Ethan Mao - O Anjo Volta Ao Inferno

i thought that this is just one of those low budget gay films with some nudity and weak stories. It was better than I expected.

It is clear that it had a low budget, that is why it didn't have much music in it,(if it had any, I certainly didn't get any impression), and the film visual quality is low. They did not use colored filter in front the lens, either. so it feels more like a TV show, instead of a film that you watch on big screen.

Sometimes, i felt that those people were acting, but not living in real life. It could be due to lack of music, or they were limited inside a house for a long time.

however, the story is not bad. Most gay films in the USA are about white males, this is a very rare film centered around an Asian gay male. When was the last time, so many Asian males all appeared in one film? for that reason alone, i totally support these kind of films.

I was a little skeptical about this film before the screening at "The 23rd San Francisco International Asian American Film Festival," because there are so many films have been marketed with buzz words to gain certain crowd of audience. So I am not sure what I would see in a "gay Asian thriller." Well, it turns out, the movie totally exceeded my expectation. It made me laugh, as well as it made me cry.

Eighteen years old Ethan Mao is a hustler because he was kicked out of the house for being gay. He met Remigio on the street and they become good friends. On Thanksgiving Day, they go back to Ethan's house to get his birth mom's necklace while the family is gone. However, Ethan's family returns unexpectedly and the event rolls into a suspensive hostage situation.

It could have been easily a formula movie with cliché dialogue for a setup like that. However, with the direction of Quentin Lee and impressive performance of the casts, the film is very engaging and articulate throughout. It's touching and moving sometimes, with humor and campiness. Quentin Lee didn't make a gay film, nor an Asian film. He made a film about his characters, and Ethan is happened to be gay and Chinese. The more I know about Ethan, the more I sympathize and care about him. I also deeply moved by the friendship and dedication from Remigio toward Ethan. However, the movie never really explained (successfully) why Remigio is so kind to Ethan from day one. Sometimes, the story is not very convincing. For example, why does the necklace has to be placed in a safe deposit box if nobody in the family seem to care about it except Nathan? If I was in a situation like Nathan is, I would try to get away from the house as soon as I can, even that means leaving without the necklace, but Nathan chose otherwise. Fortunately, the film creates a few interesting characters, including Ethan's step mom, who stole so many scenes in the film.

With weakness of the plot, Ethan Mao is a terrific film. Or should I say, a terrific gay Asian film? Nah. Being gay and Asian is not what the movie is about, leave that to Ethan.

If being multi-layered and multi-directional is a recent trend of the gay and lesbian cinema, Ehan Mao represents it very well; such a mainstream Hollywood format as a crime thriller frames such a specific argument as a struggle of gay Chinese-American boy Ethan Mao (Jun Hee Lee) against his family members. The excellence on the former must help the film to gain larger audience. The excellence on the latter is enhanced by the dynamics of his family members: successful and confident father, controlling step-mother who is a former actress, "good-boy" older step-brother, and gay-ish younger brother. Along with Ethan's lover Remigio (Jerry Hernandez), all characters are portrayed more or less positively--"feeling-better" may not be needed for this film's viewers; it may even reduce the film's intensity and may make the argument unclear.

One flashback sequence is inserted at a very precise moment, seemingly to confuse the audience--when Ethan and Remigio fall asleep while overseeing Ethan's family at night in the real world, a flashback of their waking up in their apartment appears. This makes the spectators wonder, at least for a moment, if what has been going on is Ethan's dream; if intentional, it is too gimmicky and unnecessary.

Quentin Lee is to be congratulated for taking on several controversial issues and blending them into a novel story that works on many levels. While many writers and directors of Indie gay films focus on the downtrodden, bleak, tragic aspect of young gay lads coming to grips with their lives, few have presented stories that emphasize an element of redemption based on courage to change those things that can be changed.

Ethan Mao (Jun Hee Lee) is an 18-year-old Chinese American boy who has been working (gratis) for his father Abe (Raymond Ma) all his life in their Chinese restaurant. One evening at closing time a young man enters the negligently unlocked door and robs Ethan's cash register at gunpoint. Abe enters form the back of the restaurant and kills the robber, much to Ethan's chagrin. This results in an angry confrontation (one of many in an Asian family where the children are supposed to always obey the parents). Ethan is still mourning the loss of his mother and loathes his stepmother Sarah (Julia Nickson-Soul), a would-be actress who married Abe for money, bringing along her own son Josh (Kevin Kleinberg), a bright young man of obvious mixed genetic pool. Ethan also has a younger brother Noel (David Tran) with whom he has a warm and strong bond. Sarah discovers a gay magazine in Ethan's room, shares this with Abe, and Abe throws Ethan out of his home for being gay and shaming his family.

Ethan, bitter, homeless and without money, begins a life a street hustler, accepting his passive sexual role with older johns as a means of income. Serendipitously he meets Remigio (Jerry Hernandez), a fellow hustler and minor drug dealer who understands the life of an orphan's loneliness, and befriends Ethan and offers him shelter and affection. Ethan decides to return to his home on Thanksgiving (knowing that his family always goes out of town on that day) to take his belongings and get some cash. Remigio accompanies him and what begins as a simple entry into Ethan's empty home results in disaster as his family returns for a forgotten gift. Ethan rages against them and decides to hold them hostage until morning when Abe can send Sarah to the bank to retrieve Ethan's mother's necklace - the only memento he has of her. The crux of the story is how this tangled 'family' comes to different levels of understanding under duress and how Ethan (through this dream vs reality incident) arrives at forgiveness and finds love with the ever-supportive Remigio.

The acting is mixed but the cast engages us and allows each character to morph into something better than we expect. Both Jun Hee Lee and Jerry Hernandez bring credibility to their roles and the result is a palpable relationship which touches the viewers' hearts. While there are rough spots in camera work, in script, and in production, this is a strong little Indie film with a lot to say, dealing with positive images and debunking old prejudicial thoughts about sectors of society miscegenating into the fabric that makes our population more tolerant. Grady Harp

This film tells the story of a closeted Chinese American teenager, who is discovered by his step-mother that he is in possession of a gay magazine. His father throws him out and disowns him, and he has to turn to desperate measures just to survive.

I am impressed by "Ethan Mao" because it is different from other gay films. First, it explores the cultural shackles of being gay in a Chinese family, which is really touching. Secondly, it is almost a gay crime thriller which is very unusual! Third, sex is not needed to sell this film. There is only one kissing scene in the whole film, and that is it! The film is intense and touching, and I cried at the end. I really enjoyed watching "Ethan Mao".