Sztuka spadania

Or, more exactly, propaganda of war. dark, macabre - the music from Balkans as clue - , well crafted and proposing the expected provocative story of Tomek Baginski. ironic parable about war, armies, soldiers and dark sides of "innocent" delights.

I had to make a short presentation for a work not so long ago, using this short film as background and I was quite delighted with it. The fact that I didn't know any work of this filmmaker has led to even more my admiration. There was so much in so short time I could talk about, first with details that are immense, starting with the title, the fact of not having human speech, symbolisms, plus a multitude of them in this cyclical story without end, where everything fit together but you're not quite sure what the main message is. And therein lies the joke of what parallelism may exist with the days of yesterday, today and tomorrow, with different reading each one of us will have after seeing it. I really believe that the major objective of this short was achieved, have fun (yes, because although we are facing a very dramatic story, the humor isn't a foreign language) and bring all the ingredients for us to cook with our imagination and perhaps even more than that.

Set atop a rickety watch-tower with a platform more akin to a diving board, a troop of soldiers routinely keep watch, and just as routinely seem to plummet onto the concrete below - all handily timed for the awaiting photographer below to capture their new-found splatted-ness with his camera. The photographs are rushed indoors where they form the most unlikely source of ... art! Indeed, the larger than life "artist" seems to be able to reinvigorate the corpse's image on screen to mirror his own movements - just like dance! Such athleticism takes it's toll, though, and soon he must rest. Who is this mysterious and sinister puppeteer - or is he, too, just a puppet? They must have a never-ending supply of sentries too! Great stop motion animation with a wee bit of slap-stick and a good dose of the macabre!

It is interesting how everybody was astonished by the visualization in Katedra and in this one. And nobody dig into the story behind. But Beginsky's stories are more than just an add on to the graphics.

This masterpiece tells us how some individuals can decide about life and death, and what the army really is. Soldiers are just a tool to achieve the goal of the art called WAR.

While the Katedra is more the critique to the church. The man is alone and when the church shows him the 'light' he's captured forever.

In my opinion Beginski tries to describe the problems in a more subtle way with great visualization and 3D graphics.

It is not about how hard is producing animations. The topic is much more deep. The short tells how human life is wasted in making real the project of war. In war, soldiers are sent to die for beautiful causes like destroy Vietnam to save democracy, steal the oil of Iraq or make a cartoon with corpses.Only people who make war can feel "beautiful" that kind of art: the art of war.

For example, Hitler wanted to make a perfect race, no matter the sacrifice done or people to kill: he sees art in what he does, but no other people, thats why the theater in the short is empty.

Also you can find a superb animation and a fresh way to expose the anti-war message.