The Puffy Chair

THE PUFFY CHAIR is a nostalgic journey of the heart. Mark Duplass' characters take you along this funny yet painfully true adventure of love and self discovery. The entire cast is to be commended for such natural and endearing moments. Although Julie Fischer is not a main character, her beauty and aura make her scenes glow. Mark Duplass and Kathryn Aselton play wonderfully off each other, throwing tension back and forth like a stick of dynamite. And Rhett Jordan adds harmony, playing the irresistible goofy sibling. Jay Duplass perfectly sets the film's mood and pace with some shots that took my breath away and made me ache for simpler times. I look forward to future projects by the talented Duplass Brothers but THE PUFFY CHAIR deserves to be seen by a larger audience. So go out and find it.

The Puffy Chair is a pleasure to watch; human and funny and full of well- observed moments that ring so true they elicit long, gorgeous belly laughs.

Josh, his girlfriend Emily and his brother Rhett are on a road trip to visit Josh's father. On the way they plan to pick up a puffy chair for Dad's birthday.

The film, although buzzed as a road trip movie, is essentially a relationship comedy-drama, and unfortunately falls into gender stereotypes. Emily, focused (entirely?) on marriage issues, is less sympathetic than the two guys, Josh and Rhett. It is disappointing in such a character driven movie that the female still...isn't given enough character. However, Katie Aselton as Emily does a terrific job, as do Mark Duplass and Rhett Wilkins, and the film's appeal, as in BottleRocket, is motored by the immense charm of its lead actors. Warmer and less measured than Napoleon Dynamite or Garden State, The Puffy Chair is a lovely and--one more time--truly charming film. I highly recommend it.

I liked this film but I wanted more puffy chair. More pound for your puff, if you will. The chair is in effect a character in this film. It's puffy and cool, and I wanted way more of it. Most, if not all, of this film is improvisational dialogue. I would bet on it. Some of it works, some doesn't, often times it calls attention to itself, that's not cool, but the chair is a silent character and he speaks for himself. Yes, I think the chair is a "he." The chair is the glue that holds the film together. The chair is the raison d'etre for the road trip. I craved more scenes with the chair. The scenes wouldn't have to be much, just some occasional short scenes with the chair to chart his progress. It would help. Thank you.

I was lucky enough to see "The Puffy Chair" at Sundance this year, I had to fight for a seat and it was worth it. The movie is explores two relationships, one between two brothers and another between one of the brothers and his girlfriend. The characters are right out of life, totally real and funny. The directing and acting is excellent and it never misses an opportunity to sharpen the portrait of these muddled angels. The Chair in the title refers to a gift for the brothers' father that becomes a catalyst for not only the road trip that forms the spine of this excellent film, but inflames all the character's flaws and passions to hilarious dénouement. More than once I heard people saying that there were scenes out of their own lives on the screen in the "Puffy Chair"; I wish that we could all see ourselves as precisely and humorously as the Duplass brothers do. I eagerly look forward to their next project.

By all accounts, most reviewers liked this film. I did not find the male characters likable. I did not find the story likable. I did not find the production likable. I did find this film a total waste of time.