Quando uma operadora veterana do 911 recebe uma ligação que mudará sua vida de uma adolescente que acaba de ser sequestrada, ela percebe que deve enfrentar um assassino de seu passado para s... Ler tudoQuando uma operadora veterana do 911 recebe uma ligação que mudará sua vida de uma adolescente que acaba de ser sequestrada, ela percebe que deve enfrentar um assassino de seu passado para salvar a vida da garota.Quando uma operadora veterana do 911 recebe uma ligação que mudará sua vida de uma adolescente que acaba de ser sequestrada, ela percebe que deve enfrentar um assassino de seu passado para salvar a vida da garota.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 11 indicações no total
Evie Thompson
- Leah Templeton
- (as Evie Louise Thompson)
Avaliações em destaque
Others have already told all in spoilers, so I'll just say a smart, capable woman who's very good at her job and has a cop for a boyfriend decides to throw her brain away and act incredibly dumb for the last 20 minutes of the movie. I was riveted until then.
"The Call" is a tidy little thriller, modeled, in large part, on the movie "Speed." Halle Berry plays the Southern California 911 dispatcher who's in a race against the clock to rescue a teenage girl (Abigail Breslin) locked in the trunk of a serial killer (Michael Eklund).
Director Brad Anderson keeps the action going at a breakneck pace, providing pulse-pounding, edge-of-the-seat suspense that helps us to overlook the stray inconsistency and implausibility that wander into the narrative, particularly towards the end (the movie doesn't entirely escape the Third Act curse common to the genre). There's also an unfortunate tendency towards the sadistic that spoils some of the fun.
The really distinctive feature is that writer Richard D'Ovidio has made Jordan, the dispatcher, a compelling, easily identifiable figure by emphasizing not only her strength and craftiness but her insecurity and self-doubt as she does her best to assist people in making it through sometimes unimaginable crises.
The movie is a bit overwrought at times (again, looking at you, last half hour) and it ultimately succumbs to too many serial-killer clichés, but "The Call" is a whole lot better than many of the more highly publicized, big-budget thrillers of recent times.
Director Brad Anderson keeps the action going at a breakneck pace, providing pulse-pounding, edge-of-the-seat suspense that helps us to overlook the stray inconsistency and implausibility that wander into the narrative, particularly towards the end (the movie doesn't entirely escape the Third Act curse common to the genre). There's also an unfortunate tendency towards the sadistic that spoils some of the fun.
The really distinctive feature is that writer Richard D'Ovidio has made Jordan, the dispatcher, a compelling, easily identifiable figure by emphasizing not only her strength and craftiness but her insecurity and self-doubt as she does her best to assist people in making it through sometimes unimaginable crises.
The movie is a bit overwrought at times (again, looking at you, last half hour) and it ultimately succumbs to too many serial-killer clichés, but "The Call" is a whole lot better than many of the more highly publicized, big-budget thrillers of recent times.
Jordan Turner (Halle Berry) is a skilled 911 operator. She gets a call from Casey Welson (Abigail Breslin) who has an intruder in the house. She tries to hide but she taken when Jordan reconnects after getting disconnected. Michael Foster (Michael Eklund) is a serial killer with a fetish for hair.
This is a great little thriller. It moves along well. The story is logical. Halle Berry may have overacted on a couple of occasions but her location keeps the movie restrained. Overall, this is a great little thriller until the last 20 minutes or so. The ending is pulled right out of a different movie. It tries to ramp up to a slasher porn horror. It doesn't make sense that Jordan would go there. It's too convenient and ill conceived. Before it turned, it's an 8 but 6 is all I have left for it.
This is a great little thriller. It moves along well. The story is logical. Halle Berry may have overacted on a couple of occasions but her location keeps the movie restrained. Overall, this is a great little thriller until the last 20 minutes or so. The ending is pulled right out of a different movie. It tries to ramp up to a slasher porn horror. It doesn't make sense that Jordan would go there. It's too convenient and ill conceived. Before it turned, it's an 8 but 6 is all I have left for it.
I really like the first half, it keeps you involved but second half has unnecessary plot. Ending could have been different.
The first half of the film I'd genuinely give a 10/10, the second half would be more a 6/10.
The first forty five minutes had me utterly gripped and on the edge of my seat, it was exactly what you want from a thriller. The second half becomes a more bog standard thriller, dare I say it, it becomes somewhat silly, the ending is too much.
Berry is terrific, I am such a fan of hers, sadly her character transforms into something a little silly. The villain is rather good, I only wish we got to learn a little of his motivation, sadly they didn't explore it.
It's watchable. 8/10
The first forty five minutes had me utterly gripped and on the edge of my seat, it was exactly what you want from a thriller. The second half becomes a more bog standard thriller, dare I say it, it becomes somewhat silly, the ending is too much.
Berry is terrific, I am such a fan of hers, sadly her character transforms into something a little silly. The villain is rather good, I only wish we got to learn a little of his motivation, sadly they didn't explore it.
It's watchable. 8/10
Você sabia?
- CuriosidadesIn the opening scene, one of the callers in the 911 center states "I think I'm having an overdose and so is my wife." The line was made famous by Edward Sanchez, a policeman who confiscated marijuana from a suspect and then made brownies with it. He called 911 when he thought he had taken too much.
- Erros de gravaçãoWhen Jordan stumbles upon the trapdoor access to the underground bunker, it is covered with leaves and debris. But Michael is already inside, so the debris would have fallen away when he opened the trap door.
- Citações
[last lines]
Michael Foster: You're an operator. You can't do this!
Jordan Turner: It's already done!
- ConexõesFeatured in The Tonight Show with Jay Leno: Episode #21.105 (2013)
- Trilhas sonorasPartly Cloudy
Composed and Performed by Ronald A. Mendelsohn (as Ronald Alan Mendelsohn)
Courtesy of Megatrax Music
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Línea de emergencia
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 13.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 51.872.378
- Fim de semana de estreia nos EUA e Canadá
- US$ 17.118.745
- 17 de mar. de 2013
- Faturamento bruto mundial
- US$ 68.572.631
- Tempo de duração
- 1 h 36 min(96 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente