Veer-Zaara

Many folks around the world do not remember the history that has transpired between India and Pakistan in the last 70 years. When India was subdivided into India, East Pakistan (later known as Bangladesh) and West Pakistan, it coincided with LOTS of sectarian violence between Hindus and Muslims. It also touched off wars and between one and two million people were killed! It was an awful time and led to both nations developing atomic weapons--after which, an uneasy stalemate has existed in the region. In this problem spot of the world is where this love story is based--a story about an Indian man (Shah Rukh Khan) and Pakistani woman (Preity Zinta).

The movie begins in Pakistan. Zaara's elderly grandmother is dying and begs her to take her ashed back to India where she was born. Despite the poor relations between the countries, Zaara agrees to go and during her journey (not surprisingly) she meets Veer and they soon fall in love. This portion of the film is very, very sweet--my favorite part of the film. However, things are NOT going to be easy--this IS an Indian romance and at over three hours in length, you know SOMETHING is going to come between their love.

What happens to Veer is something you'll have to see for yourself-- but it clearly is an awful injustice and is highly reminiscent of Dumas' "The Man in the Iron Mask". This film really takes you on an emotional roller-coaster, that's for sure! In the process, some of the biggest film stars in India are there to support the main characters--with Amitabh Bachchan, Anupam Kher and Rani Mukerji on hand. While these names may not mean much to non-Bollywood fans, they are all mega- stars and make this one of the most star-studded Indian films I have ever seen. Combined with some amazing scenery and cinematography, clearly Yash Chopra pulled out all the stops to make this film.

Overall, this is a wonderful and stirring romance--and I highly recommend it. The only part that didn't ring true for me was the little speech made by Kher near the end...it just seemed a bit trite and hard to believe. Still, a terrific film and one that stars two of the most beautiful women ever to have appeared on screen as well as two terrifically handsome and virile leading men.

Reviewed by: Vijay Venkataramanan Reviewer's Rating: 9 out of 10

It's Diwali - the time for sweets, new clothes, fireworks, and as is customary every year in India, a star-studded, feel-good blockbuster. Yash Chopra's reclamation of the director's throne after seven long years is a simple return to the classical traditions of mainstream Indian film-making. The flair and sensitivity for romance is intact along with the passion for deep-rooted cultural and traditional mis-en-scene. However, neither is "Veer Zaara" a classic, nor is it even remotely comparable to Chopra's earlier masterpieces such as "Silsila", "Kaala Pathar", "Kabhie Kabhie", and "Lamhe". Yet, it is an ideal Diwali gift, exquisitely packaged, filled to the brim with sentiments and emotions, presented with only the best of intentions.

Squadron Leader Veer Pratap Singh (Shahrukh Khan) has been decaying in a Pakistani prison for twenty-two years. Saamiya Siddiqui (Rani Mukherjee), a local lawyer representing the Human Rights Commission undertakes the challenge of fighting for Veer so he can return to India. As Saamiya tries to unearth the hidden truth behind why and how Veer ended up in this situation, we are taken through a trip down memory lane as Veer recollects the days when he found and lost the love of his life, a Pakistani girl called Zaara (Priety Zinta).

What "Veer Zaara" lacks in terms of an innovative plot structure, it more than makes up for with Aditya Chopra's sometimes flawed, but sensitive writing. The supporting characters are extremely well fleshed out, and his dialogs witty and subtle. The storytelling is further enhanced with Javed Akhtar's lyrical wizardry, and Yash Chopra's tact for stretching defining moments of the story into musical interludes continues to fascinate. "Do pal ruka, khwaabon ka kaarvaan", a fine example of Mr. Akhtar's and Mr. Chopra's brilliance remains etched in your memory.

The film's grand-scale packaging is embellished by Sharmishta Roy's artistic, and exquisitely detailed production design, with each set being highly reflective of the characters that it holds in. Cinematographer Anil Sharma (Lagaan, Kal Ho Na Ho) sets up a rustic, yet opulent scheme to the film's largely rural setting that brings back memories of the evergreen "Dilwale Dulhania Le Jaayenge".

Actors including the great Amitabh Bachchan (who makes a stunning special appearance in this film with Hema Malini) have always elevated their performances to higher levels under Yash Chopra's baton. Rani Mukherjee follows in the same footsteps, playing the rookie lawyer with an admirable juxtaposition of nervousness and ferocity. While Preity Zinta and Shahrukh Khan too perform well in their respective roles, at no point does one feel that these two talented actors are ever challenged with roles such as these. Having played the loverboy so many times in the past, Veer Pratap Singh is a cakewalk for the Khan. The lead pair's chemistry from their younger days all the way to the days of their fifties is highly appreciable however. The supporting cast comprising of Divya Dutta, Kirron Kher, Boman Irani, and Manoj Bajpai make full use of their well-defined characters to enact high-caliber performances.

Other than the story of two fanatically devoted lovers, "Veer Zaara" is a progressive film for the Indian Film Industry because it makes an effort to break stereotypes with respect to Indo-Pak relations. It is a welcome change from the mindless Pak-bashing fare that we are routinely subjected to. Sensitive approaches like this first of all would help improve cultural ties, considering Hindi movies do comprise of a large portion of India's unofficial exports to Pakistan. Equally important is the economic factor because a culturally sensitive film like "Veer Zaara" is bound to officially open up a potentially huge, untapped, cinema-going audience across the border

Yash Chopra's Veer-Zaara is a visually stunning and emotionally touching picture about star-crossed lovers who meet once and are tied forever. Chopra artistically combines realism with unrestrained emotion and even some overdone sentimentality. On paper, the love story itself, the separation and everything else is quite typical, but Chopra infuses it with a different energy, masterfully emphasising the respect the two leads have for each other, the honour they pay to parents and elders, and their genuine willingness to sacrifice themselves for each other. While it is a cross-border love story between an Indian and a Pakistani, their nationality is not what really prevents them from being together. The lovers connect at the human level. Phenomenally well shot, Veer-Zaara flows smoothly through the stunning views of Indian and Pakistani fields and groves, and colourfully shows the bright sides of each country and their respective people. That the film does not define a specific period of historical time makes it universally relevant.

The love story is portrayed with grandeur, where larger-than-life orchestral music of heavy violins and piano accompanies the crucial moments, but at its core, it's beautifully old school. That is, the growing romance between the leads is not sleazy, it's not mainly driven by sexual tension or uncontrolled passion; there's pure interest to be together and be there for each other. The soundtrack is perhaps of the most beautiful assigned to a Hindi film in recent years, and that it was actually composed many years ago and rediscovered for this production, contributes to the epic mood of the film. Shahrukh Khan and Preity Zinta are great choices for the titular roles. They resuscitate their characters with restraint and dignity and have a credible chemistry despite not having much physical interaction. Khan is the main soul of the film and he is believable in everything his character goes through. Tremendously nuanced, Zinta is beautiful and compelling as the intelligent and headstrong Zaara, and looks ethereal in traditional outfits.

In the film's interesting progressive stance, religion and nationality are used as mediators to integration by means of shared human values. Among other issues, the film also addresses women's empowerment through Zaara's fierce independence and liberal views about women's rights, as well as Rani Mukherjee's role of a Pakistani lawyer who struggles to overcome societal norms. Indeed, Mukherjee, whose beauty appears so radiant throughout the film, makes a great impact with her relatively minor but pivotal role of the tenacious, level-headed Saammiya. She is natural and impressive and walks out leaving a mark. In general, as one would expect, Chopra manages to bring together a remarkable group of skilled actors to play the supporting roles, including Kirron Kher, Divya Dutta, Boman Irani, Manoj Bajpai, Amitabh Bachchan, Hema Malini, and Anupam Kher, all of whom play their respective parts to perfection, bringing layering and realism to their different, relatively short but memorably interesting characters.

Veer-Zaara, though a completely entertaining and often overwhelming epic romance, is not the greatest film you'll see, and many might think it often goes over-the-top with its abundant emotional quotient. I personally found much of it easily totally in place within the context and parameters of the film. Script-wise, it might be far from flawless as some loopholes exist, while several open questions pertaining to some of the proceedings remain open or unanswered. Having said that, it just doesn't matter here. This film is far ahead of anything it can be blamed for. It is a portrait centering on and endorsing the main values a person should cherish in life: humanity, respect and love, and it conveys this message very well. Many non-Indians were affected by this film even though it's not their immediate taste, and it's easy to see why. As a cinematic experience, it is both a visual and artistic treat. In this regard, it is one of those films which become instant classics, and I recommend it to anyone, whoever and wherever he or she is.

It was a really spectacular movie! I think the cinematography, music, colour, acting and 'second to none' story were instrumental in it being, I am sure, one of the best of its time. "Hats off" to Chopra and his team for directing yet another masterpiece! I must have this on DVD to add to my aspiring collection of movies. I couldn't believe that the movie did not waste time, with the usual 'Tun Tun' characters, which I must say, are displayed really well sometimes. The movie progressed smoothly, from one Scene to the next backed by superb and riveting music. I saw the movie this weekend (couldn't go before due to Diwali and Eid-ul-Fitr celebrations) and will return to the cinema this coming weekend to view it yet again! I think the movie had a 'Dilwale....' kind of feeling to it linked, perhaps, to the rural, peasant farming, outdoor field type of setting. I was truly pleased to see a movie linked to the India/Pakistan conflict, to be devoid of fighting and bloodshed! The movie addressed some of the more delicate issues of this conflict and must say that it was done in the most professional way!....Great movie....I give it five(5) stars!

I am one of those fussy people who watches selected films. Most films bore me because either they are a re-make (old Indian or American)or the story just does not grab me. I went to see this film after a very long time at the cinema and within the first five minutes, I told me husband what I thought the story would be and I was so shocked to find that the films story was not what I had predicted. I also hate films were the lovers have to die in the end (as they did in "Qayamat Se Qayamat Tak), because I truly believe that true love can conquer all.

Yash Chopra has, as always, delivered an all-round entertainer. The songs were mesmerising; Madan Mohans' tunes were beautiful, Lata Mangeshkars voice was 'an out of this world' experience, Javed Akhtars' lyrics and Aditya Chopras' poem meant so much to those who understand them.

Photography was enchanting; such films make people like me who love India, love it even more.

The acting was par excellence, Shahrukh Khan did not disappoint at all, Preity Zinta was the essence of beauty and innocence and Rani was good as well.

I would just like to say thank you to Mr Chopra for a wonderful experience.