Um Mundo sem Ladrões

Feng Xiaogang has made himself the fame of making good holiday films in the past several years. Most of them achieved the purposes of making laugh and making people a happy new year.

This one is the best one in that both in the filming and produce, it has more meaning and more depth. Well, it is still not an 'art' movie. It is still just targeted for box income.

The performance of actors and actresses is OK, not too much to exceed what they are usually doing. By maintaining their perform, this movie achieve the adequate balance between a good movie (usually a heavy one) and a laughter making movie.

The story is a made one for sure. A world without thieves has disappeared from 10 years ago. Now it is a world full of thieves. It might remind people in their 30s the good old days of China ...

Visually stunning, emotionally charged, and intellectually moving! The cinematography of "World Without Thieves" is unmatched to any Chinese movie I've seen to date. The characters hold your interest, and the plot moves across the screen with brilliant unpredictability. Western fans who only know Andy Lau from "House of Flying Daggers" get to witness his versatility as an actor. The two female leads, Renee Liu and Bingbing Li, balance each other out wonderfully: one dangerous, the other caring. I love "non-Hollywood" endings, which is what we get here. This is a rare gem of a film that breaks out of the "Chinese Film" genre and into the "International Film" genre. A good introduction for the movie fan who has never seen a Chinese film. A must-see for any serious film fanatic.

A world without thieves is close to impossible, at least not in our modern world where there are those who covert what others have, and given no means of obtaining those items legitimately, seek the easier way out and give in to temptation. But there are those who naively think that such an utopia is possible, perhaps given their simple background, and their trusting nature to not see the evils of man. Sha Gen the Dumbo (Wang Baoqiang) is one such person, who declares and openly challenges, on a crowded passenger platform to would-be (and to himself, non existent) thieves, that he has RMB60K on him.

Andy Lau and Rene Liu play Wang Bo and Wang Li respectively, a Bonnie and Clyde styled couple whose profession is to profit from conning and thievery. They're skilled pickpockets, and in a scene set in a temple, we see what Wang Bo is capable of with his deft hands armed only with a thin razor. Things don't go down well for the couple as Wang Li decides to forgo the partnership and go legit, for fear of karmic retribution. As such, she takes it on herself to look after the kind hearted Dumbo, and what could Wang Bo do except to go along, even though he's secretly harbouring thoughts on that 60K cash package.

But like the adage of washing your hands in the golden basin, their will and skills are put to the test when Uncle Li (Ge You) and his band of merry thieves which include Lam Ka Tung as Four Eyes and Li Bingbing as Leaf, board the same train, and constantly poke and probe for opportunities to succeed in fleecing Dumbo like a helpless sheep when his guardian wolves are less than alert. It's a classic cat and mouse game, with each side displaying their fangs as they encircle their prey, with the prey none the wiser to the drawing of territorial lines.

It's not very often in recent times that you have a movie set for the most parts on board a train, and good ones at that, unless you pass the likes of Steven Seagal's Under Siege 2. The first Mission: Impossible movie had a great action sequence, Bollywood's Dil Se featured an awesome dance on the roof of a moving train, and The Darjeeling Limited and Before Sunrise had great conversations, but I'd dare say Feng Xiaogang bested them all with this movie. It's not difficult then to say that I've enjoyed this movie, having seen his Banquet and Assembly, both of which I had liked, and I guess his works are now on my watchlist.

But it's not all claustrophobic in having everything set on a train. There were ample opportunities for lush cinematography to accentuate the beautiful vast lands that China has, although at some points to allow for action sequences, some of them had to be superimposed instead. Don't let that mar your enjoyment though, as the effects were pretty much nicely done, on par with what you'd come to expect with movies made in Hollywood. But the characterization here takes priority as well in moving the story forward, especially with Andy Lau's character caught in the crossroads of listening to his heart, as well as figuring out the intentions behind the admiration from a grandmaster thief.

And Ge You, if you'd think his portrayal in the Banquet was one-dimensional, you should see him in action here, with his various disguises, and his silent charisma shining through, chewing up almost every scene he comes in. It's little wonder that he's a frequent feature in the films of Feng Xiaogang, and I look forward to his next with the director, starring opposite yet another Chinese thespian in Jiang Wen. Rene Liu had great chemistry with Andy Lau and thus made their couple character quite believable in their love for each other, as well as the conflict of ideals that they face which put a strain in their relationship.

The only gripe I have will be that some of the fleecing scenes were shot in too close up a manner, but it sort of emphasizes on the blink and you miss sensibilities that these crooks have to capitalize on in order to practice their trade. And that of course presents itself as a perfect opportunity to rewatch this wonderful movie again. Highly recommended!

I don't know a lot about Chinese film but I've seen some of the recent Kung fu hits (House of flying daggers, Redcliff, all entertaining for their genre but fairly empty productions) and this one is a real gem--a tight well woven plot, touching and interesting characters and some classic Chinese hero traits (think superhuman abilities that often defy gravity) suavely transposed into the world of petty thieves with a light and gentle touch that makes you almost forget some of the gestures are probably physically impossible. The music score is pitch perfect, light, jazzy, with just a hint of something deeper and sadder.

The acting is superb and the script really keeps you guessing. Scenes hover somewhere between outright hilarity, touching irony, and fleeting hints of the genuinely tragic. There is rarely a false note and the actor who plays the intellectually limited villager pulls off a terrific balancing act: he manages to be naive and rustic without slipping into Forest Gumpy type nonsense....

Well worth the viewing...

Feng has traditionally produced a movie each year close to the new year, but the tone of his movie has grown darker and sadder. A World without Thieves is another example of this progression.

The story is simple, but the characters have layers, and the dialog remains classic Feng-style as ever. All performances are good to great. The villain role is set up perfectly for Ge You. The production value is the most polished I've seen from a Feng's film. The camera work, the editing, and the music score all feel artistic and are mixed together quite well. As for his previous movie "Cellphone", there are a number of sad moments in the movie where your heart will be heavy. Overall, highly recommended. 8 out of 10.