Medo da Verdade

I would consider myself to be a movie buff and I live and grew up in Massachusetts. I must tell you that Ben Affleck has done an outstanding job in his directorial debut. In casting his brother Casey you may think that it's just nepotism or giving his brother a break. No. He is the absolute perfect person to play this role. Because they know the area they have made one of the most authentic movies I've ever seen. And it's not just some Boston movie either. I heard a woman as I was leaving saying it's just like The Departed. No it's not, it's much better and the fact is, I loved The Departed. But that was flashier. As great as it was you could tell people were acting. Not here. They seemed exactly like the degenerates and handful of decent folk I see every day of my life. The woman who plays the girl's mother, I don't know who see is, but I've met her about 1000 times.

As far as the story goes I'd never spoil it for you but it's complex, not confusing. There is a lot going on and it's so real. I don't know what's happened in this area but people have become so lousy. So lousy that if you're a good person you just don't know what can be done anymore. There seems to be no answer sometimes and this film is set in that world. If you have the brains and heart to try you don't even know what will come of it.

Who should see this? Intelligent people. People who want to come out of a movie thinking about what they just saw. People who want to see an incredibly well made film. And anyone who ever liked Ben Affleck even for half a second. He should be very proud of this movie. As far as content there are loads of curse words, some drug use, but no nudity that I can remember, and there is some gun violence, but nothing too bad. Put it high on your movie going list.

Anytime a movie can get you to pause and consider a moral dilemma (what would I have done?) while watching it definitely deserves a high mark in my book!! This movie showed the very raw, mean streets of Boston's underbelly and didn't sugar-coat anything. I liked that it was real and not made all pretty for film as in so many other films of late. I have/will recommend this movie to all my friends. Kudos to Casey Affleck, Morgan Freeman and Ed Harris. This was, so far, the best movie I've seen in 2007. I haven't been impressed with Ben Affleck in front of the camera, but maybe he's found his niche - behind the camera? Just go see it.

It's become a hobby of mine this past year to watch IMDb's top 250, AFI's top 100 and all Oscar winning (and most nominated) films. I've seen over 100 films in just the past year alone, but I am struggling to think of a film that I enjoyed more.

The performances are outstanding. All of the characters- including the city itself - are filled with depth and ambiguity. Like a previous post mentioned, Amy Ryan did a phenomenal job as Helene, not only do I know many people like her, I'm related to some. I didn't even recognize her from her wonderful performance in the Wire.

The questions that this movie asks as it unfolds do not get answered in by the closing credits, and they still aren't answered as I type. Who was right? Is there a right answer? Morgan Freeman- the greatest actor alive- and Ed Harris give standard upper echelon performances. But I was surprised by Michelle Monaghan and especially Casey Affleck. He didn't flinch, and he didn't compromise his ideals, but in the end compromised nonetheless. I hope he gets a nomination.

Ben Affleck lost my favor somewhere around the time he began to cry in Armageddon, and I haven't taken him seriously since. But his achievement here, the pace, the mood, the spot on capturing of the desolate neighborhood, and the overall story leads me to anxiously await his next directorial effort.

The best film I've seen in years.

Ben Affleck's impressive directorial debut features some remarkably naturalistic performances, a genuine sense of locale, and an atmosphere of despair and hopelessness that becomes a major antagonist. An honestly downbeat film, it portrays a mode of existence where nothing is black or white, and it is that gray area that the film explores so effectively even if I find the story from Dennis Leheane's novel to be a bit far-fetched and convoluted. More than The Departed, Mystic River, and Peter Yates' The Friends of Eddie Coyle, Gone, Baby, Gone understands the inter-relationship among cops, criminals, and a neighborhood as they search for a missing child. Though the boyish Casey Affleck is arguably miscast as Patrick, a character who was more mature in the novel, his performance cannot be faulted and by the end he has won us over. The last scene is particularly resonant. Though well-known actors such as Ed Harris and Morgan Freeman are expectedly good, it is the performances of an unknown supporting cast that gives the film a disturbing authenticity. And Amy Ryan as the child's mother gives a trenchant performance. Director Affleck maintains an admirable tone of objectivity and compassion throughout, and he has made a film that is worthy of your time. Go!Baby!Go!

"Gone Baby, Gone" is one of the best films of the year. It is being compared to "Mystic River" and "The Departed" because it takes place in Boston, but I actually liked it better than either of those films.

The opening credits start with the camera showing close ups of people's faces. The close ups are a recurring theme throughout the movie. It's because this is not just a film about a child kidnapping. It is a film about people and that is what lifts this film above so many others.

Director Ben Affleck shows confidence and style in his first film. After this, he does not need to perform in any more films. He is a much better writer and director than he is an actor.

All the performances in the film are superb. Casey Affleck has to carry the film and he does a great job. He is a stoic, deadpan, detective. But unlike the Noir detectives of the past, he is not a loner. He has a lot of friends and he has his girlfriend played by Michelle Monaghan help with the investigation. He uses his connections to find out things the police cannot.

Beyond that, the less you know the better.

If you like crime dramas that also work as character studies, you should run out and see "Gone Baby, Gone."