with nicely effective restraint by Val Kilmer, calls him in to check out a new toy they have to find who the perpetrator is. During the use of this screen of the past, Denzel acquires a feeling of obligation to do all he can to prevent what he sees from occurring in the present, no matter what consequences that might entail for the future. The quest to stop the violence begins with an attractive young woman who unknowingly has become an integral part in what will ultimately transpire.
The beauty of this film is that with multiple timelines being shown parallel to each other, there are many questions that desperately need answering. To credit all involved, they appear to have put themselves in the audience's shoes and piece-by-piece wrote in a reason for everything. Anything that is seen either in the past, present, or future has a reason for being there and will be intelligently explained. Also, the performances are stellar, Denzel and Kilmer as well as a quietly maniacal Jim Caviezel and the emotionally exasperated Paula Patton, and the visuals unique. While Scott has toned down the ultra-kinetic cuts and filters for the main action, his style is still stamped on the graphics of their screen showing the past. The motion trails and speed scans lend a stylized digital editing program feel and are gorgeous to watch. Déjà Vu's best sequence, however, is the crazy car chase during the present in pursuit of a vehicle in the past, definitely a rush and orchestrated almost flawlessly. Even though Ridley gets the accolades and Tony gets the hack/overproduced label, I must say, while they are the best directing duo in Hollywood, I might have to give the edge on pure cinematic entertainment to the younger Tony. He is on a roll and doesn't seem to be stopping anytime soon.
"Deja Vu" is a Crime - Sci-Fi movie in which we watch an A. T. F. Agent trying to find who is responsible for a ferry bombing in New Orleans. He uses surveillance technology to investigate and find the bomber.
I liked this movie because it was full of suspense and its plot was very interesting and unexpected at many moments. The direction which was made by Tony Scott was very good and he presented very well his main characters while he succeeded on creating a mysterious atmosphere and make the audience feel it. The interpretations of Denzel Washington who played as Doug Carlin, Jim Caviezel who played as Carroll Oerstadt and Val Kilmer who played as Agent Pryzwarra were very good. In conclusion, I have to say that "Deja Vu" is an interesting movie and I recommend it to everyone.
I liked this movie because it was full of suspense and its plot was very interesting and unexpected at many moments. The direction which was made by Tony Scott was very good and he presented very well his main characters while he succeeded on creating a mysterious atmosphere and make the audience feel it. The interpretations of Denzel Washington who played as Doug Carlin, Jim Caviezel who played as Carroll Oerstadt and Val Kilmer who played as Agent Pryzwarra were very good. In conclusion, I have to say that "Deja Vu" is an interesting movie and I recommend it to everyone.
The reason I waited a few years to do this review is that I wanted to see the film a few times - something that reviewers should consider before dashing off a critique.
I have seen Deja Vu four times top to bottom and my comments:
1. Near perfect hi-concept film. Involves sci-fi, time travel, detective work, etc. But when push comes to shove it is about connection and saving the person you love.
2. Technically flawless. Well written. Great acting. And with Denzel holding the camera scene to scene even if there were some flaws, you would not notice them anyway
3. I will be honest. The picky reviews bother me because the purpose of the IMDb is to create a record for viewers of the futures, not a whine fest for reviewers of the present. I am a film buff (see my other reviews) and I tried to make a list simply of other films in this category, yet alone films that are this good. Maybe a dozen tops in the last 100 years. Which means that films like this are rare and when a good one comes along you treasure it, not belittle it.
Highly recommended. Hi emotional impact. A feel-good film.
I have seen Deja Vu four times top to bottom and my comments:
1. Near perfect hi-concept film. Involves sci-fi, time travel, detective work, etc. But when push comes to shove it is about connection and saving the person you love.
2. Technically flawless. Well written. Great acting. And with Denzel holding the camera scene to scene even if there were some flaws, you would not notice them anyway
3. I will be honest. The picky reviews bother me because the purpose of the IMDb is to create a record for viewers of the futures, not a whine fest for reviewers of the present. I am a film buff (see my other reviews) and I tried to make a list simply of other films in this category, yet alone films that are this good. Maybe a dozen tops in the last 100 years. Which means that films like this are rare and when a good one comes along you treasure it, not belittle it.
Highly recommended. Hi emotional impact. A feel-good film.
I had never heard of this movie, but it appeared on cable and when I saw the cast, I figured "how bad could it be?". I thought it was terrific. Nothing of great dramatic or historical significance, of course, but who cares? Denzel is his usual infinitely watchable self, Val Kilmer is quirky with yet another interesting dialect and Adam Goldberg is fantastic. All three are smooth, assured and entertaining. A lot of posters and reviewers talked about how "unbelievable" the science fiction aspect of the plot was, but that never bothers me. Once I figure out what I'm supposed to suspend my disbelief about, I just do so and enjoy what the filmmakers are doing. I actually found this particular sci-fi plot quite intriguing and really liked having to try to follow its twists and turns through the action.
As has been said before, this is definitely a Sci Fi/ Film Noir/Action/Romance. How many of those have you come across? Highly recommended. Big fun and smart besides.
As has been said before, this is definitely a Sci Fi/ Film Noir/Action/Romance. How many of those have you come across? Highly recommended. Big fun and smart besides.
Deja vu is one of those intricate action thrillers that requires a bit of faith and attention, but it does it so well. The cast is outstanding, each playing their part with depth. The storyline is well developed and plays out in an interesting and exiting way. This is by far my favorite Denzel movie.
Você sabia?
- CuriosidadesThe movie went through pre-production in New Orleans. Just a few weeks before production was to begin, Hurricane Katrina devastated the city. With the location in ruins, the movie made the decision to find a new location to shoot. A few weeks after the decision, canceling the movie altogether was in talks. Finally, three months after the hurricane, the film returned to New Orleans, Louisiana and began pre-production once again.
- Erros de gravaçãoThe ferry incident is Mardi Gras Day (a.k.a. Fat Tuesday). On Mardi Gras Day, the ferry service is pedestrian only for security reasons. And also, there was a school bus full of school children on it. All schools in the New Orleans area are closed for the holiday.
Clearly, this was a privately booked function for U.S. Navy personnel and their families; the school buses were chartered to carry their family members.
- Citações
Doug Carlin: What if you had to tell someone the most important thing in the world, but you knew they'd never believe you?
Claire Kuchever: I'd try.
- Cenas durante ou pós-créditosThe opening production logos stop in mid-sequence, reverse for a moment, then stop again and continue forward.
- Trilhas sonorasWhen The Saints Go Marching In
Traditional
Performed by the US Navy Southwest Regional Band
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- How long is Deja Vu?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 75.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 64.038.616
- Fim de semana de estreia nos EUA e Canadá
- US$ 20.574.802
- 26 de nov. de 2006
- Faturamento bruto mundial
- US$ 180.557.550
- Tempo de duração2 horas 6 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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