Neredesin Firuze

Neredesin Firuze is a fast-moving, very colorful and lively movie. Ezel Akay, still new to the big screen, successfully demonstrates his original style in film-making. His scenes are crowded, painted in rich, festive colors, and things are in movement most of the time. Despite the continuous movement, sometimes-distracting environments and loud music, Akay seems to be able to keep the tempo under control and he cleverly uses it to visualize emotion.

Despite the movie is essentially a light-hearted satire of the popular culture in modern Turkey, it partially endorses it by employing both thespians and 'popular' people with less cinema experience. Nevertheless, From the master Haluk Bilginer to the singer-to-actor Ozcan Deniz, all the cast members do their job well in this spinning juke-box, and the movie does not bore you for even a second.

The soundtrack is exceptionally good, full of original music and modernized traditional Turkish songs performed by the most popular -and generally, talented- singers in the industry. Even if you do not want to see the movie, give the sound-track a try.

I can't find word to explain the feelings while watching this movie... It is a bit musical, a bit movie; also combines tragedy, comedy and whatever other feelings are there... It also gives an idea about the power of dark forces over music sector in Turkey; and also the cheaters in it. Maybe; "Hope" and "Success" words can be a roof for summary of this story! Congragulations Ezel Akay!

If it is needed to tell about the techniques; really similar to Chicago maybe; but also original sounds and colors. I have to say for foreign watchers: All singers in the movie are real. They are star in Turkey; and most of them is as old as Turkish Pop Music comes to world. (For Ex: Erol Büyükburç is one of the first examples of Turkish Pop Singer) Not only pop music; many genre of songs are played in movie. (Really successful soundtracks!)

Where Are You, Firuze is the kind of movie that does not attract the attention of the mainstream cinema audience in terms of its poster and any marketing material, but after watching it, it makes them wonder why I had not noticed this movie until now. Its director, Ezel Akay, who is a storyteller, reflected his cinematic approach to the film point by point. Although the narrative is fragmented by the intervening music and accompanying visuals, it actually completes a wonderful whole in terms of the story.

I've seen people who make musical analogies for the movie. The question of whether Bollywood movies are musicals explains the musical problematic of this movie.

Saw this in London, the first time I saw a Turkish movie, and bought the ticket by mistake (I actually went in to see The Village!). When I realized I was watching a subtitled Turkish movie, I was about to leave the cinema, but had fifteen minutes before the Village started so I stayed on.

I was expecting a cheesed up Bollywood movie, but I was simply blown away. I stayed till the end. I don't think I have ever been so moved by a movie - it captures the essence of human spirit on the same level as the greatest movies of the 20th century. My only regret is that this will forever be unrecognized in our world. This movie invariably deserves to be in the IMDb to 250 movies of all time, if not in the top 25.

George

The topic, cinematography, music, little details, and the ending. It's amazing with all its features!!!! Definitely a 10.