Extras

"Extras" is a low-key hilarious spoof of the universe as seen through the eyes of a miserable & failed actor who is equally miserable & failed at the role of being a human. The main draw of this clever comedy is the cameo appearance by a famous moviestar in each episode (Ben Stiller, Kate Winslet, Patrick Stewart, David Bowie, etc), and in each case the celebrity moviestar plays an outrageous parody of himself or herself which is totally at odds with their true personality.

For example in Episode 1, "Ben Stiller", Ben plays a totally unhinged, arrogantly-insecure movie director who boasts about slapping Jennifer Anniston's ass ("in a movie though." "THAT COUNTS!") or in Episode 6, "Patrick Stewart", the Shakespearean goliath himself Patrick Stuart plays a vapid, emotionally-stunted, nudity-obsessed adolescent who makes you realize how Beavis & Butthead might be after they grew up. Also definitely stick around for Episode 8, "David Bowie" where bowie thrills a party with his impromptu song "Chubby Little Loser" with which he serenades Ricky Gervais.

All of this is played with a totally straight-faced, deadpan, witty & distinctively British sense of humour (spelled with an 'our') that should thrill all English speaking audiences.

But it gets better. Or worse, depending on how you feel about this. The stories aren't pure absurdist comedy like the examples I mentioned. Each episode carries an undercurrent of some serious social problem, usually regarding prejudice & insensitivity, that is brilliantly and hilariously--and slightly depressingly--woven into the story. I'll give you an example:

In Episode 3, "Kate Winslet", Kate plays an obnoxious, Oscar-award-obsessed parody of herself, taking on roles in powerful dramas about things like the Holocaust, pretending to care about the issues, just because she knows those roles win the awards. In a parallel story, Ricky ("Adam") begins flirting with a girl he meets who is Catholic, so he pretends he too is Catholic, with hilariously disastrous results when he meets an actual priest. And at the same time he is forcing a show of empathy for the girl's sister who has cerebral palsy (excellently played by comedienne & real-life cerebral palsy afflicted Francesca Martinez, whom you gotta check out on youtube after the show). Like Kate, Ricky is merely putting on a front to mask his selfish agenda, only we see the duality of Kate's success vs. Ricky's utter failure, and that's the "a bit depressing" part I mentioned in my title.

It's not played off as schlocky or silly or with a big drumshot punchline. Instead we get just enough sobering reality to affect us on a serious level while on the surface we are mirthfully awaiting the next gag. Sometimes, masterfully, the next gag doesn't come and we are left with the sobering reality. This might be disorienting to audiences who are just expecting a zany comedy, but to me it's what elevates this production from zany comedy to masterpiece material. Without losing its comedic rhythm, "Extras" gives us some powerful thoughts to ponder, but ultimately leaves us laughing.

Ricky Gervais would continue to refine this storytelling technique, perhaps even recycle some of these powerful thoughts in later productions (such as his 2009 film "The Invention of Lying" which uses a powerful bit from the "Kate Winslet" episode regarding faith and the afterlife), and Ricky would eventually arrive at what is to me is best work so far, the currently running "After Life". If you enjoy "Extras" then definitely check out "After Life" where Ricky turns up the volume on the depressing aspects while keeping in line with the witty, sarcastic humour that keeps us coming back for more.

This sort of societally-self-deprecating comedy is a rare occurrence (and by 'societally-self-deprecating' I'm talking about comedies that shed light on society's flaws by unapologetically parading these flaws in our faces). But if you enjoyed "The Sarah Silverman Show" (where she herself plays a cluelessly selfish, borderline racist, privileged white girl) then you might know what to expect. But in Sarah Silverman, the comedy does come across as campy and silly so it's not quite as powerful and quietly sobering as what we get here. But in both cases, it's a novel way of looking at our crazy, conflicted society through the veil of laughs. Definitely check this series out if you have the chance.

What is it about irony that tickles us so? In some ways it reminds me of films that I find delightful in their atrocity: "Doom", "DOA", "Snakes on a Plane" are some recent prime examples of Goodness By Antithesis; films that are so brazenly and proudly bad that you have to like them. Irony, as we like to see it, is similar in that it is Humor By Antithesis: situations and events that are so mundanely tragic, so cringe-making and excruciating that we just have to laugh. It is a bizarre logic, it's a twisted logic, but it's also worth noting that it's a line so fine that only the cleverest and subtlest of writers can really make it work. America's Larry David is one. England's Ricky Gervais is the other.

In creating a follow-up series to "The Office", Gervais risked destroying a damn-near flawless career. It's hard to imagine there wasn't a niggling in his ear telling him to quit while he was ahead. What would really be the harm in letting the world remember him as David Brent? Apart from the nature of the character, the real harm in this would have been that to deny us Andy Millman would be to deny himself status as one of the world's most brilliant comic minds. "Extras" doesn't just further establish Gervais' incredible comedy prowess, it deepens it.

On the surface, the series patiently shows us the mundane and rather fruitless life of a working film Extra, Millman (Gervais), who fancies himself a "real actor" but has never gotten any real acting work. He bitches about this to his friend, confidant and fellow Extra Maggie (Ashley Jensen), who also shares her problems with him. Deep down, however, "Extras" is a deliciously satirical look at the ambitions of the human heart, the ironic overthrow of those ambitions and the emotional chaos of breaking the unspoken rules of society (such as 'Don't Lie To A Catholic Priest About Your Nonexistent Catholicism', and 'Don't Tell Your Best Friend's Colleague That Your Best Friend Said He Was "Too Gay"').

Other reviews have called "Extras" a watered down "Office", and I think this is a fair observation, but not at all a bad thing. After all, despite sequential order "Seinfeld" is much more diluted than "Curb Your Enthusiasm", but the former is still a far superior show. Not that any inferiority between Gervais' shows is being inferred, of course. Where "Extras" is softer than "The Office" is not in humor, or intelligence, merely in character. Andy is really quite a nice guy; insensitive at times, but only in a mild, charming kind of way. Your pity for him is genuine, and not the result of a deeper emotion such as bewilderment or frustration.

The David Brents of "Extras" are not Gervais at all but the transient side characters, and often (brilliantly, fantastically) the celebrity cameos. In short, and this is said with no inflation whatsoever, Celebrity Cameos as a film/television device has its worth made and sold in "Extras". We thought we'd seen self-parody work before. We were wrong. The sheer reckless abandon with which Gervais and the gallant celebrity meat send themselves up (and up and up) practically creates fireworks. Ben Stiller, Kate Winslet and Patrick Stewart are not only the draw cards but the dazzling high lights. They are forever heroes in my eyes.

Maybe it's this ultimate irony that galvanizes "Extras"' brilliance: the celebrity personalities who live the life Andy dreams of reveal themselves exclusively to him as being petty, irresponsible, greedy, insensitive, sexually perverted megalomaniacs, while he, the nobody Extra, cops all sorts of cosmic flack for, mostly, trying to do the right thing. Naturally, this kind of thing borders on cruel, but just before we begin to feel bad for laughing at his hopeless misfortune he lets us know it's alright by cracking a smile himself, telling a joke to Maggie and shaking it off. Then Cat Stevens washes us clean with "Tea for the Tillerman". Yes sir, Ricky Gervais knows how to make it work.

It seems odd that the knives are being sharpened so quickly - one episode and, for some, it's all over bar the lynching. What price comedic success, eh…? Like everybody, I thought The Office was pure comedy gold. The premise was so strong that even the US offering couldn't fail. So, this time up, what has Ricky Gervais got for us? Well, more of the same only different. 'Extras' is in the same mould as The Office, there are those cringe worthy moments that we've all grown to love and expect...but there's a clever twist on the formula. The Gervaise character isn't the butt of all of the jokes this time around. Sure, the scene in the trailer with the crying eastern European reminded one of the fake sacking of Dawn and the scene towards the end at the party with the racial slurs was pure Brent, but more often than not Andy was observer and rye commentator on what was going on around him. This would simply have been beyond David Brent's self obsessed nature.

All in all, 'Extras' has what it takes and I await the next episode with great anticipation.

"Extras" is another comedic highlight from the men who thought up "The Office". One might think that the success of their previous show put too much pressure on them to come up with a new project as brilliant and hilarious, but they pulled it off. "Extras" is every bit as funny "The Office". The humour is actually very similar with people talking themselves into uncomfortable situations all the time. I think that it's the new setting that turned off a lot of people who have written negative reviews. "The Office" gave us regular guys and something to identify with. A dead end job in a dead end town, gray routine and idiotic colleagues. To laugh about this all too realistic situation had a curative effect on audiences all around the world. With "Extras" it's different. I'm sure that this show is close to reality, too, but only the fewest people have ever worked as extras and can put themselves into the shoes of struggling actors Andy Millman and Maggie Jacobs. If you just accept that this show isn't "The Office" anymore and that there's no Gareth, Tim or Dawn, you'll find out that "Extras" has a lot to offer, too.

Every episode starts with a dramatic scene in Hollywood-style that's dismantled after a moment with someone yelling "cut" or Andy Millman's face popping up in the picture. Each episode also has a different guest star. With the success of "The Office" Gervais and Merchant (who plays a regular part in this series as well) managed to gather some big names for this project. Ben Stiller, Kate Winslet and Patrick Stewart all make very amusing cameos, but it's the British local heroes who really steal the show.

With only 6 episodes (so far) the first season ended way too quickly and I already long for the second series. This show still has lots of different ways to go. Hopefully Gervais and Merchant will explore the private lives of Maggie and Andy more as they did with the characters of "The Office" in the second series. Right now it seems as if everything those two brilliant guys touch turns to gold and I hope this streak of luck continues for a while.

I think the genre of the movie is not clear to all... This is FAR from your normal comedy. It's borderline dramatic. You'll get to gigel and even laugh yourself to tears but the genius of the show doesn't lie here. It's the awkward moments and the depressing ones that make this show like no other.

I find myself sometimes wishing that Andy would find a new best friend, a new agent or at least a small break but the awkward comedy that follows always leaves me wanting for more, wanting to see how much he can take before he breaks.

The sadness that sometimes appears in Andy's eyes reminds us of all the unfortunes we had to go through in our lives. But he stands strong and so do we, just waiting to "have a laugh".

The ending fits perfectly with the theme of the show. "Tea for the Tillerman" offers a strangely thin comfort until the next time it will play, maybe under somewhat better circumstances (witch never really happens). I really think there is no better show to watch after a hard day at work. It always leaves you satisfied. So chin up Andy and do the magic that you do and maybe one day it will all be worth it!