Gau min

The urban myth in this modern Honk Kong thriller simply makes my skin crawl, and the film effectively pulls you along for an unnervingly captivating ride. However this dark concept is only a stepping tool for the premise to move along, then to focus upon it. Susan Chan's well-oiled story keeps the tempo tight, is held together by a strongly stimulating script and constantly stays busy with its cat-and-mouse layout. These do make up for the predictability of the film's material, and a silly surprise towards the end. Like the other user-comments have mentioned, the many twists that the framework throws up are pretty much foreseeable and some quite questionable, but director Chi-Leung Law still manages to competently construct slabs of unbearable psychological tension and grisly violence that teases the viewer. His direction might be economically executed, but he crafts out a stylishly bold and at times visual feast of perfect timing within his suffocating set-pieces. Going a long way to cementing a creepy atmosphere of despair, and uncertainty is that of a beautifully layered music score, which always packed a sudden sting and the sublime staging of Chi Ying Chan's crisp, moody cinematography. What really is the key of the success are the magnificently flawless lead performances of Angelica Lee and especially Karena Lam. Both bring humane, provocative turns that are truly convincing, and moving in every detail and the hazy relationship between the two characters is truly a complicated web. A very well made and professionally acted film, where from the get-go its faults seem immensely minor to disrupt a very entertaining, worthwhile story.

I found this movie to be very entertaining with lots of wonderful surprises. There were lots of unexpected and entertaining moments in this film. This film deals very well with themes of friendship, mystery and love. The ending was very touching and unexpected. Though the action may not be as good as some of the Jacky Chan movies, this movie has a great storyline. The cinematography of the film was well made. The acting was extremely fantastic, especially the acting of Karena Lam. This movie has wonderful mystery elements as well. This movie even contains some horror elements in it though it was supposed to be a physcological thriller, there were some jumpy scenes. However, there are still some minor flaws in this film. I thought the middle portion of this film where the relationship of the two girls were being bulid up was quite draggy. It would be good if they have shorten that up a bit. This movie contains a lot of action, and well paced overall. This movie is a rather original one because it deals with kidneys. This movie is highly recommended. What I actually like most about this movie is the ending. The ending was very well done due to the built up of the film. The ending was though, predictable, a very touching ending indeed. The ending for this movie is very satisfying for me unlike the one in diary. The ending shows a great relationship between the main characters. A lot of credit was given to the ending for me. Hence, I will give this movie a high score of 9/10.

Surprisingly pedestrian rendition of an premise handled far better in Stephen Frears "Dirty Pretty Things". Don't be misled either into thinking its a 'horror' film has it seems to have far more in common with the sexual revenge and contamination fears of 1980s classic Fatal Attraction. Indeed a boiled bunny might have made for a passing distraction more pleasant than the 88 minutes of increasingly grudging attention I was forced to expend on this hack work.

One can see why a combination of plastic oriental exoticism and hitchcock/ shining pastiches would appeal to fans of contemporary throw away horror, such as 'Saw' for example, but plastic characters, a dull visual palette and plotting mean there's little to warrant recommending it over any episode of CSI. Which is a poor recommendation indeed.

This Hong Kong production takes the old urban legend of a person waking up in a bathtub of ice with their kidney removed and spins it into a pretty solid and very well photographed thriller. Angelica (The Eye) Lee stars as a frail woman who gets caught up in the situation when she witnesses Karena Lam in the vicinity of a kidney theft that occurs at a hotel where she was attending a wedding. Several interesting (but predictable) plot twists are thrown in quite frequently. The musical score by Chan Kwong-Wing is very strong and most of the time punctuates the jumps well. The sound design helped to give "Koma" several scenes of creepiness. The photography was very strong with a lot of wonderfully lit scenes. The script is a step above what you usually see for a slasher type film with acting being a very strong component of the film.

I was not sure what to expect going into this one. I adore Angelica Lee, so it was worth it, even if it were to be garbage. The premise is pretty simple and setups up the movie - Kidney thief on the loose, whose next? Or so you think. The movie goes much deeper than that. One could almost cut all that out (forgive the pun) and substitute other problems and the movie would still stand. Other than a few curses a friend taught me in college, I don't speak or understand Chinese, however the writing (if the subtitles are accurate) and the emotion in the delivery make you really feel for Ling and Ching. I think I felt more empathy for them than half the English movies I've seen lately.

There is nothing supernatural in this movie and it is very believable, which actually makes it a little scarier. There are a couple scenes where they try to make you jump, but you can see those coming from a mile away. Some of the plot twists were pretty transparent, however, some were unseen. It is not a convoluted or hard to follow story at all. But the acting and direction more than make up for any implied simpleness of the plot.

Really, it is that decent of a film.