AVALIAÇÃO DA IMDb
7,0/10
22 mil
SUA AVALIAÇÃO
Jovens recrutas do exército soviético são apanhados na guerra sangrenta no Afeganistão, iniciada por políticos.Jovens recrutas do exército soviético são apanhados na guerra sangrenta no Afeganistão, iniciada por políticos.Jovens recrutas do exército soviético são apanhados na guerra sangrenta no Afeganistão, iniciada por políticos.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 13 vitórias e 22 indicações no total
Fedor Bondarchuk
- Sergey 'Khokhol' Pogrebnyak
- (as Fyodor Bondarchuk)
Aleksandr Sheyn Jr.
- Patefon
- (as Aleksandr Sheyn)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Yes, we have all seen a lot of those movies that focus on soldiers in the battle, their bravery, weaknesses, breakdowns etc. Those films are always end up in a way that let's us know once again, how pointless is war and how it has its impact to every single life separately. This movie is not an exception in overall point of view. It has quite a same morale.
But few things make it still unique and are the reason to rate it a bit higher than just average.
At first reality. Not historically, but people in the movie are much more real than in Hollywood movie. It seems that only Russian actors can let the public see the soul of Russian people and soldiers. I'm not Russian myself, but I've met a lot of them and this is just the unique thing they call "Russkaja dusha" (Russian soul). Russians have very hot temper, they can blaze up in a second and start the fight, but they never let it damage their friendship.
Second dose of realism: people in war. I mean especially Dygalo was a very realistic character. When I was serving my time in Estonian army I met an officer who was also veteran of Afganistan war. And believe me, he was quite a copy of Dygalo. It is hard to understand, how real war experience could leave such a trace in human mind, but now when I saw Praporshik Dygalo in that movie, I noticed a huge similarity between Dygalo and that officer and I instantly understood that this is the real thing, this is exactly how war affected those soldiers. And the fact this film has managed to take it to public so real, gives it a great bonus.
And last, but not least: Russian language in a movie that also really sounds as Russian language. I'm always laughing about the episodes in Hollywood movies that should include Russian army or characters and I have to say that Russian language in Hollywood movies is more than ridiculous, therefore I'm quite happy that this film was made in Russian. By the way, Russian is considered to have the most developed vocabulary in swearing and as this is war movie and those guys are pretty rough as well, it sounds much better and more real in Russian. Translation usually manages to lost at least half of the meaning.
In conclusion: yes, I would recommend this movie to everybody. Although it shares the same morale than other war movies, it's still somehow unique and especially Americans could take a look and compare it to Hollywood stuff.
But few things make it still unique and are the reason to rate it a bit higher than just average.
At first reality. Not historically, but people in the movie are much more real than in Hollywood movie. It seems that only Russian actors can let the public see the soul of Russian people and soldiers. I'm not Russian myself, but I've met a lot of them and this is just the unique thing they call "Russkaja dusha" (Russian soul). Russians have very hot temper, they can blaze up in a second and start the fight, but they never let it damage their friendship.
Second dose of realism: people in war. I mean especially Dygalo was a very realistic character. When I was serving my time in Estonian army I met an officer who was also veteran of Afganistan war. And believe me, he was quite a copy of Dygalo. It is hard to understand, how real war experience could leave such a trace in human mind, but now when I saw Praporshik Dygalo in that movie, I noticed a huge similarity between Dygalo and that officer and I instantly understood that this is the real thing, this is exactly how war affected those soldiers. And the fact this film has managed to take it to public so real, gives it a great bonus.
And last, but not least: Russian language in a movie that also really sounds as Russian language. I'm always laughing about the episodes in Hollywood movies that should include Russian army or characters and I have to say that Russian language in Hollywood movies is more than ridiculous, therefore I'm quite happy that this film was made in Russian. By the way, Russian is considered to have the most developed vocabulary in swearing and as this is war movie and those guys are pretty rough as well, it sounds much better and more real in Russian. Translation usually manages to lost at least half of the meaning.
In conclusion: yes, I would recommend this movie to everybody. Although it shares the same morale than other war movies, it's still somehow unique and especially Americans could take a look and compare it to Hollywood stuff.
At 38, Fyodor Bondarchuk makes his directorial debut at the same age at which his father, Sergei Bondarchuk, made his own classic "Destiny of a Man". An epic in every sense of the word, 9th Company boasts a rousing soundtrack, broad camera shots, unbelievably beautiful landscapes, empathetic characters and vividly brutal action sequences.
Based on actual events that culminated on 7th January 1988 on the Djardan "3234" Heights of Afghanistan, 9th Company follows the ill-fated fortunes of a small group of young Soviet soldiers, from the trials of boot camp to their arrival in the heart of the war zone and the climactic, bloody battle that made them heroes.
The 9th Company is first and foremost a war film. Not a anti-war film, and certainly not militarist - but a genuine war film. It is not about the glories of Russian weapons, rather the glories of those who fight with them down to the last round of ammunition. Apart from the odd radio murmur from Mikhail Gorbachev, the film has cast all politics aside.
Visually, great care was taken to immerse the viewer into the world of the 9th Company. The Afghan scenes are painted in a sepia, red-brown hue, while the training camp portions of the film appear colder, with more pronounced hints of green and blue. Fyodor Bondarchuk has a fondness for using slow motion for emphasis and in this instance it is particularly effective. The props, military equipment, costumes, specially constructed Afghan village, the characters, their speech, the sound, and finally the dust - all appear authentic. Bondarchuk makes good use of a $9m budget (lavish by Russian standards) and the film features some impressive hardware including 30 T-64-B tanks, 10 Mi-24 Hind attack helicopters, 10 Mi-8 multi-role transport helicopters, 22 AN and MIG fighters, 1500 Ukrainian army troops, and 42 three-ton loads of stone and rubble for pyrotechnic effects to name a few.
The 9th Company showcases some explosive action sequences. Violence and vodka are served up in equal measures and it makes for a highly intoxicating cinematic cocktail that's guaranteed to push your excitement levels over the limit by the time the climactic final firefight arrives. Drawing obvious parallels to numerous conflicts occurring around the globe today, 9th Company is a tense, powerful and tragically topical war film that demands to be seen. It's a timely reminder that war is hell, wherever you are from and whatever language you speak.
For those interested in purchasing a DVD copy of the film I suggest visiting either http://www.alldvd.ca or http://www.dvdigitall.com. I've had the pleasure of dealing with both sellers and have found them to be the most trusted dealer of imported European films on the Net. They have great customer support and are extremely knowledgeable when it comes to hard to find DVD's. Even more important is the fact that they only deal in legitimate, non-bootleg releases. Both sellers and film come highly recommended.
Based on actual events that culminated on 7th January 1988 on the Djardan "3234" Heights of Afghanistan, 9th Company follows the ill-fated fortunes of a small group of young Soviet soldiers, from the trials of boot camp to their arrival in the heart of the war zone and the climactic, bloody battle that made them heroes.
The 9th Company is first and foremost a war film. Not a anti-war film, and certainly not militarist - but a genuine war film. It is not about the glories of Russian weapons, rather the glories of those who fight with them down to the last round of ammunition. Apart from the odd radio murmur from Mikhail Gorbachev, the film has cast all politics aside.
Visually, great care was taken to immerse the viewer into the world of the 9th Company. The Afghan scenes are painted in a sepia, red-brown hue, while the training camp portions of the film appear colder, with more pronounced hints of green and blue. Fyodor Bondarchuk has a fondness for using slow motion for emphasis and in this instance it is particularly effective. The props, military equipment, costumes, specially constructed Afghan village, the characters, their speech, the sound, and finally the dust - all appear authentic. Bondarchuk makes good use of a $9m budget (lavish by Russian standards) and the film features some impressive hardware including 30 T-64-B tanks, 10 Mi-24 Hind attack helicopters, 10 Mi-8 multi-role transport helicopters, 22 AN and MIG fighters, 1500 Ukrainian army troops, and 42 three-ton loads of stone and rubble for pyrotechnic effects to name a few.
The 9th Company showcases some explosive action sequences. Violence and vodka are served up in equal measures and it makes for a highly intoxicating cinematic cocktail that's guaranteed to push your excitement levels over the limit by the time the climactic final firefight arrives. Drawing obvious parallels to numerous conflicts occurring around the globe today, 9th Company is a tense, powerful and tragically topical war film that demands to be seen. It's a timely reminder that war is hell, wherever you are from and whatever language you speak.
For those interested in purchasing a DVD copy of the film I suggest visiting either http://www.alldvd.ca or http://www.dvdigitall.com. I've had the pleasure of dealing with both sellers and have found them to be the most trusted dealer of imported European films on the Net. They have great customer support and are extremely knowledgeable when it comes to hard to find DVD's. Even more important is the fact that they only deal in legitimate, non-bootleg releases. Both sellers and film come highly recommended.
As the movie opens and we see a squad of young, boisterous, Soviet civilians enter basic training, get their heads embaldened, and loafing around joking afterwards, my initial thought what "WTF? What kind of an army is this?" We see a recruit attacking his barber and cutting a swath through his hair with electric clippers because he didn't like the barber's twitting him. I had my hair cut off too, along with dozens of others, but everyone was hypervigilant, too nervous to gripe about any indignities. Then, now bald, the men pass the time in the barracks waiting to be told what to do and they share a bottle of VODKA and get loaded. This is the first day of basic training? Later they sneak off and gang bang a local girl, then pass around a joint. This is an ARMY?
There is the usual diversity among the men, but not very like an American combat film. No Texans or wise guys from Brooklyn. But there are class differences. One soldier who has eaten out of garbage cans snaps at another who is an educated artist. The training regimen soon turns earnest, rigorous, and brutal -- and much more familiar. The F bomb is generously deployed, along with plenty of single entendres. The battle-scarred drill sergeant always in a rage, swearing and humiliating the men. The growing cohesiveness and developing friendships within the squad. Actually, we get to like the guys because we can identify with them, just as in an American movie.
There's a touching scene involving the camp's whore, who is blond and rather plain. The squad are all stoned but the chuckling dies down as they trade ideas about wounds and death. The artist is sent by the others into the next room with "Snow White," the blond, told to lose his virginity and become a real man. The girl is sweaty and bedraggled but the young man sees beauty behind the ordinariness. He tells her so and she giggles in surprise, disbelief, and the kind of relief an animal must feel when, instead of the usual kick, he's petted instead. And when the artist pulls her naked back into the squad room, he shouts that he's found Venus rising from the sea. The other men, howling with laughter, throw themselves at her feet while she holds her fingers to her over-ripe lips and laughs in little bursts, half uncomprehending and half swooning with pleasure.
In the second part of the film the squad reaches Afghanistan and most of the jokes disappear. What doesn't kill you makes you stronger. (Eventually something is going to kill you, though.) The combat scenes are savage and yet recognizable from American movies about Vietnam or, more particularly, from "Blackhawk Down." It takes a little getting used to because at first the uniforms, weapons, and military protocol are a little different from ours. And at first it's odd to hear up-to-date American voices and slang terms from other nationals but the pattern soon reveals itself and we can sit back and watch another movie about a futile war against the masked and black-robed Mujuhadin against whom we would send our own troops in another twelve or thirteen years.
There is the usual diversity among the men, but not very like an American combat film. No Texans or wise guys from Brooklyn. But there are class differences. One soldier who has eaten out of garbage cans snaps at another who is an educated artist. The training regimen soon turns earnest, rigorous, and brutal -- and much more familiar. The F bomb is generously deployed, along with plenty of single entendres. The battle-scarred drill sergeant always in a rage, swearing and humiliating the men. The growing cohesiveness and developing friendships within the squad. Actually, we get to like the guys because we can identify with them, just as in an American movie.
There's a touching scene involving the camp's whore, who is blond and rather plain. The squad are all stoned but the chuckling dies down as they trade ideas about wounds and death. The artist is sent by the others into the next room with "Snow White," the blond, told to lose his virginity and become a real man. The girl is sweaty and bedraggled but the young man sees beauty behind the ordinariness. He tells her so and she giggles in surprise, disbelief, and the kind of relief an animal must feel when, instead of the usual kick, he's petted instead. And when the artist pulls her naked back into the squad room, he shouts that he's found Venus rising from the sea. The other men, howling with laughter, throw themselves at her feet while she holds her fingers to her over-ripe lips and laughs in little bursts, half uncomprehending and half swooning with pleasure.
In the second part of the film the squad reaches Afghanistan and most of the jokes disappear. What doesn't kill you makes you stronger. (Eventually something is going to kill you, though.) The combat scenes are savage and yet recognizable from American movies about Vietnam or, more particularly, from "Blackhawk Down." It takes a little getting used to because at first the uniforms, weapons, and military protocol are a little different from ours. And at first it's odd to hear up-to-date American voices and slang terms from other nationals but the pattern soon reveals itself and we can sit back and watch another movie about a futile war against the masked and black-robed Mujuhadin against whom we would send our own troops in another twelve or thirteen years.
...are indeed bound to repeat them. This cracking Soviet/Afghan war drama from director and actor Fyodor Bondarchuk has echoes of US war stories like Hamburger Hill, Platoon and Full Metal Jacket, but with none of the predictable American schmaltz, propaganda and dubiously good teeth. It grips the viewer entirely with impressive repertory performances from a great young cast of faces unknown to western audiences; deserving all of its accolades and every cent of the post-Soviet era record-breaking $20m the film has raked in. Worth a look for those who think current Western military ambitions in Afghanistan are anything but futile.
I am big fan of war films, specially from Vietnam and WWII. Afghanistan was taboo in Russia for long time, therefore I was very impatient to see 9th company and because of Bondarchuk, that is the name.
I was really surprised about this film. Perfect acting, spectacular special effects, costumes and different point of view on war. All of these made this film superlative. And something more. I felt something strange after the end of this film. It was mix of feelings like anger, sympathy and sorrow.
9th company is impressive successor of famous Russian war films and Fyodor is brilliant follower of his father Sergey. Is nice to see excellent masterpiece from different, like American production.
God bless Bondarchuk !
I was really surprised about this film. Perfect acting, spectacular special effects, costumes and different point of view on war. All of these made this film superlative. And something more. I felt something strange after the end of this film. It was mix of feelings like anger, sympathy and sorrow.
9th company is impressive successor of famous Russian war films and Fyodor is brilliant follower of his father Sergey. Is nice to see excellent masterpiece from different, like American production.
God bless Bondarchuk !
Você sabia?
- CuriosidadesIn reality, only 6 of 39 soviet soldiers from the 9th company were killed on hill 3234. There were over 200 dead on the opposite side.
- Erros de gravaçãoThe battle took place in late February, not the summer months.
- ConexõesReferenced in Guardiões do Dia (2006)
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- How long is 9th Company?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 9.500.000 (estimativa)
- Faturamento bruto mundial
- US$ 26.146.165
- Tempo de duração2 horas 19 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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