Fúria Assassina

The story line was fine, and followed the real events fairly close to reality. HOWEVER, I have to wonder if the director and producer EVER visited Nebraska before filming. I have lived in Nebraska my entire life, and have spent much time in Lincoln. My home is in the western part of the state, near the Wyoming border, where the chase took place. I live in the town where Charlie spent his first night in jail on the way back to Lincoln. No where are there MOUNTAINS. No where between Lincoln and Wyoming is there a desert- like landscape with tumble weeds and cacti. The setting was so far off from the reality of Nebraska, it was laughable for a Nebraskan to watch. Also, they gave the actors a Southern hick accent, and had them use words like "I reckon" and "ain't." People don't talk like that here, and they didn't in the 1950's either. It could've been a much more disturbing picture, if they had used the quiet beauty of the Nebraska prairie-type lands juxtaposed against the brutality of the crimes. It was too cheesy with the Arizona landscape being passed off as Nebraska, and the fake Southern accents passed off in the dialogue. What a disappointment.

I lived in Lincoln during the Starkweather era & couldn't believe this movie. First off, there are no cacti & mountains in Nebraska. Even in the 50's Nebraskans didn't talk with southern hick drawls. Also, I've never seen a '48 Ford described as a '55 Chevy. Starkweather was a short (5'8") bow-legged red head that wore very thick glasses. He was a real loser. So was his girl-friend. I thought this might be a good movie but have changed my mind since seeing it. It had the possibility to be one, but was really messed up. I had never heard that Starkweather heard "voices" or saw a "devil" when he was on his rampage. I don't know where that came from. Don't bother watching.

Lets look at the plot outline to start with, which refers to 16 year old Starkweather and his 14 year old girlfriend. Whilst I thought Brent Taylor and Shannon Lucio played their roles adequately, they do not pass as these age groups. If you research the facts of the film you find that Starkweather was actually 19 and Caril had just turned 13 therefore, I don't understand why they cast two obviously older actors. There should have been more of a 'Lolita' scenario. The poster refers to Natural Born Killers, etc and suggests this is the story that inspired these films. This film inspires no one. It dwells on the 11 killings but at the same time does nothing to broaden our understanding of the characters. The events leading up to the first murder are brushed over. 'Lets just give an idea of who they are and move on to the gore!' But the violence is just lame and it becomes monotonous seeing Starkweather moving on to the next kill. The character who stood out was the Sheriff but for all the wrong reasons. If he smokes in real life then he has a funny way of holding a cigar. His dialogue was laughable and every time he came on screen I cringed. Don't go out of your way to watch this film, you'll regret it.

Bad acting. Bad script. Wildly inaccurate. I am slightly surprised that Charlie Starkweather hasn't risen from the grave and hunted down the makers of this so-called film. This is the kind of worthless movie you would expect to see on late night TV, probably on one of the cable channels that specializes in bad movies. Unfortunately it's not bad in a good, goofy, campy kind of way - it's just generically bad.

Let's start with the script, since that is the greatest offense. The dialogue contains phrases that no one in 1950's Nebraska, much less Charlie Starkweather and friends, would ever say. I doubt anyone today would spout out such ridiculous lines. It's the kind of stuff you might find in a Harlequin Romance from the 1970's. Where does Hollywood find such talentless writers who come up with nothing but clichéd hacks? If that weren't bad enough, the script is full of inconsistencies: one minute a character will say something, the next minute he will contradict what he said before, as if he didn't remember what he just said. It's just plain dumb writing.

The acting is as bad as you would expect. I've seen better acting in worse films, but bad acting is bad acting - no further explanation necessary.

It's so inaccurate you wonder if the writer and director read even the sketchiest accounts of the events covered. They assign Charlie's motives in killing to a shadowy character (Lance Henricksen) who talks him into murdering people for the dumbest reasons you've ever heard. No attempt is made at historical accuracy - if you think you're going to learn something about the Starkweather-Fugate case from this film, then think again. All it will do is lead you astray. I wonder that Caril Fugate hasn't sued the makers of the film for portraying her in this manner.

So there you have it: lame all around, from the script to the final credits. Thankfully there has been a decent movie made about these events, check out "Badlands" with Martin Sheen and Sissy Spacek. It's over a decade older, but much better done, if still not very accurate.

In conclusion, if Charlie were to rise up and kill the director, script writer, and everyone involved in this movie - I doubt a jury would convict him.

Setting aside all aspects of accuracy of story or landscape or props or whatever, and any problems with boom mics this is plain and simply just very bad. The script is the worst offender, truly awful, after Charlie's first murder when he tells Caril-Ann that he did it for her I couldn't believe the response. I actually mouthed to myself verbatim what a corny line would have been in that situation but she actually said it. For a film dealing with a serious subject with a purported serious tone was the sheriff's assistant comic relief or just atrociously written. The car-chase scene near the end was pure farce.

This film is lazy on many fronts but none worse than the character of the mentor. This is the sole justification for why Charlie Starkweather would embark on a killing spree, although at least this is more justification then for why Caril-Ann would go along with it. This seems to me the biggest of corners cut to tell a story, surely there must have been more to Starkweather's background than this, and how accurate is this sub-conscious cloaked man as a part of Charlie's personality anyway? I think better analysers than me will be able to give a whole load more reasons not to see it, all I can do is tell you it's bad, very bad, and despite the occasional flirtation with so bad it's good, it doesn't even merit that.