AVALIAÇÃO DA IMDb
3,7/10
40 mil
SUA AVALIAÇÃO
Um denso nevoeiro cheio de espíritos vingativos persegue uma próspera cidade insular ao largo da costa do Oregon, enquanto os seus habitantes tentam desvendar o segredo obscuro da sua cidade... Ler tudoUm denso nevoeiro cheio de espíritos vingativos persegue uma próspera cidade insular ao largo da costa do Oregon, enquanto os seus habitantes tentam desvendar o segredo obscuro da sua cidade a fim de a deter.Um denso nevoeiro cheio de espíritos vingativos persegue uma próspera cidade insular ao largo da costa do Oregon, enquanto os seus habitantes tentam desvendar o segredo obscuro da sua cidade a fim de a deter.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias no total
R. Nelson Brown
- Machen
- (as Rnelsonbrown)
Douglas Arthurs
- Founding Father David Williams
- (as Douglas H. Arthurs)
Charles Andre
- Founding Father Norman Castle
- (as Charles André)
Rade Serbedzija
- Captain William Blake
- (as Rade Sherbedgia)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The worst movie I have ever seen (so far)! It deserves a "1," but I'm saving "1" for the movies they make when I'm 70 years old.
I wasn't expecting much but I thought "at least it will have a few scary parts to grab me." WRONG! As far as I could tell NO ONE in the theatre was scared ONCE -- not even those teen girl screamers that are always at horror flicks. I think everyone was CONFUSED, not scared -- Why the two love interests for Nick? Why was Elizabeth envisioning the past? Why did no one comment on the one guy's face ROTTING? Why did no one care the priest was drunk all the time? Why did it matter that the statue was made incorrectly? Why did the ghosts resort to using GRAFFITI? (and why did they use what looked like paint?)
WHY? WHY? WHY DID I PAY MONEY TO SEE THIS? Instead of paying for this, ask an eight-year-old, heck, make it a seven-year old to tell you a scary story. I GUARANTEE he or she will come up with a better plot, more realistic characters, and scarier scenes than this piece of garbage!
I wasn't expecting much but I thought "at least it will have a few scary parts to grab me." WRONG! As far as I could tell NO ONE in the theatre was scared ONCE -- not even those teen girl screamers that are always at horror flicks. I think everyone was CONFUSED, not scared -- Why the two love interests for Nick? Why was Elizabeth envisioning the past? Why did no one comment on the one guy's face ROTTING? Why did no one care the priest was drunk all the time? Why did it matter that the statue was made incorrectly? Why did the ghosts resort to using GRAFFITI? (and why did they use what looked like paint?)
WHY? WHY? WHY DID I PAY MONEY TO SEE THIS? Instead of paying for this, ask an eight-year-old, heck, make it a seven-year old to tell you a scary story. I GUARANTEE he or she will come up with a better plot, more realistic characters, and scarier scenes than this piece of garbage!
It's bad enough that Hollywood has finally run out of original movie ideas, that they have resort to making either A) sequels to successful past movies that don't come close to the original, B) movies based on successful books/video games that don't come close to the original, or C) remakes of successful movies that don't come close to the original. This version of John Carpenter's subtle masterpiece "The Fog" falls into Category C. I was worried when I heard they were remaking this, and I wasn't disappointed (I should get a job predicting movie success/failures--no one believes me, but I'm right at LEAST 90% of the time). I was hoping it would stay true to the original, but so many liberties were taken to "make it so that modern audiences could relate to it" that it became a totally different film, and I don't mean that as a compliment. I mean, I can understand the modern music at the radio station and the up-to-date equipment. But why the gratuitous sex scene? Why the hoochy-koochy-dancers on the boat? And why make Elizabeth and Stevie related to the Founding Fathers (the FF's last names are never given in the original, except for Malone)? Also, there was never any logical REASON for the "attack"--at least in the first movie, it was the 100th anniversary of the crime that brought on the revenge (the crime took place in 1880; the movie was made in 1980). This crime took place in 1871, and the revenge took place in 2005?? 134 years?? That made less than no sense. And that ending?? Talk about anti-climactic. At least in the original, it ended the way it should have--it followed the plot line, it was the REASONABLE conclusion. This one--I only stayed with it to see how it played out, and it was completely unreasonable. I won't give it away, but it made NO sense to the plot. The special effects weren't even enough to redeem this sad excuse for a remake--I kept making jokes about "Pirates of the Caribbean" throughout the whole thing! I couldn't help it--I had to salvage this film somehow! That was the part that was so GOOD about the original, that you never really SAW the faces of the ghosts or graphic details of what they did--think "Blair Witch", people--less is MORE. The human imagination is the best scare tactic on the planet! Once you put a face on the fear, you can deal with it. It's the fear you CAN'T see that messes you up for days on end! All in all, another wasted rental from Blockbuster.
I wasn't angry about The Fog remake until I heard that it was going to be released by Revolution Studios, a company known to house crap movies. From then on, my hopes weren't that high, and they sank even lower when I saw the trailer. It looked to much like Boogeyman or Darkenss Falls rather than an atmospheric, imaginative, horror production like the original.
The original Fog deserves to be a cult classic and is a great film, but I thought it could have used a couple of improvements. It was not John Carpenter's best effort, but it still was an 8 out of 10 movie. This remake had potential because it could have corrected some of the plot holes from the original. Not surprisingly, the modernized Fog created new loopholes in the story and in addition had a terrible script.
The characters here were clichéd. The naive young girl who sees "horrible things" happening and who is befriended by her "hot ex-boyfriend". There is even a token black guy who serves as the "comic relief" for the film. Why can't they have black heroes in horror movies? Every character is seen in some state of undress, including Stevie Wayne, a mother of a young teenage boy named Andy, who struts around in panties in front of her son (I thought that was funny). I'm surprised Andy's old nanny wasn't shown strutting around in her undies while cleaning the dishes.
The leper colony ghosts were not scary. They were all see through, and instead of a giant fishing hook, Father Blake carried a cane (WTF??), not for support while walking, but for a scene near the end of the film where flying glass shards contribute to the death of a character. Also, the fog in this film is all CGI, and is not nearly as menacing as the one in the original was.Father Malone's character in the original was a major contributor to the story, because he represented the sins of the founding fathers. In this one, he's just a stupid old drunk who has a minimal impact on the story and plays more like the typical "old lady who can see the future" kind of character. Also, why aim for a PG-13? It's obvious the filmmakers wanted to put some gore in this, and they did, because there were many deaths that involved people being maimed and/or set on fire, not necessarily in that order. Only a few more drops of blood and it would be R.
There are two good things though. There is one pretty shocking death scene that was cool and there were some cool cinematography shots. The eerie image of the sailors on their ship in the fog gave me the chills. There was also a really creepy ghost who was only shown in shadows (you never saw his face) and who wore a top hat. It would have been interesting if they showed that ghost more, but alas, they shied away from it.
And don't get me started on the ending. It's supposed to be a shocker, but it's extremely predictable. It also makes everything that preceded it make little sense. What was the point of that? Stevie Wayne's cheesy closing monologue was even cheesier than the concluding monologue in House of the Dead.
Overall, this dreadful remake ran shy of where it could have won the race.
The original Fog deserves to be a cult classic and is a great film, but I thought it could have used a couple of improvements. It was not John Carpenter's best effort, but it still was an 8 out of 10 movie. This remake had potential because it could have corrected some of the plot holes from the original. Not surprisingly, the modernized Fog created new loopholes in the story and in addition had a terrible script.
The characters here were clichéd. The naive young girl who sees "horrible things" happening and who is befriended by her "hot ex-boyfriend". There is even a token black guy who serves as the "comic relief" for the film. Why can't they have black heroes in horror movies? Every character is seen in some state of undress, including Stevie Wayne, a mother of a young teenage boy named Andy, who struts around in panties in front of her son (I thought that was funny). I'm surprised Andy's old nanny wasn't shown strutting around in her undies while cleaning the dishes.
The leper colony ghosts were not scary. They were all see through, and instead of a giant fishing hook, Father Blake carried a cane (WTF??), not for support while walking, but for a scene near the end of the film where flying glass shards contribute to the death of a character. Also, the fog in this film is all CGI, and is not nearly as menacing as the one in the original was.Father Malone's character in the original was a major contributor to the story, because he represented the sins of the founding fathers. In this one, he's just a stupid old drunk who has a minimal impact on the story and plays more like the typical "old lady who can see the future" kind of character. Also, why aim for a PG-13? It's obvious the filmmakers wanted to put some gore in this, and they did, because there were many deaths that involved people being maimed and/or set on fire, not necessarily in that order. Only a few more drops of blood and it would be R.
There are two good things though. There is one pretty shocking death scene that was cool and there were some cool cinematography shots. The eerie image of the sailors on their ship in the fog gave me the chills. There was also a really creepy ghost who was only shown in shadows (you never saw his face) and who wore a top hat. It would have been interesting if they showed that ghost more, but alas, they shied away from it.
And don't get me started on the ending. It's supposed to be a shocker, but it's extremely predictable. It also makes everything that preceded it make little sense. What was the point of that? Stevie Wayne's cheesy closing monologue was even cheesier than the concluding monologue in House of the Dead.
Overall, this dreadful remake ran shy of where it could have won the race.
John Carpenter's name is synonymous with horror films. A few films were not well received, but he's gone on to develop a cult status. His movie The Fog was not considered a huge hit, but has become near and dear to many horror film lovers bloody hearts. So when it was announced that it was part of the rampage of remakes and sequels, half of those who heard rejoiced. They expected that better effects could make the film scarier. The other half of horror-files just shook their heads, expecting another disaster in film. What could a bigger budget and new hot young actors do to freshen it up? Would a bad episode of the Weather Channel really scare a new generation? I was one of the ones shaking my head, skeptical, but I gave it a shot.
Two of television's young actors, Tom Wellington from Smallville, and Maggie Grace from Lost, star in this unnecessary update. The film tries to fill seats with promised SSA( Scares, Screams and Sex Appeal)- obvious from the quick cut trailer which shows typical horror shots AND a low shot of Maggie Grace in her underwear. The promises are never fulfilled. The remake keeps the same plot of the first movie. Apparently somewhere in Antonio Bay's history people have been wronged. Unhappy and looking for revenge, these people come back in the Fog around the town's anniversary. For some reason the film forgets to add the part which makes the audience care about the characters. You don't care if the living out run the Fog or not. With scary and prophetic statements like "It came back from the sea .things always do" this movie provokes eye rolling and incredulous looks every five minutes.
Nothing in this movie made it redeemable. Trying to add comedy, DeRay Davis, as Spooner, is just confusing. At the same time makes one wonder why he's the only person who isn't white in the entire town. The only way that anyone should sit through this movie is if it's being used as a form of torture. I recommend you tell them what they want to know and forgo the pain. I wish I had. Leaving a horror film shocked or scared out of your wits is a desired effect. What The Fog leaves you with is scary- you've just wasted over an hour of your life watching a needless remake.
Two of television's young actors, Tom Wellington from Smallville, and Maggie Grace from Lost, star in this unnecessary update. The film tries to fill seats with promised SSA( Scares, Screams and Sex Appeal)- obvious from the quick cut trailer which shows typical horror shots AND a low shot of Maggie Grace in her underwear. The promises are never fulfilled. The remake keeps the same plot of the first movie. Apparently somewhere in Antonio Bay's history people have been wronged. Unhappy and looking for revenge, these people come back in the Fog around the town's anniversary. For some reason the film forgets to add the part which makes the audience care about the characters. You don't care if the living out run the Fog or not. With scary and prophetic statements like "It came back from the sea .things always do" this movie provokes eye rolling and incredulous looks every five minutes.
Nothing in this movie made it redeemable. Trying to add comedy, DeRay Davis, as Spooner, is just confusing. At the same time makes one wonder why he's the only person who isn't white in the entire town. The only way that anyone should sit through this movie is if it's being used as a form of torture. I recommend you tell them what they want to know and forgo the pain. I wish I had. Leaving a horror film shocked or scared out of your wits is a desired effect. What The Fog leaves you with is scary- you've just wasted over an hour of your life watching a needless remake.
I was hoping and praying that "The Fog" was going to be good and better then the original. Nope, didn't happen. Where the original film at least kept you on the edge at times, the new remake is very predictable. The story isn't any different then the first one. Ghost of a 100yr old ship come back to an offshore island town to get revenge for what was done to them by the founders of the island. Yes it's a remake, but at least add something original.
The main problem with The Fog is, there's no build up or suspense. Even when it tries, it fails with the results. There are maybe 1-2 jump out of your seat moments and they aren't because of anything scary on the screen. Even the deaths are pretty weak, except for one, which you'll have to see for yourself. Then again, maybe not.
The acting is drab and weak. Maggie Grace should choose her films more carefully. Coming from a hit T.V. show like "Lost" to make this crap is unforgiving. Tom Welling (Smallville, Cheaper by the Dozon) isn't going to set his film career ablaze with this film. A least this will be a learning experience for both of them. Selma Blair is the only one who at least give an admirable performance, but she really don't have much to do it this film.
What the Fog does get right is, "THE FOG". The eerie mist has a mind of it's own and I loved the way the ghosts slipped around in the background. The fog is done very well, but everything else is way below average. There's just not enough scares and the story just won't hold people's interest for long, as it's been done before.
Stay out of the fog and out of the theater for this one. Now I know why John Carpenter didn't want his name on this film. What a bomb.
The main problem with The Fog is, there's no build up or suspense. Even when it tries, it fails with the results. There are maybe 1-2 jump out of your seat moments and they aren't because of anything scary on the screen. Even the deaths are pretty weak, except for one, which you'll have to see for yourself. Then again, maybe not.
The acting is drab and weak. Maggie Grace should choose her films more carefully. Coming from a hit T.V. show like "Lost" to make this crap is unforgiving. Tom Welling (Smallville, Cheaper by the Dozon) isn't going to set his film career ablaze with this film. A least this will be a learning experience for both of them. Selma Blair is the only one who at least give an admirable performance, but she really don't have much to do it this film.
What the Fog does get right is, "THE FOG". The eerie mist has a mind of it's own and I loved the way the ghosts slipped around in the background. The fog is done very well, but everything else is way below average. There's just not enough scares and the story just won't hold people's interest for long, as it's been done before.
Stay out of the fog and out of the theater for this one. Now I know why John Carpenter didn't want his name on this film. What a bomb.
Você sabia?
- CuriosidadesThough credited as producer, John Carpenter described his involvement in this way: "I come in and say hello to everybody. Go home."
- Erros de gravaçãoWhen the truck crashes into the boat, Elizabeth is knocked unconscious inside the truck. After her flashback, she wakes up several feet outside the truck.
- Citações
Nick Castle: Holy shit.
- Versões alternativasTheatrical version 100 min. and unrated version 103 min.
- ConexõesFeatured in Feeling the Effects of 'The Fog' (2006)
- Trilhas sonorasSalome's Wish
Written by Jamie Balling, Dan Crombie, Adam Lerner and Jonathan Yang
Performed by The Booda Velvets
Courtesy of Gotham Records
(Played when Nick picks up Elizabeth)
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Terror en la niebla
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 18.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 29.550.869
- Fim de semana de estreia nos EUA e Canadá
- US$ 11.752.917
- 16 de out. de 2005
- Faturamento bruto mundial
- US$ 46.201.432
- Tempo de duração1 hora 40 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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