O Invisível

I love this movie because it isn't the same old ghost story you've come to memorize by now. Unlike the cliché disguised as a ghost flick such as The Orphanage, which critics loved, this movie broke rules. It didn't make sense, but that's what made it good. The characters were memorable, unlike the characters in The Orphanage that are so cliché they now have their own genres: Apathetic Dad, Angry Mama Bear Mom, Innocent Child That Can Do No Wrong. The Invisible doesn't use any of these clichés. It makes its own rules and then breaks its own rules. The ghosts don't revert to the same old jump-at-you-AHHH! tactics that we've all seen countless times. They actually try to be more disturbing than that, by being more realistic and not scary.

I simply don't understand the critics. They trash movies like this that actually try to be different and hail hopeless clichés like The Orphanage. I also don't understand people who do the same.

Yes, this movie could be labeled as emo, but you'll see this movie has a lot to say that you're not going to find in what the critics call "deep" movies with "moral".

It's not perfect by any means. I could sit here and name countless technical flaws with the presentation (like the opening scene), but they're lost to the fact that this movie tried to be different. I'm so stunned that something actually tried to be different anything else bad about the movie fell away.

7/10

Definitely NOT a copycat of "The Sixth Sense" this film instead is highly original, sets its own mark, goes its own way.

Although I haven't been a teen in decades, I know them well enough to say the portrayals of the central characters are as on-the-level as I've seen lately. This never-dull and unusual story kept us involved more than we expected, and I recommend it for anyone who enjoys either teen movies or supernatural thrillers.

If you rent it from Netflix, please beware of a similar titled film, a dreadful movie about two young American stone-heads pretty much comatose in a cheap flat in Paris. Dull and stupid.

The soundtrack of INVISIBLE is truly good and proves that good music is still being done in 2007 even if they don't ever play it on the air.

One way films have improved: When I was a teen there were never any teen movies with characters you could either believe or relate to. Now they make such movies frequently. After all, the most complex problems in a lifetime are during the teen years. Everything after that is easy once you've survived the basic training of that age. Once you know that you've got an over-sized field of ideas for good movies like this.

I walked into this movie expecting something completely different than what I got. While most people are using this as an excuse to hate this movie, It made me like it even more. The acting was excellent. Justin Chatwin and Margarita Levieva are incredibly believable and both seem to really enjoy the material. I can understand why some people would be mad. Most people were expecting the teenage horror flick. I am so glad it wasn't. There was so much depth and beauty to it. In my opinion if you didn't' like it either you didn't understand it or you are a horror obsessed teen. The soundtrack also was amazing. I loved everything about this movie. The promotion(meaning Trailers) could have been done a lot more differently and better. Still i strongly encourage this movie to those of you who love deep, thought provoking, beautiful, and emotional movies!

Despite all the bad reviews on here, I went to see "The Invisible" and I was not disappointed. I really loved the underlying drama and self discovery the movie relayed throughout the story. It made you feel for both the victim and the villain and feel their pain and sacrifices. It went past the usual story line of romance and macho heros, but looked deeper. And above that, my friends and I loved the main character :) He is very good looking. Apparently the other reviewers don't have the ability to see past explosions and fake fights in films to see the depth portrayed in this movie. Definitely give this one a try. It made my day and made me think very hard about life. Not to sound too cheesy...

Nick Powell (Justin Chatwin) is a graduating senior with lofty ambitions of defying his over-bearing mother (Marcia Gay Harden) and flying to London for a writer's workshop. The day before leaving, Nick tries unsuccessfully to help out his friend Pete (Chris Marguette) who has failed to make a repayment to the school's femme fatale delinquent, Annie Newton (Margarita Levieva) who has troubles of her own. A crappy home-life ever since her mother died, Annie has to look out for her little brother while dealing with her lazy step-mother. On top of that, Annie carries out carjackings and reckless jewelery heists with her boyfriend on parole, Marcus (Alex O'Loughlin). When Annie gets busted for a robbery she assumes Pete and Nick were behind a phone call to the police, proceeding to terrorize Pete and sick her side-kicks onto Nick. During the beat-up however, Annie loses her cool and apparently kills Nick. Panicked, Annie orders her two male accomplices and Pete to hide Nick's body in the forest and lie low while the police conduct a search for him. But here's the 'twist' – Nick isn't dead. His spirit, soul or whatever is wandering around, the world is oblivious to him. After an encounter with a revived bird, Nick realizes he isn't dead, but rather in limbo. In the forest, he is still alive, and now his wandering soul has to try and save his physical body from dying.... to do this he 'haunts' Annie, waiting for guilt to sink in and for his murderer to turn herself in.

Loosely based on a novel by Swedish author Mats Wahl – the plot itself has been done before (and better) in the 1990 hit film 'Ghost'. That being said, the film has some small admirable qualities. Kudos has to go to director David Goyer for trying a different technique with the living dead thing. Instead of Nick being unable to touch objects, or having people walk straight through him, Goyer incorporated some impressive camera tricks so that every time Nick touches something, it does move but in a split second replaces itself as though undisturbed. Greatly illustrated in a scene at school when Nick throws a book into a shelf, only to look down and see the book still resting on the table and the shelf intact.

Otherwise the film is pretty mediocre. The soundtrack is well suited to any Grey's Anatomy episode, which is not a good thing. Snow Patrol, Death Cab for Cutie – it's all very 'now' and melancholy. Justin Chatwin, who had a role in the film 'War of the Worlds' and a one-off in TV show 'Lost' is a fairly magnetic leading man. It would help if the character of Nick had some endearing qualities – but unfortunately the side story about his father dying when he was young just isn't enough to make you warm to the pretentious sad-sap. A real problem is the character of Annie. Perhaps a lot of back-story about her home life was cut out, because what is offered about her is not enough to justify her criminal behavior; and it is clear that this is a story of redemption, the audience is waiting with Nick for Annie to grow a conscience and while we wait scenes are offered to make us warm to her... but it just does not work. As Nick says to the un-hearing Annie "Your mom dies and your dad marries somebody else, and that makes it okay?". It doesn't and we cant believe that it does. Furthermore, Margarita Levieva is just too 'pretty' to play such a bad-ass no-hoper. She whips off her black beanie to reveal wicked ringlet hair and all believability of this girl as a murdering thief just go right out the window.

And on a side-note: I don't understand why there was an instant police search for Nick who had not been missing for the required 48 hours? His mother presses the police to begin a full-scale search because Nick usually phones her if he will be out late – but he bought a plane ticket to London, and although she checks and discovers he did not use it, isn't that evidence that he was ready to pack up and leave home?

Another qualm I have is with the editing. Too quick and choppy (especially in the beginning, explaining Nick and Annie's stories), there is no fluency between scenes and I felt somewhat disorientated trying to work out where the scene had suddenly jumped to and which story I was now following.

'The Invisible' starts out mediocre and ends cornily. Hire it on DVD only if there is absolutely nothing else of interest, but be prepared for something pretty uneventful and forgettable.