A Estranha Perfeita

Have you ever met someone who you didn't like at first but, after you made an effort, they kinda got your attention?

I had to make the effort with Perfect Stranger. It is not an easy movie to like. Its direction seems pedestrian, the camera-work and editing wanting, and the acting wasted. The characters are not very nice people, but not evil enough to be anti-heroes.

But let's work backwards. It has a killer ending. If you worked hard to follow the complex plot, your efforts pay off. That makes you feel good. Like listening to a person you can't get away from who has droned for an hour and a half and then suddenly what they are saying makes a warped kind of sense. The plot might be convoluted, but I have to admire the way it fits the horrible, cynical pieces together. An hour afterwards, it reminds me of old B-movies that you might dig up and pick little gems from their rotting carcass.

So what's it about? Well, it could be about anything - no, that's me being too disingenuous. It's a mystery thriller. A whodunnit. It has Halle Berry moving through several personas and Bruce Willis being quite disgusting and yet getting our sympathies. She's an investigative reporter. He's the head of an advertising agency. Then there's some fabulous shots from the newly-completed 7 World Trade Center, the first of the new buildings on the former WTC site. Look out for stunning wraparound views of Lower Manhattan, the Hudson River, and New Jersey.

Annoyingly, the film doesn't glamorise its strengths. A key early conversation between Halle Berry (Rowena) and her pal Grace is almost overpowered by the background noise of the subway trains. Almost, but not quite - are you paying attention? The views of New York are more impressive when you think back to them. But at the time we see them, we are trying to figure out what kind of game Harrison Hill is playing. Similarly, an early scene of outrage that could have grandstanded Berry's acting talents is subsumed into a very ordinary establishing shot. But condemn it early on at your peril. Dismiss it and you forego the enjoyment of a well-constructed mystery, even if it doesn't live up to the star ratings its big names might suggest. This film doesn't follow the 'good' rules, you long for something to spice it up. Some flashy camera-work, fancy edits maybe. Or something sexy with Halle Berry's legs? And you don't get much of that. Does the story have you by the balls yet? Probably not. "Stroke a man's (beep), you get him for one night - stroke his ego and you get him for life." Grace's comment only hits us after we leave the cinema. It might not be that simple, but Rowena, like any good journalist, only does 'sexy' here for effect.

Rowena's pal winds up dead. Very dead. Horribly, bloated, facelessly dead. At this point, I was still thinking how they 'should' have directed the movie to give it more impact. Later on, I appreciate the understated style. It also leaves you free to follow the plot more carefully than if you are having clues and red herrings rammed down your throat.

Rowena takes on another identity to get a job at Harrison Hill's agency, as well as some more online personas. The powerful Mr Hill seems to have been in everyone's pants (even though he has a genuinely stunning wife). Yet Willis plays the role with such honesty that we almost don't want him to get caught out. He might be a sleaze but Rowena's co-investigator, Miles, is a sleaze-ball of a different kind. Miles does online jiggery-pokery to find out stuff for Rowena. But he is also a different kind of twisted power-tripper and runs rings around her.

Perfect Stranger lulls us into moral condemnation. Its outlook of the world is totally cynical. "Show me a beautiful woman and I'll show you a man who's tired of (beep)ing her," confides a Hill employee to Berry. When you meet the perfect stranger do you assume the best? Or do you assume the worst?

"To a certain extent, everybody lives a double life," says Academy Award winner Halle Berry. "We're all complicated beings; we're different people all the time - for example, a woman might act differently at work than she does at home. We all hide something, even from our best friends. This movie highlights that and takes it to the next level, showing what we're capable of when we're forced to come to terms with it."

OK, we know that nothing and no-one is perfect, and we accept that they everyone and everything is 'packaged', right down to the Veronica Secret gift bag that the ad agency is giving away. But ultimately Perfect Stranger is packaged as carelessly as if it were wrapped in second-hand gift wrap. That makes it easy to dismiss. Or loathe. But its self-effacing, redeeming qualities are perhaps sufficient not to ignore. Mystery thriller geeks, get your ticket now, before it is condemned to obscurity.

(note - I have censored certain words from the quotes from the film for this site)

I've read all the negative comments and I'm starting to think someone who hates Halle Berry has created multiple accounts. I hadn't intended on seeing it, I just felt like going to the movies this afternoon. The movie I wanted to see didn't start until later so I said 'what the heck, I'll give it a try'. This movie was a pleasant surprise for me.

I called it noir-ish because that's the feeling I got from it. And I have to say that sitting in the theater I thought, 'Gee, it's nice to see a movie with two real live movies stars in it.' You get all kinds of weird combinations these days with stars and starlets and rap artists that it's no wonder that most movies are awful.

In this case you have a story about a woman played by Halle Berry who is an investigative reporter for a major newspaper. She has a great story that her paper decides to not use. In anger, she quits, and at the same time a maybe even more important story, involving an advertising giant played by Bruce Willis, falls in her lap. So the movie is about her trying to get to the bottom of this story along with the help of her friend/colleague, played by Giovanni Ribisi. Now I'm purposely not including any spoilers because I personally like to know as little as possible going into a film.

I think a good number of people who like movies like The Usual Suspects or Lucky Number Slevin will like something like this. Now where I think we can really tell is if you also saw and didn't hate the Black Dahlia. A lot of people didn't like it. I loved it. But being very specific there were people who didn't like it because they felt the ending was too quick and that there was no way you could have figured it out with the information at hand until the movie explained it for you at the end. I disagree but those people may have a problem with this. Anyone who wants to figure mysteries out before the end and doesn't want to go along for the ride may have the age old complaint of "how are we supposed to figure it out if they only told you (insert important plot point) at the end?" I'm not one of those people. I like to go along for the ride. That being said, I do think there is enough info that if you really want to guess at the ending you could do it.

The acting was great. I'm not that big on Halle Berry but she did the best job I've seen her do in a while. Bruce is becoming someone I definitely trust with my money. And, imo, it's Giovanni Ribisi who stole the show here. He's getting better all the time.

This movie is for adults, not that it's too much for a teenager to handle. I just don't really think it's something your average teen would be interested in. And it's an R for a couple of reasons. So I'm going to recommend it for older mystery and/or noir fans who don't mind not being able to figure out the ending.

Perfect Stranger I had read really bad reviews of the movie on the internet and I was not sure whether I should go to see this movie or not. I had to choose between a 1918 Austrian silent movie and this. I chose this, just because it was a new movie.

The story is about a journalist – played by Halle Berry, who does sting operations on rich powerful businessmen. With one mission unsuccessful due to politics and power-play in not covering the sting by the news industry and she quitting her job; she pursues Harrison Hill – played by Bruce Willis – to expose the murder of her friend. She takes the help of her colleague Miles – played by Giovanni Ribisi. I would not disclose the expose and let the last frame suspense let out.

The movie is quite engaging throughout, and I found the reviews a bit harsh and lopsided. It is not such a bad movie as made out to be by film critics. The mystery quotient shifts from one character to another, I had guessed one when the murder took place, but due to the course of engrossing events and incidences – I lost that thought; only to re-emerge as the mystery I had guessed in the first place.

The ending was a bit lame, and there are lots of loose ends hanging. Halle Berry looks good and tries to act sincerely. At times she has captured some emotions perfectly. Bruce Willis does not have much to do and as usual he mumbles his way through the movie and at times displays his whimsical temper. The surprise pack was Giovanni Ribisi – as the colleague and close friend of Halle Berry – who has a huge crush on her and manipulates Halle's effort to solve the mystery.

James Foley – the director, lost the plot in the end, but leaves behind an engrossing story overall.

(Stars 5.25 out of 10)

PERFECT STRANGER is a fast-paced little crime mystery of a film that despite the innumerable sidebars of undeveloped information scattered throughout the script does manage to surprise the audience at the end. The movie seems to be a vehicle for the beautiful Halle Berry to show off her skills and other assets: Bruce Willis is billed as a co-star but his role is minor and unexpectedly underplayed - a nice little tour de force for the king of action flicks.

Berry plays a reporter with a man's nom de plume that allows her to uncover secrets of famous people for newsy stories. Once fired from her job for uncovering the deeds of a Senator who is promoted by her newspaper, she teams her good buddy Giovanni Ribisi, a wizard of information about the media and internet spying, and the two go after a wealthy ad executive (Bruce Willis) when the murder of one of Berry's old girlfriends stirs both her wrath and her own secret demons. The chase is on with Berry playing games of deceit backed by the skills of Ribisi. And just when the plot seems to have uncovered the murderer, then another line of story involving Ribisi and Berry explodes the audience's tracking of the crime with a rather good ending.

Berry is fine in her role as is Ribisi with his: Willis is not on the screen long enough to form an opinion, a fact that is actually rather a refreshing twist! The camera loves Berry in all her glamour and manages to turn sordid when the plot elements necessitate that. It is a fair evening's diversion and were it not for all the 'dropped ideas' that plead development, it would be a stronger thriller. Grady Harp

In New York, the investigative reporter Rowena Price (Halle Berry) sees her scoop about a gay senator spiked by her editor. She quits her job in the newspaper and meets with her childhood friend Grace (Nicki Aycox) by chance in the subway. Grace tells Ro that she had just been dumped by the powerful and wealthy owner of the greatest New Yorker advertising agency, Harrison Hill (Bruce Willis), and she was threatening to tell his wife about their affair. When Grace is found dead, Harrison becomes Rowena's prime suspect. With the support of her hacker friend and former colleague Miles Haley (Giovanni Ribisi), Ro is hired for a temporary work in Harrison's agency to get close to the executive and investigate his life.

"Perfect Stranger" has a good story, with a surprising twist; the lead cast has the names of Halle Berry, Bruce Willis and Giovanni Ribisi; unfortunately, the screenplay does not work well since it does not create an empathy of the viewer with the characters, which have dirty secrets. In the end, this film is a good and forgettable entertainment. My vote is seven.

Title (Brazil): "A Estranha Perfeita" ("The Perfect Stranger")