Tôkyô zonbi

A great fun watch. Two workers who prefer to spend their time training in jujitsu accidentally kill their boss and bury him on Black Fuji, an enormous pile of rubbish. There are some great scenes on Black Fuji with the young couple burying the mother of the boy while she continues to call the girlfriend a tart. When the girlfriend soccer kicks her head off the mother still yells abuse. This sets the tone for the whole movie. Our unlikely heroes are afro-ed and bald and spend a lot of time wrestling with each other. When the zombies attack the main motto is "head north to Russia and become a man". American is dissed and maybe that's why Americans haven't taken to this excellent cult manga film. It's not overly violent and has lots of humour.

This movie was way too long. It has left me so cold and disinterested that I struggle to even trash the damned thing!

There are some amusing scenes (not funny, just amusing) but some, like the one where bald man (I forget his name) says he has cancer, that seem to go on for an eternity.

I used to be a stickler for uncut movies but lately I've come around to the position that maybe the distributer and producers were sometimes right to reign in the excesses of wannabe epics, especially ones where so little actually happens that you can probably describe the whole 104 minutes in a few sentences.

This isn't so much a zombie picture as a character study that just happens to have zombies in it and the characters are a bunch of idiotic whiners.

If you want to see a good Asian zombie flick, go check out one called Bio Zombie. It's actually funny (not just amusing), has a better buddy sub-plot, and has real action and suspense.

TOKYO ZOMBIE is an oddball 'Buddy Flic' within 'The Genre Of The Undead". Director, Sakichi Sato, who is probably best known for playing Charlie Brown in Quentin Tarantino's 2003 film KILL BILL:VOL. I, has crafted a horror film of equal parts buffoonery and blood. Whatever ironic elements that were inherent to classic Horror are ramped up and played as belly laughs. SHAWN OF THE DEAD is certainly a prime example of this trend. Tadanobu Asano is a highly regarded Japanese model and film star, and plays Fujio,the fright-wig wearing half of the dimwitted duo. Asano is better known for his more serious roles, yet is able to deliver the laughs as required. However, both lead roles remain sketchy, and the film strives for more character development in the second half of the movie, but doesn't go far enough. TOKYO ZOMBIE will probably best be appreciated by aficionados of contemporary Japanese art films, while the majority of viewers will be left in the dark.

I picked this up cheap, the DVD case proclaiming it to be "The Japanese Shaun of the Dead". Very misleading. Yes, it's a comedy with zombies but that is as far as the similarities go. Based on a manga comic with the same name, apparently, the story is mainly about two workmates and their obsession with Jujitsu. Only there's a zombie apocalypse (yawn) so they're constantly having to deal with fighting off the living dead. Unless you are a fan of Japanese horror/comedy then this may not be your cup of tea. It is funny at times, tedious at others. Bizarre, or silly, is an apt description. There is plenty of violence but it's more comical than gory, tame enough for a 15 certificate (UK)

The box bills TOKYO ZOMBIE as the Japanese SHAUN OF THE DEAD, but sadly that turns out not to be the case. This is a very low budget, entirely offbeat Japanese comedy, that's more interested in the sport of jujitsu than actual zombies. In fact, the zombies themselves turn out to be a mere plot device, a background for the central storyline which is about the friendship between two demented buddies.

It starts off on a fairly good footing, reminding you of some of the classic Japanese zombie films like JUNK and VERSUS, which all seemed to be filled with loads of chaotic energy and incident. Sadly, as the storyline progresses at a very slow pace indeed, you realise that TOKYO ZOMBIE just doesn't know what kind of film it wants to be. The zombies are dull and the storyline is silly, going nowhere and offering little of the surreal humour I'd expected to see.

It all falls apart for me around the halfway mark, where there's a gap of five years, because the second half just isn't as interesting as the first. The whole idea of the satirical gameshow is just a flop from the beginning and the film concludes with a whimper rather than a bang. The characters are an acquired taste to say the least and the production values are low; I usually like offbeat Japanese fare but not this time. I didn't laugh once.