A um policial alcoólatra e envelhecido é designada a tarefa de escoltar uma testemunha da custódia policial até um tribunal a 16 quarteirões de distância. Existem, porém, forças caóticas em ... Ler tudoA um policial alcoólatra e envelhecido é designada a tarefa de escoltar uma testemunha da custódia policial até um tribunal a 16 quarteirões de distância. Existem, porém, forças caóticas em ação que os impedem de fazê-lo inteiros.A um policial alcoólatra e envelhecido é designada a tarefa de escoltar uma testemunha da custódia policial até um tribunal a 16 quarteirões de distância. Existem, porém, forças caóticas em ação que os impedem de fazê-lo inteiros.
- Direção
- Roteirista
- Artistas
- Prêmios
- 2 indicações no total
- Eddie Bunker
- (as Mos Def)
- Ray Fitzpatrick
- (as Mike Keenan)
Avaliações em destaque
Recalling the 1977 Clint Eastwood vehicle "The Gauntlet" (to name just one possible influence), "16 Blocks" explores fairly familiar territory. Still, the idea of watching this seriously burnt-out cop begin to redeem himself makes it all pretty compelling. Richard Donner (in what was his last film for the past 13 years) guides it all in style, with top action scenes and good use of NYC locations. The film starts off in a rather low-key manner, then ratchets up the tension and quickens the pace as the first attempt is made on Bunkers' life. The chemistry between cop and witness is effective enough to carry the story through to its ultimate conclusion, especially as Mosley realizes that Bunker is really not a bad person, despite what his colleagues try to tell him. (It's worth noting that the naming of this character may be a deliberate nod to the real-life Eddie Bunker, who'd spent time in prison and turned his life around by becoming a novelist and screenwriter, and actor, in things like "Reservoir Dogs".)
When he actually gives a damn about a project, Willis can still deliver a riveting performance, as he does so here. Despite his flaws, Mosley comes off as an all-too-human protagonist, one with some rooting interest. Since it's Willis in the role, the viewer has no doubt that he's still capable of kicking some ass when necessary. As for Mos Def, his affected, nasal voice CAN grate on the nerves, as well as the characters' incessant chattiness, but the performance is basically sound. Familiar faces in supporting roles include the always great David Morse (as the ringleader of the crooked cops), David Zayas ('Dexter'), Casey Sander ('Grace Under Fire'), Cylk Cozart ("White Men Can't Jump"), Kim Chan ("Lethal Weapon 4"), and Donner's actor cousin Steve Kahan, whom action fans know as Captain Murphy in the "Lethal Weapon" franchise.
A good, enjoyable action-thriller overall, which finds all of its key participants in fine form. One memorable sequence has Jack and Eddie trapped on a bus and surrounded by the authorities.
Seven out of 10.
For the first 70 minutes I loved the film but then, the creators made an implausible turn in the script which made me cringe but even the way it turned, the movie was fun to watch -the combination of Action/Crime/Thriller almost always makes me happy. The DVD features an alternate ending which I like a lot and I wish it could make it to the theatrical release. It is more logical and fits the film but I can understand why the movie makers decided to go with the different ending. Another thing - you can't go wrong with Bruce Willis. The guy was born to play the tough cops who never give up and who are good in saving the city, the country, the world, the humankind or just one petty criminal and to give him a chance to re-start his life and do something out of it.
Willis is impressive with his burnt-out-edness. His character does not resemble any kind of action hero here; unfit, overweight, unattractive, shuffling, gasping for a drink. Well done. And while I like David Morse his character was a bit over-the-top. I mean, I get that they're crooked cops but really, shooting wildly into a crowded NY street and a bus full of civilians. Did the bad cops think they were completely above the law or any repercussions? That they could just do whatever they wanted without consequence? Reminded me a bit of that opening scene with Dwayne Johnson and Samuel L Jackson from "The Other Guys" except that was a comedy. I will say that this grew on me by the end though. 06.13
Você sabia?
- CuriosidadesIn order to make Detective Jack Mosley's limp look realistic on screen, Bruce Willis put a pebble in his shoe and kept it there throughout the length of the shoot.
- Erros de gravaçãoWhen the bus drives down the alley, knocking down air conditioners, one of them falls apart, revealing it to be an empty metal box.
- Citações
Jack Mosley: [as an answer to Eddie Bunker's riddle] You give your car keys to your best friend, who takes your car and drives the old lady to a hospital. You stay behind with the love of your life.
- Cenas durante ou pós-créditosThere are no opening credits save the title "16 BLOCKS".
- Versões alternativasSPOILER: On the DVD is a version with an alternate ending, where Nugent calls off killing Jack after they talk in the basement of the courthouse, but can't get through to Torres. Nugent runs upstairs to stop Torres. After Jack tells the ADA he's willing to testify, Torres shoots him when he pulls the tape recorder from his pocket just as Nugent reaches him. They both fall down the stairs. But then Nugent moves as the playback starts on the tape recorder. The ADA rushes to the jury with the recording as someone covers Jack's face with a blanket. Later a voice over (when Diane gets the cake) by Eddie reveals that Diane came to see him in Seattle to tell him that Jack is dead.
- ConexõesFeatured in HBO First Look: 16 Blocks (2006)
- Trilhas sonorasBesame
Written by Jeeve and Von Shock
Performed by Sapien
Courtesy of Where's My Cut Productions
By arrangements with Blast! Management and Pen Music Group
Principais escolhas
- How long is 16 Blocks?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Muerte súbita
- Locações de filme
- Toronto, Ontário, Canadá(As NYC:)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 52.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 36.895.141
- Fim de semana de estreia nos EUA e Canadá
- US$ 11.855.260
- 5 de mar. de 2006
- Faturamento bruto mundial
- US$ 65.664.721
- Tempo de duração1 hora 42 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1