AVALIAÇÃO DA IMDb
6,3/10
25 mil
SUA AVALIAÇÃO
Syd é um jovem cuja vida é largada e futil. Depois de quase sofrer uma overdose de drogas, ele percebe que está prestes a perder a única mulher que amou na vida: London.Syd é um jovem cuja vida é largada e futil. Depois de quase sofrer uma overdose de drogas, ele percebe que está prestes a perder a única mulher que amou na vida: London.Syd é um jovem cuja vida é largada e futil. Depois de quase sofrer uma overdose de drogas, ele percebe que está prestes a perder a única mulher que amou na vida: London.
- Prêmios
- 1 vitória e 1 indicação no total
Nicole Andrews
- Nurse Stacey
- (não creditado)
Ned Bellamy
- Luke
- (não creditado)
Ingrid Coree
- Anger Management Patient
- (não creditado)
Matthew Felker
- Nipple Man
- (não creditado)
Avaliações em destaque
I've been reading a lot of very negative reviews posted here about "London" in the past couple of hours. Most of the reviewers complain about rich yuppie kids with no jobs snorting coke and bitching to their therapists. Yes, this is what goes on in the background for 2/3 of the movie.
However, even though bitchy, rich yuppies are not likable characters, the movie portrays them very accurately. Having spent some time with "these people", I felt the movie was incredibly honest and dealt with pertinent issues. Maybe not pertinent to you in particular, but pertinent to these types of people in this age group.
The acting is really superb. Chris Evans strips down his likable "flaming" side to become an annoying, ego-maniacal prick. Stratham gives a powerful performance, which for some reason screams of Bruce Willis's "finer" work. Biel is the weakest of the main actors, mostly due to the script edging her out of most of the movie. All the actors are right on the money with their characters. Within 10 minutes you start to feel like you've known them for years.
But beyond the drugs, beyond the obnoxious mannerisms, lies a story of a real relationship. By way of flashbacks, but we are given some great insights into how the relationship worked, and how it fell apart. The characters screwed it up, and its amazing watching Syd (Evans) re-live both his best and worst memories. That is the most essential and successful part of the film.
However, even though bitchy, rich yuppies are not likable characters, the movie portrays them very accurately. Having spent some time with "these people", I felt the movie was incredibly honest and dealt with pertinent issues. Maybe not pertinent to you in particular, but pertinent to these types of people in this age group.
The acting is really superb. Chris Evans strips down his likable "flaming" side to become an annoying, ego-maniacal prick. Stratham gives a powerful performance, which for some reason screams of Bruce Willis's "finer" work. Biel is the weakest of the main actors, mostly due to the script edging her out of most of the movie. All the actors are right on the money with their characters. Within 10 minutes you start to feel like you've known them for years.
But beyond the drugs, beyond the obnoxious mannerisms, lies a story of a real relationship. By way of flashbacks, but we are given some great insights into how the relationship worked, and how it fell apart. The characters screwed it up, and its amazing watching Syd (Evans) re-live both his best and worst memories. That is the most essential and successful part of the film.
Not a bad way to spend 89 minutes. Good Script. Good Acting.
Believable, if sometimes annoying, main characters, which i think was the point of the writing.
As a side note i always wondered how they can shoot a movie in a room full of mirrors, have the actors stand right in front of the camera & not see the camera in the mirror behind them. I just wondered.
I thought both Joy Bryant & Jessica Biel were under-utilized in this film. As a matter of fact that's all the films they've been in. But I digress.
Great music by the Crystal Method.
This film makes me interested in what Hunter Richards will do next.
Believable, if sometimes annoying, main characters, which i think was the point of the writing.
As a side note i always wondered how they can shoot a movie in a room full of mirrors, have the actors stand right in front of the camera & not see the camera in the mirror behind them. I just wondered.
I thought both Joy Bryant & Jessica Biel were under-utilized in this film. As a matter of fact that's all the films they've been in. But I digress.
Great music by the Crystal Method.
This film makes me interested in what Hunter Richards will do next.
I must admit that I rented this movie for one reason: Jason Statham. Like many who watched (or want to watch) this movie, I have been a fan of his since I was first introduced to him by Guy Ritchie movies. So I rented this movie not really expecting anything and hoping for the best.
The plot of the movie revolves around a guy (Chris Evans) buying a bunch of cocaine and hiding in a bathroom during his ex's going away party rather than seeing his ex-girlfriend (Jessica Biel). His drug dealer, Bateman (Jason Statham) is dragged along for the voyage. The movie plays out like what it is, which is two guys getting high on coke and arguing about every little thing that pops into their heads, all the while playing it off like philosophy. If you get stressed out by movies, be aware that the arguments can get quite intense and a couple people I watched the movie with felt a bit stressed out by all the arguing.
Chris Evans plays the main character and is stuck with the decision of saying goodbye or confessing his love to his ex-girlfriend. We are supposed to sympathize and perhaps even do a bit towards the end but for the most part he comes off as an utmost misogynist a-hole jerk that makes you glad that he and his girlfriend are not together anymore.
Jason Statham however, starts out a bit weak and ill defined as a character. However as time goes on, he really blossoms out and shows some acting chops, and in more particular scene he shows an intensity that I found remarkable for someone who is just in the beginnings of his acting career.
So I give this movie a 7, as the ending is satisfying, despite the movie being quite catch as can. The rest of the actors are passable. However, I wished that there was more of the cutie Isla Fisher however. Jessica Biel which is the focus of the movie, basically serves as a periphery to Evans and Statham. As a result you end up rooting for Statham's "Bateman" and wishing him to get the girl. The movie is good, if you are a fan of the actors, then you should see it; if not there are better choices.
The plot of the movie revolves around a guy (Chris Evans) buying a bunch of cocaine and hiding in a bathroom during his ex's going away party rather than seeing his ex-girlfriend (Jessica Biel). His drug dealer, Bateman (Jason Statham) is dragged along for the voyage. The movie plays out like what it is, which is two guys getting high on coke and arguing about every little thing that pops into their heads, all the while playing it off like philosophy. If you get stressed out by movies, be aware that the arguments can get quite intense and a couple people I watched the movie with felt a bit stressed out by all the arguing.
Chris Evans plays the main character and is stuck with the decision of saying goodbye or confessing his love to his ex-girlfriend. We are supposed to sympathize and perhaps even do a bit towards the end but for the most part he comes off as an utmost misogynist a-hole jerk that makes you glad that he and his girlfriend are not together anymore.
Jason Statham however, starts out a bit weak and ill defined as a character. However as time goes on, he really blossoms out and shows some acting chops, and in more particular scene he shows an intensity that I found remarkable for someone who is just in the beginnings of his acting career.
So I give this movie a 7, as the ending is satisfying, despite the movie being quite catch as can. The rest of the actors are passable. However, I wished that there was more of the cutie Isla Fisher however. Jessica Biel which is the focus of the movie, basically serves as a periphery to Evans and Statham. As a result you end up rooting for Statham's "Bateman" and wishing him to get the girl. The movie is good, if you are a fan of the actors, then you should see it; if not there are better choices.
Directed by newcomer Hunter Richards, London is a complex tale of a man scorned by a traumatic breakup. Jessica Biel plays the title character, a savvy sophisticated woman who was the love of Syd's (Chris Evans) life. Since she left him, he has become a complete wreck. He now spends his days drinking and snorting cocaine. Six months later, he finds out through a random phone call that London is moving to Los Angeles. The worst part is that her friend Becca (Isla Fisher) is throwing a going away party - one that he isn't invited to. Determined to get London back, Syd decides to crash the party along with his unsuspecting dealer Bateman (Jason Statham), a banker who sells drugs on the side. When they get there, they eventually wind up in the bathroom. They snort huge amounts of coke and talk about life and love as Syd attempts to get up his nerve and talk to London. Along the way we are introduced to a number of eccentric characters, such as feisty bartender Mallory (Joy Bryant) and high-school student Maya (Kelli Garner). Each one plays a part in Syd's tripped-out journey of self discovery.
Although it features a cast full of popular young stars, London is not an easy sell in the slightest.. Audiences aren't likely to respond due to its strange and offbeat plot. It reminds me a lot of 1999's Go in this regard, although it is considerably less mainstream. It is truly a character study of many different individuals, all of them reflecting on life as the events unfold before their eyes. It moves at a slow pace but is never boring thanks to excellent performances and stylish direction.
Chris Evans is on screen for almost every frame and delivers another excellent performance. He shows his dramatic chops here and exhibits an ability for both comedy and drama. His character is very complex and has many different layers, all of which are revealed throughout the course of the film. Jason Statham, well-known for his action roles, plays against type here as the straight laced businessman Bateman. He shows his talent in both comedy and drama, and also has great chemistry with Evans. Jessica Biel is radiant and fascinating as London, a woman longing for complete commitment in an otherwise stable relationship. She has strong chemistry with real-life boyfriend Evans and her character is believable and likable. Most of her scenes are flashback sequences, so it is interesting to watch her character progress.
The supporting cast is great for a film of this size. Joy Bryant is solid as Mallory and gets the most to do of the side characters. Kelli Garner makes an impression but isn't given a whole lot to do, maybe appearing for fifteen minutes total. Isla Fisher, who was hilarious in last year's Wedding Crashers, gives another strong comedic performance here as the naive and unsuspecting party host. The rest of the actors are fairly insignificant overall, with most being reduced to mere walk-on roles (such as comedian Dane Cook).
Richards writes and directs this project and shows great promise in his first outing. The direction is stylish and he finds many interesting takes to use - making the film easy to watch and helping it from dragging on. The screenplay is also solid. It seems like something originally written for the stage, but it works on film thanks to the way each scene is handled. While there are comedic elements, there are also several sweet and poignant scenes. The best scene in the film is the final confrontation between London and Syd in an airport. The Crystal Method provides the score for the film, a techno-fringed mixture of various beats that fits well with the tone of the film.
Overall, I can see why London isn't appreciated by critics and won't be embraced by audiences. It's a strange film that requires patience from the viewer due to its slow pace. But thanks to excellent performances and stylish direction, it turns out to be a completely fascinating and involving tale.
8/10 (B+)
Although it features a cast full of popular young stars, London is not an easy sell in the slightest.. Audiences aren't likely to respond due to its strange and offbeat plot. It reminds me a lot of 1999's Go in this regard, although it is considerably less mainstream. It is truly a character study of many different individuals, all of them reflecting on life as the events unfold before their eyes. It moves at a slow pace but is never boring thanks to excellent performances and stylish direction.
Chris Evans is on screen for almost every frame and delivers another excellent performance. He shows his dramatic chops here and exhibits an ability for both comedy and drama. His character is very complex and has many different layers, all of which are revealed throughout the course of the film. Jason Statham, well-known for his action roles, plays against type here as the straight laced businessman Bateman. He shows his talent in both comedy and drama, and also has great chemistry with Evans. Jessica Biel is radiant and fascinating as London, a woman longing for complete commitment in an otherwise stable relationship. She has strong chemistry with real-life boyfriend Evans and her character is believable and likable. Most of her scenes are flashback sequences, so it is interesting to watch her character progress.
The supporting cast is great for a film of this size. Joy Bryant is solid as Mallory and gets the most to do of the side characters. Kelli Garner makes an impression but isn't given a whole lot to do, maybe appearing for fifteen minutes total. Isla Fisher, who was hilarious in last year's Wedding Crashers, gives another strong comedic performance here as the naive and unsuspecting party host. The rest of the actors are fairly insignificant overall, with most being reduced to mere walk-on roles (such as comedian Dane Cook).
Richards writes and directs this project and shows great promise in his first outing. The direction is stylish and he finds many interesting takes to use - making the film easy to watch and helping it from dragging on. The screenplay is also solid. It seems like something originally written for the stage, but it works on film thanks to the way each scene is handled. While there are comedic elements, there are also several sweet and poignant scenes. The best scene in the film is the final confrontation between London and Syd in an airport. The Crystal Method provides the score for the film, a techno-fringed mixture of various beats that fits well with the tone of the film.
Overall, I can see why London isn't appreciated by critics and won't be embraced by audiences. It's a strange film that requires patience from the viewer due to its slow pace. But thanks to excellent performances and stylish direction, it turns out to be a completely fascinating and involving tale.
8/10 (B+)
As the synopsis shows London is a drug laden adventure which centres in a New York Loft where a young man is trying to win back his girlfriend. at first i thought. 'another cheesy movie'. i don't know what made me watch it but when i was finished i was absolutely GOBSMACKED!. 'London' is such an original and most importantly a very simple movie which is directed to its utmost perfection. Bateman (Jason Statham) is absolutely flawless in this movie as is Syd (Chris Evans). You begin to understand their characters straight away as both actors bring them to life wonderfully... i don't want to spoil the rest for you so ill finish on this note.. 'its a must see' ......
Você sabia?
- CuriosidadesChris Evans and Jessica Biel were dating each other at this time of the movie. The couple were together for 2 years.
- Trilhas sonorasLONDON
Produced, Written-By, Mixed By The Crystal Method
(P)& © 2005 Tiny E Records under exclusive license to Reincarnate Music. All rights reserved. Manufactured under license from Sony Pictures Home Entertainment, Inc. for Tiny E Records
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- How long is London?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Se Acabó El Amor
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- £ 14.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 20.361
- Fim de semana de estreia nos EUA e Canadá
- US$ 12.667
- 12 de fev. de 2006
- Faturamento bruto mundial
- US$ 20.361
- Tempo de duração1 hora 32 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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