Fingersmith: Falsas Aparências

I'm usually disappointed by what the media dubs "lesbian" movies these days: murderous bisexuals; psychotic murderous lesbians; women who experiment with other women, but end up with men at the end; ridiculously good-looking women who only get w/ each other to turn men on, etc.

Thankfully, FINGERSMITH is on a very high pedestal above this garbage. It is a credible love story acted MARVELOUSLY by every cast member, down to the least of the supporting actors. Aside from having a very engaging central conflict, the romance between the heroines is well developed and believable thanks to Cassidy and Hawkins.

I have also seen TIPPING THE VELVET, but FINGERSMITH is far superior to the former, both in character/conflict development and the quality of the acting.

FINGERSMITH is both satisfying and enjoyable to watch, offering lesbians everywhere a great follow-up act to BOUND.

I had never read any of Sarah Waters' novels, or watched Tipping the Velvet. I only heard about Fingersmith when i was flipping through "The L word" websites. The storyline of Fingersmith interested me, yet i passed it away, thinking "Lesbian in Victorian period, that never ends well, i have enough of those lesbo series and movies that go no where"

However, during Christmas my local DVD store gave Fingersmith a discount, i brought the DVD, and my life has never been more colourful

This mini series deserves to be cherished and praised. The acting is so great that i call it rare. Sally Hawkins, Elaine Cassidy, Rupert Evans, Imelda Staunton, and many more that i can't name all, brought light and darkness to their characters. Just by a little gesture, a little look, a little touch, they made their characters real and as a viewer, i couldn't help it but take them home, keep them close.

Fingersmith, sets in Victorian area, is a story of Sue-a thief who loves and lives with her "Family" of pick-pockets. Little did she know that her fate is linked to Maud Lily-a somewhat shy, timid girl grows up in a Mansion miles and miles away. Maud's mother left her a fortune, but Maud herself can't touch it, unless she married. Worst of all, Maud's uncle makes sure she never will by keeping her prisoned in the house.

Enter Mr Gentlement, a charming, good-looking thief with a heart as bad as any. He wants Maud's fortune for himself, and in order to do so he sets Sue up as Maud Lily's maid, asking Sue to Persuade Maud to elope with him. as time goes by, Things would be simple, if Sue didn't fall in love with Maud.

And things would be simple, if the story was what i have just told. I do not wish to spoil, so i would like to stop there. But i can asure you that everything is twisted and turned before you can even aware of what has happened. Once it happened, you then question what would happen next. On top of that, the story is filled with passion unlike any others. There are no self-searching, sexuality questioning, "Oh my god do i like girls" moments, because the girls in Fingersmith are buried so deep in their own darkness that they barely be able to care. the story with such twisted plot moves as smooth as water, running passionately, but strangely calm.

Weeks have passed since i watched "Fingersmith", yet Maud's eyes still haunt me, and Sue's words still warm my heart "You pearl, you pearl, you pearl", she said. And such pearl it is.

A superbly-acted adaptation of Sarah Waters' novel, hobbled somewhat by the tacky mid-2000s BBC aesthetic (the editing is almost spastic at times) and the sense that 3 hours was somehow both too much and not enough time to tell this tale. Then again, "The Handmaiden" - which I've yet to see - is nearly as long. Maybe it finds the right balance.

The incredible chemistry between Sally Hawkins and Elaine Cassidy carries the first episode, so of course the second can only suffer in comparison, but what I really wanted was time for scenes to breathe and unfold. There's so much plot to cover that the pace becomes frantic, with increasingly loopy twist upon twist, when all I care about is seeing these two find each other (again). Every furtive glance, every time they dare to even try being honest with their words, is more riveting than who is conning who at any given moment.

Back when I reviewed "Portrait of a Lady on Fire," I suggested that no film in the English language could ever evoke the feel of love and passion the way the French do. (Get outta here with your BS, "Ammonite.") This is not the exception to that rule, but damn if it doesn't come close.

Having read all of Sarah Waters books i was eagerly looking forward to a BBC adaptation of Fingersmith. Especially since Tipping the Velvet had been done so well by old familiar Andrew Davies.

I was not disappointed with the results, in fact i think this might be on a par with TTV; both romantic and entertaining. And not as so many ignorant people would have you believe, a pointless lesbian romp. Having been a fan of Elaine Cassidy's since seeing her guileless turn in Felicia's Journey i thought she embodied both hard deception and a growing fragility as Maud. Her transformation was believable and impressive to watch. I recognised Sally Hawkins as Zena Blake from Tipping the Velvet, a small role primarily so i didn't have as many expectations but she was astounding in the role of Sue Trinder. Her eyes were mesmerising conveying everything from rage to absolute despair. The two of them acting together, combining these talents made this drama unmissable. Of course Imelda Staunton was amazing as usual, she is unmistakably a national treasure and the supporting cast were all of a high standard. Even the direction from the fairly unknown Aisling Walsh used contrasting yet beautiful shades of blue for Briar and brown for London.

However as much praise must be given to Ransley the script writer. To turn a 600 page book where every line is of the highest quality into a three hour extravaganza is a huge feat. He illuminated the main revelations at a steady pace whilst giving us plenty of back-story and character development at the same time. He has my full admiration.

In conclusion, a brilliant adaptation where all involved gave 100% and making this one of the best BBC dramas i've seen.

This was indeed an amazing adaption. I missed the first episode so I unfortunately missed out on the bonding between the characters and the smooth flow of the storyline. But as soon I watched the second and then the third instalment I was just blown away. I ordered the DVD less than a week later and unable to wait for it to come I went straight out and brought the book. From the moment I opened it I was hooked, I just couldn't put it down. I decided to finish the whole book before I dare watch the DVD at all. I preferred the book because it got inside the characters minds, you could understand totally where they were coming from and what there role was within the story. They missed a lot out of the adaption which was disappointing as the book is a master piece and I think they could have done it superbly if they had been able to stretch it over a longer period of time. But considering only being able to be fitted into a 3 hour slot I think it was done excellent. It followed the main twisted storyline brilliantly. And the actors which were enrolled as the main characters where amazing! The love making scene was pure beautiful. It was so tender and loving and just showed how natural homosexual love can be. I was totally blown away with both the book and the TV adaption! I loved both of Sarah Waters previous novels and also found the Tipping the Velvet adaption quite enjoyable. But when I read and watched Fingersmith I knew none of her previous novels/adaption could beat it. Sarah Waters has indeed exceeded herself this time! I recommend that you watch this adaption! If Tipping the Velvet wasn't your thing, then don't let it put you off this one. Fingersmith is a whole new ball game. It is a beautiful yet dark twisted story about love, greed and betrayal...

A MUST SEE!