O Assassinato de Jesse James pelo Covarde Robert Ford

If you have watched the trailer and know this movie is two hours and forty minutes long you know what you are getting into and should not be disappointed. This movie delivers on every level of film making, be it cinematography, acting, or writing. Casey Affleck delivers a fantastic performance in how he portrays Robert Ford as the bright eyed fawning kid in a way so sincere it makes the audience uncomfortable even when it shouldn't. Brad Pitt underplays his part as Jesse James hitting all the right notes while never saying much. Exactly the way one would expect an outlaw to act when they have everything in the world to hide. I can't say the movie didn't FEEL two hours and forty minutes long but I never wanted it to end sooner than it did. I guess I just enjoyed the time I got to spend watching these characters for the full running time.

I loved this movie. Unfortunately, a long western without action is something seemingly impossible to sell to the public these days. It would be to the advantage of the studio to sell this like The English Patient was sold 10 years ago. Just make people feel like ignorant idiots if they don't like it! As much as it pains me to say it, I think most people don't care enough to bother seeing what makes this movie so great. The only other option to make this a success is to fool them into THINKING they love the movie. I'm really curious how many folks out there that like the movie agree with me here.

From writer/director Andrew Dominik comes the long titled and lengthy timed The Assassination of Jesse James by the Coward Robert Ford starring Academy Award nominee Brad Pitt and Casey Affleck. The film in so much of its glory has both positive and negative components that make this an uneasy experience at the movies.

Director Dominik has great control of the picture but when the film went into the editing room the film underwent some problems. The film never keeps the momentum to be an amazing picture. The viewer is connected for the first 15 minutes, then bored for 10, then enchanted for 45, bored for 15, then comes the anticipated climax and you think its over, then it goes on for another half hour. Dominik gives the audience the best understanding of Jesse James possible so we can become better acquainted with him but brings in an slew of different characters that, to be perfectly honest, I don't care that much about. I believe this might be a example of over character development where we get all the aspects of his life but all we want is Jesse.

Last year, many critics were stating Brad Pitt gave his best performance ever in Babel however, his Jesse James is the best performance of his career by a mile. Pitt wears Jesse like an overgrown coat that you don't want to get rid of. Pitt gives the most tortured, endearing, and frightening performance of the year thus far. He makes the audience so uncomfortable and awkward yet gives off sensitivity and compassion for a very unlikable and ferocious man. If buzz builds, expect Pitt to be a huge contender at the Oscars.

Casey Affleck, arguably the better actor of the Affleck clan gives the most pathetic, annoying and cowardly performance in the last ten years; and its brilliant. With his deep "admiration" for Jesse, his Robert Ford is engulfed in Jesse's presence and wants enjoy the moments with him, even if he is in fear of him. The finale is truly his show as he stretches out his acting legs and dissolves into a character you can't wait to see off-screen.

The cast ensemble is a true revelation as each character as over-developed as they might be, all bring a sense of humanity, charisma, and heartbreak to their roles. Sam Rockwell who is on the verge of being a household name and coming his way to a nomination one day plays Charley Ford, brother of Robert, as magnetic as the character demands. Mary Louise Parker, who is one of the better actress' working today, goes nowhere as Jesse's wife. This is a role that is very Academy friendly, and throws it away in a her limited screen time Sam Shepard who plays the older brother of Jesse, shows fear and anguish built up in a man who yearns for emotional freedom from crime. Paul Schneider, Jeremy Renner and Garret Dillahunt all turn in exceptional performances and enhance a cast of big name stars. Expect a possible Screen Actors Cast Ensemble nod for these men.

Expect a possible and much deserved cinematography nomination for the overdue Roger Deakins, which is the strongest technical aspect of the picture. Also a great score by Nick Cave and Warren Ellis is a possibility along with great costumes by Patricia Norris and perfect art direction by Janice Blackey-Goodine. The appeal is there for the film as a whole but it leaves us floating a little too often in a long river of bravery, artistry and commendation. Dominik will likely be cited for some breakthrough director awards with the picture popping up during precursors' season.

Get ready for the assassination everyone knows is coming but no one can prepare for. Never has been a film that tells you the entire story in the title and can still surprise the viewer with beautiful cinematic moments.

Grade: ***/****

Masterful character study and motivationally driven lives which clashed at the wrong time in history. Performances were delivered by first class actors and direction. An underrated tense thriller of one of the most complex people in history versus one of the most average.

Casey Affleck's has officially come into his own. Fantastic performance!

Brad Pitt's performance complex and stunning as usual. Brad does not shy away from the real roles and proves time and time again what a brilliant actor he is.

Roger Deakins shots are stunning, capturing the true beauty that lies within the Canadian rockies. The artistic shots through the old style glass is fantastic.

Score is very unorthodox yet amazingly effective.

The only downside to the film many say is the running time, but I admire that Andrew allowed for the performances of the actors to be the showcase. Many scenes with not a lot of background music, just the intense performances.

Though Jesse James through the newspaper accounts of his exploits and through the dime novels of the day was already a legend, his immortality was sealed on April 3, 1882 by the manner of his death. The lengthy title of the film tells all or at least the official version of the story.

But was that accepted version the real story? For the first time the Ford brothers, Robert and Charley, get their due. As played by Casey Affleck, Robert Ford was a most complex character indeed. Ford is shown for what he was, a moonstruck kid who was brought up on those dime novels and idolized the legendary bandit. The fact that Charley was already riding with the James gang got him into the group.

After the last job the James gang pulled and the only Ford was ever in on, the Fords kind of attached themselves to Jesse James. Of course the idol is no hero. Brad Pitt plays a most unheroic Jesse.

Hints of Pitt's interpretation of Jesse's character are found in the classic portrayal of Jesse James by Tyrone Power. Remember when the laconic Henry Fonda as Frank James dresses Jesse down, tells him he's getting mean, meaner every day even with some of his own gang members? Power was showing signs of it, but we see Pitt as Jesse do some really brutal and cruel things. At the same time he's a loving husband to Mary Louise Parker and doting father to his two children.

As good as Pitt is I think the acting honors go to Casey Affleck. His gradual disillusion with his idol is really something to see on the screen. He becomes really scared of Pitt for reasons I won't reveal, but were definitely sufficient to want him to get Pitt.

We also get to see the Fords sorry aftermath. Things did not go so well for them. Bob Ford did not quite get the acclaim he would have liked as Jesse James became bigger after death than in life.

Frank James as played briefly in the beginning is an odd peripheral character in this film. The James brothers did separate some months before Jesse's death. Frank is played by Sam Shepard who has an encounter with young Bob Ford at the beginning of the film and announces to one and all, the kid creeps him out. But Jesse likes having the kid follow him around like a puppy dog to his ultimate regret.

The Assassination of Jesse James by the Coward Robert Ford is a very good western and we sure don't see too many of them in these times. It's shot in an unusual color, almost like one of those sepia-tone films that were in vogue for a brief spell. The location shooting was done in western Canada and looks a whole lot more like Missouri then than Missouri does now.