Adicionar um enredo no seu idiomaGoing behind the curtain to capture the most controversial, passionate, risky and high-profile Broadway season in decades.Going behind the curtain to capture the most controversial, passionate, risky and high-profile Broadway season in decades.Going behind the curtain to capture the most controversial, passionate, risky and high-profile Broadway season in decades.
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- Roteiristas
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- Prêmios
- 1 vitória e 1 indicação no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This documentary is perfect for both theater people and non-theater people --- really, anybody who's ever gone to a musical and had a good time. It gives a pretty good account of the long, sometimes arduous process of writing, rehearsing, and staging a musical. It's informative, it's entertaining, it's funny. It's very inspiring to see a group of people doing what they love to do (it's like Man on Wire in that sense), but it's very honest about the fact that shows close early, people can be out on the streets pretty quickly, and there is a sense of sadness as well as joy to the film.
The only reason I don't give it ten stars is that its issues are not as important as, say, "When the Levee Broke" or "Sicko." But it does what it sets out to do, is well worth watching, and I know I'll be watching it more than once.
The only reason I don't give it ten stars is that its issues are not as important as, say, "When the Levee Broke" or "Sicko." But it does what it sets out to do, is well worth watching, and I know I'll be watching it more than once.
"Show Business" provides us with a behind-the-scenes glimpse into the making of four original musicals that debuted on Broadway during the 2004 season: "Wicked," an inside-out re-interpretation of "The Wizard of Oz," told from the viewpoint of the Wicked Witch of the West; "Taboo," a Rosie O'Donnell-backed chronicle of the life of Boy George; "Avenue Q," a parody of "Sesame Street," done with live actors and puppets; and "Caroline, or Change," a civil rights drama set in the Deep South of the 1960s.
The movie follows all four shows through their various stages of rehearsal, their opening (and sometimes closing) nights, their reception by audiences and critics, and their recognition (or lack thereof) by the Tony Awards. To bring this self-contained and exclusive world to life, director Dori Berinstein interviews a healthy dose of Broadway insiders and hangers-on, including producers, performers, writers, composers, fans and reviewers. The movie captures all the joy and heartbreak, along with all the pressures - both artistic and financial - that go into the creation of a Broadway show (there's a reason, after all, why they call it "show BUSINESS"!).
This doesn't quite qualify as a must-see documentary, but fans of musical theater - and of these shows in particular - should relish all the juicy backstage info they'll find here.
The movie follows all four shows through their various stages of rehearsal, their opening (and sometimes closing) nights, their reception by audiences and critics, and their recognition (or lack thereof) by the Tony Awards. To bring this self-contained and exclusive world to life, director Dori Berinstein interviews a healthy dose of Broadway insiders and hangers-on, including producers, performers, writers, composers, fans and reviewers. The movie captures all the joy and heartbreak, along with all the pressures - both artistic and financial - that go into the creation of a Broadway show (there's a reason, after all, why they call it "show BUSINESS"!).
This doesn't quite qualify as a must-see documentary, but fans of musical theater - and of these shows in particular - should relish all the juicy backstage info they'll find here.
I would highly recommend this documentary for anyone interested in Broadway generally, and musicals specifically. It documents the entire 2003-04 Broadway season. It focuses primarily on four musicals: Avenue Q, Wicked, Caroline or Change, and Taboo. The unrestricted access to the musical process from casting to rehearsals to previews all through to the Tony Awards was amazing.
At our screening, we were surprised by the appearance of Dori Berinstein (writer/director/producer) and Jeff Marx (composer/lyricist of "Avenue Q"), for a Q & A. Dori revealed that they had over 400 hours of video, from which to produce this final product.
I'm looking forward to the release of the DVD which we were promised would include footage that didn't make it into the movie.
At our screening, we were surprised by the appearance of Dori Berinstein (writer/director/producer) and Jeff Marx (composer/lyricist of "Avenue Q"), for a Q & A. Dori revealed that they had over 400 hours of video, from which to produce this final product.
I'm looking forward to the release of the DVD which we were promised would include footage that didn't make it into the movie.
A very exciting film...not the usual documentary...but a dramatic and often comedic look in to the backstage life of the Broadway musical...full of life...and most importantly...an honest view of a complicated industry...thank you Dori...it is amazing to see close up the coordination between a host of individuals...all with varied goals...working together in an exciting creative process...to watch this process be honestly and searingly recorded is a definite first...Show Business, The Road to Broadway is a MUST for anyone with an interest in the profession theatre...most especially in the musical theatre...four more different productions could not have been documented to greater effect...as well...Show Business is a loving shrine to a business/industry we all love...again...thank you Dori...and huge thanks to all those appearing in Show Business as well as the myriad of behind-the-scenes theatre makers.
10gymswim
A refreshingly heartfelt look at theater, the theater community and the many facets of the creative process. This documentary provides an insider view of the challenges, risks, joy, sweat, tears and dedication required in pursuing the creative process, particularly theater. It affords parents a wonderful opportunity to share an experience with their children and open a dialogue about the magic of theater and what it takes to really be good at something. The documentary proves the pompous absurdity of the media critics in the act of expressing their ignorance, lack of respect for process and how often they completely misjudge what they have seen. By tracking the evolution of several shows, the documentary allows the viewer to see the value in forming one's own opinions and what can happen by pursuing one's "truth" and making the necessary sacrifices and risks to do whatever one loves. The payoff in this movie is illustrating what beauty, spontaneity and truth can be revealed in live theater and the depth of dedication required by all of those who devote their life to it.
Você sabia?
- CuriosidadesThe song that Idina Menzel sings over the credits is a much-changed version of "Lullaby of Broadway," written by Al Dubin and Harry Warren. The song originally appeared in the Warner Brothers film Mordedoras de 1935 (1935)and won the 1936 Academy Award for Best Original Song. It was one of many Warren and Dubin songs eventually included in the 1980 musical "42nd Street" (based mostly, but not entirely, on their 1933 movie of the same name). The version that Menzel sings in this documentary was arranged by Jan Folkson and Jeanine Tesori and given an almost entirely new tune, as well as some new lyrics - a spoken interlude drawn from Harlem Renaissance poet Claude McKay's 1920 poem "On Broadway;" Billy Porter performed the McKay portion of the song.
- Cenas durante ou pós-créditosAt one point during the end credits, the recording session for Idina Menzel's version of "Lullaby of Broadway" is shown.
- ConexõesEdited into Idina Menzel: Trajetória de Sucesso (2022)
- Trilhas sonorasEntr'Acte from Cabaret
Music by John Kander
Lyrics by Fred Ebb
Used by permission of Alley Music Corporation (BMI) and Trio Music Corporation (BMI)
Arranged by William Bassett Jr.
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Showbiznes: Droga na Broadway
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 151.792
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.829
- 13 de mai. de 2007
- Faturamento bruto mundial
- US$ 151.792
- Tempo de duração1 hora 42 minutos
- Cor
- Mixagem de som
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By what name was ShowBusiness: The Road to Broadway (2007) officially released in Canada in English?
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