Na Tempestade do Amor

Fanaa is a love story which has been written as a love story ,directed as a love story and acted like a love story. Fanna belongs totally to Aamir and Kajol ,who both have delivered a brilliant performance. Kajol plays Zooni with such a class and natural , she reached ,with Fanaa, a place that no other actress ,today, can reach or even come close.she was breathtaking. Aamir plays Rehan, though it's a unusual role that many of Bollywood actors would turn down(nobody wants to play the anti-hero anymore), he makes it real to the core,you follow him through the whole transition of his character,you love him and you hate him at the same time !Aamir is the master of acting today. The chemistry between Aamir and Kajol was terrific!Kajol matches Aamir ,like the sun matches the sky,they delighted every frame of the screen! an award the best Jodi of 2006 will be simply fair! The other actors were efficient! The music of Fanaa is beautiful and the videos makes it just better:a high note to Dekho Na,Kunal managed to control the little space of the shot with ease and closeups of Aamir and Kajol were fantastic.however,it's Mere Haath Me that steals the show,it was just superb,and it will be fair enough to say that this video will be the reference for any romantic song !(the reference was for a long time,Suraj Hua Madham of k3g). the script of Fanaa has some mistakes for sure,but when you watch Aamir and Kajol together you just forget and forgive! Beautifully shot,Fanaa makes you following the journey of two lovers who maybe wanted and deserved their part of happiness,so they knocked the heaven's door but another destiny was writing for them. go watch Fanaa once for Kajol,twice for Aamir,a third time for Aamir and Kajol,and watch it again and again and again for all those reasons!

Well, if you have had that experience you will know what I am talking about. The character of Zooni is straight out of Bronte sisters' romantic novels. The strong willed, intelligent girl out to meet her prince, the supportive mother, the mysterious and charming lover, the lonely house in the middle of nowhere, the retired colonel as the only family friend who sometimes comes and shares a drink with the father; it's all there.

Fanaa is one of the most intense romantic movies to have come out of Bollywood for a long time. Perhaps, since Silsila. The pairing of two of the best actors of our generation (maybe, perhaps of all time) needed a story just like Fanaa. You need to scratch the surface to reveal the passion of this unique love story.

The director, Kunal Kohli has exploited the potential of this pairing admirably. Look at the picturisation of the song 'Dekho Na'. The camera hardly seems to move away from the two faces. There are innumerable scenes in the film where just these two faces share the screen.It is hard to think of any other actors from the present who would be able to pull off such a form of narration. Ultimately, the film belongs to Zooni and Kajol comes out with her best performance to date. Rehan asks, "KOI KISISE ITNA PYAR KAISE KAR SAKTA HAI?" and it shows in Zooni's eyes. What a role to make a come back and what a performance to make a comeback! And Aamir never ceases to surprise. He holds his own in a story primarily about Zooni and complements her character brilliantly. His performance is so amazingly understated, and yet so powerful. Rehan is one of the most complex and difficult characters played by Aamir. And it's all about the characters of Rehan and Zooni, their ideals, their emotions, their dreams and their passion. It's really like reading a 19th century English novel. It is not easy to narrate a story this way in a mainstream film and this is where the narration stumbles. The scene where Rehan takes Zooni from the train and carries her in his arms looks very cliché and awfully out of place. The tag line '.....TERE ISHQ MEIN MERI JAAN FANAA HO JAYE' is repeated to death in the film. There have been some cinematic liberties taken in the screenplay, like Rehan infiltrating the Indian Army, Zooni fumbling with the radio transmitter and speaking to the right people. The Urdu couplets, although all very good, seem to hold back the flow a bit. Also, the discussion on the political history of Kashmir at the meeting of the Intelligence Heads seems a bit off track. A better place to put that discussion would have been a friendly chat between Rehan and Zulfi (Zooni's father)over a drink.

But these are minor skirmishes in a remarkable film. The story remains true to the title of the film and if you have a liking for 19th century English novels, you would simply love this one.

Fanaa is a complex movie. Aamir Khan has continued his trend of working on unusual plots and delivering extraordinary performances and Kajol has outshone Aamir on many occasions in the film.

The emotional intensity of the movie gets to the core of the viewer's heart. It may help people to look at the Kashmir issue from a different angle but it does certainly portray one fact, and that is a seemingly ruthless terrorist can actually be a simple and kind man fighting for his land's freedom. For him, making judgement on greater good or lesser evil is a constant struggle. Even though Rehan (Aamir) did not derail from his cause (terorrism apparently) till the last breath in his body, he will draw sympathy from the viewers.

The splendor of light, sound and colors in big budget Hindi movies is achieving new heights every day. Viewers will be simply spellbound to the screen during most of the song sequences. The music of the movie was like a breath of fresh air. The viewers will also enjoy a ride of convincing and innovative action sequences.

The first half of the movie could have been made better though. Sometimes the pace felt a little off. The constant exchange of poetry did feel irritating at times. Perhaps, if Aamir could shed off a few kilos, things could have looked a little more natural. It was also unusual for a blind Muslim girl like Zooni (Kajol) to indulge into a physical relation with Rehan (who did not pledge any commitment to their relation) so early. But I guess these things follow typical commercial Hindi film unofficial rules.

Overall the movie is certainly worth watching and, compared to most of the Hindi films, quite a unique one.

This is hands down the best romantic film since .....well in a long time , all the people i know who haven't liked this film is because its got impossible situations in it and its slow in the 2nd half all i have to say : stop watching Hindi films then and continue watching 25 sec ads which have diminished your attention span .

The characters are given amazing dept and lo and behold they take the film to an all new high .Kajol has proved shes the best actress of her generation and with this film is giving serious competion to her late legendary aunt nutun as the best actress of the family .

Aamir is splendid though i felt his character got a bit sketchy in the 2nd half not his fault the director and writer could have made his motives more clearer for us . however what ever hes given to work with he electrifies every scene hes in .

kudos to all the crew especially kunal kohli

After all the recent pornographic movies such as Murder and the like, it's really refreshing to have a D E C E N T Indian film which the entire family can watch. Sure the film wasn't brilliant but it beats the other crap Bollywood has been spewing out ever since the arrival of Mr. Imran-Gigolo-Hashmi. What a treat to see Kajol on screen again. She truly is the gem in the crown of Indian cinema. And as for Aamir...well, his done it again. After his stellar performance in Rang De Basanti, he pulls off the role of Rehan with immense warmth and passion. I know this is probably a pipe-dream, but it would be fantastic to see these 2 set the big screen ablaze again. Kudos to Kunal Kohli for reminding the world of what a true Bollywood film is made of!