Álibi

A fun movie with several strange twists. Essentially, "Ray Elliott" (Steve Coogan) owns a small company which helps people set up alibis in order to continue extramarital affairs. For example, if a person who is having an affair is supposed to be in a business meeting, then all calls will be rerouted to one of Ray Elliotts assistants who will field the call and cover for the client. Naturally, this is all done for a hefty price. Unfortunately, things go wrong when a new client accidentally kills his mistress. Not only is Ray Elliott left to try to clean up the mess but he soon finds that he has a contract out on his head as well. Likewise, his former partner also has a contract out on his head and people are swarming all over the place looking for him too. At any rate, Steve Coogan performed in an outstanding manner. Likewise, Rebecca Romijn looked awesome as Ray Elliott's new employee "Lola". And while this film has some mature themes it really doesn't go overboard or push the envelope. In short, this is a good comedy which most people will probably get a kick out of.

'The Alibi' provides enough twists and turns to make it likable and somewhat enjoyable. However, I thought it could have used a little more slickness which could have made it a real film-watching treat. Director duo Matt Checkowski and Kurt Mattila do a decent job but at times the pace really slows down and then suddenly picks up at a drastic level where it even reaches a point that the leaves the viewer confused concerning certain plot points. But just bear with it as there is some good writing, the main plot is unusual and has a neo-noir feel to it and in the end it feels entertaining. The huge impressive ensemble cast that comprises of an unusual combination of actors is fun to watch. Steve Coogan at times looks uncomfortable in his part but does an adequate job overall. Rebecca Romijn is smoking hot and easily pulls off the smart babe. Selma Blair pulls off the cute seductress. James Brolin, Sam Elliot and James Marsden are fun to watch. Deborah Kara Unger and John Leguizamo make their presence felt in briefer roles. Perhaps some of the characters could have used more development which would have given the actors more scope to bring them out. The humour is very situational and a few of the comedy are dry and just fail to trigger laughter. The film itself is very short. The makers wanted to give it a 60's feel but at the same time apply that to todays world and I think it fell somewhere in between. As I said earlier, 'The Alibi' could have done with more slickness and style, used more character development, and more comedy but overall it isn't a bad film and can be quite enjoyable on a windy day.

The crook Ray Elliot (Steve Coogan), whose former partner Jack is under a five million dollars contract, believes in statistics and runs a risk assessment and managing business, actually a front for a company that provides alibis to adulterous people that cheat their mates. He does not accept to give alibis for crimes and he has just hired the alluring Lola (Rebecca Romijn) to be his assistant. When Wendell Hatch (James Marsden), the reckless son of his wealthy client Robert Hatch (James Brolin), accidentally kills his masochist date Heather (Jaime King) in a kinky S&M game, Ray breaks his rules to protect his own name and hire some guys to clean the bedroom and vanish the body. Sooner Ray has many problems to resolve: the police is in his tail trying to find a clue about the disappearance of Heather; her jealous Mexican-American boyfriend wishes revenge against the murderer; Wendell is upset because Ray told his father about the crime; Robert is angry and hires the hit-man Mormon (Sam Elliott) to kill Ray, but the killer is chasing Jack. When the jealous Mormon sees his wife Adelle (Selma Blair) flirting with Ray, he decides to kill him. Without any option, Ray joins his crook-friends to help him to resolve the situation.

The beginning of "The Alibi" is too fast and confused and does not develop well the relationship between Ray Elliot and Lola. However, after the death of the masochist slut, the story becomes funny and dynamic, and the final plan of Ray is messy but hilarious. The cast of this film has good actors and actresses and in the end it is a worthwhile entertainment. The most incredible, Rebecca Romijn seems to be more beautiful than ever. My vote is seven.

Title (Brazil): "Álibi" ("Alibi")

THE ALIBI is a smooth, elegant, neo-noir expertly shot by guys who did pre-cog scenes in MINORITY REPORT. It is very reminiscent of Frank Tashlin's work. Tashlin was the Warner Bros. cartoonist who ended up doing vehicles for Jerry Lewis and Doris Day. While his cartoons were strongly influenced by live action cinema, his live action features had a distinctive cartoonish element.

Te same can be said for THE ALIBI which works as a very tightly knit yarn and feels as precise as a special effects sequence. This precision makes the film flow smoothly and the directors deliver Hollywood entertainment at its best.

The cast is top-notch and the attached talent is the major asset of this production.

The only major shortcoming of this feature is the complete absence of emotions and character depth. The only character fully developed is the main character and it is a shame because other characters are too flat so the story fails to emotionally resonate. The screenplay feels like the first draft and it seems that it was just a couple rewrites away from being fully developed.

This is why THE ALIBI is just a well made programmer while it seems that deep inside it possessed a much bigger potential.

A dream service for those adulterous men and women out there. A service which takes your calls, handles all potentially tense situations of private eyes and that suspecting spouse, essentially taking care of you on the side while you bang. Sounds good? I think so too, at least in a business sense.

Ray Elliot (Steve Coogan) runs such a service. It's a money spinner, based on statistics that one in 4 men stray, and one in 10 women cheat. He advertises his risk management career through word of mouth, and takes pride in his job in bailing clients out of seemingly explosive marital situations. The pre-requisites? A calm cool mind that can spin out stories and tell them with a straight face.

Lola Davis (the hot Rebecca Romijn) is his new management recruit, and without much orientation, plunges into the job head on. Initially you might think the movie will develop on the above company politics scenario, and have the two leads get involved with each other romantically. But no, before you can get to see the next fling, the movie heads on to classic crime noir territory.

On his last field job, Ray's client accidentally kills his mistress in a bout of S&M, and it's up to Ray to clear the mess up, violating one of his principles that his company doesn't provide alibis for crime. However his reputation and integrity is on the line, and he has no choice but to cover it all up.

And you'll probably wince at the amount of challenges Ray goes through in having this done, and having a price put out on his head. It's essentially one heck of a caper, as we witness how Ray Elliot schemes and plot to get his rear out of situations that's seemingly impossible, and incredibly lucky to get out of. It's full of crossings and double-crossings, and while you might be lost at certain plot points, just hang in there as all will converge for the finale, leaving you with a smirk, quite satisfied with the outcome.

What's fun in this movie is the huge ensemble cast that play the many characters on screen. Another X-Men franchise regular, James Marsden (Cyclops) is here as the inept himbo Wendell Hatch, Ray Elliot's last client, and we have a myriad of characters like hit men, gangsters, cops, an unsatisfied wife, etc from a cast of Selma Blair, James Brolin, Sam Elliot, Jaime King, John Leguizamo, Deborah Kara Unger, and the likes.

One thing's for sure, having a huge network of those whom you have deposited emotional or material help with, certainly will help bucket-loads when the time comes. If you're up for a caper, then I'd recommend The Alibi, for its fun.