A Última Aposta

I 've made up my mind to try to be succinct in my reviews, brief, to the point. This will be more helpful to me and to the readers here. Art should speak for itself, reviews are not diatribes.

It's a testament to the continued ignorance and emotionally shallowness of the majority (even at IMDb that is an IQ/eq click over the median) that decent films get sub par ratings, and atrocious ones get good ones. That said it's always heartening to see that an informed minority (who's voted 30/45 on another reviewer's positive review) has got the sense and the sensibility (to paraphrase one of the loveliest wordplays ever) to appreciate good films within their differing opinions of taste, background, world view, frame of mind.

This is one of those films that is actually quite good, yet you 'd never know that from the rating or some reviews here. First of all we have an excellent cast of seasoned actors giving fine, tempered performances, not overdone, not understated, just fine tuned performances all around. So the drama or the twists aren't spectacular, so what? There's plenty of humanity here and emotion to keep one's interest. A special vote to Kim Basinger who isn't getting the recognition she deserves, she's adorable here and she's grown to be a splendid actress, despite the ensemble cast the real star here is her. All in all a very sweet film.

The cast is crazy good, but the fall short. I think it's a good movie, bordering on really good if you know what I mean. Danny DeVito doesn't acknowledge this movie in this film archives on this and Wikipedia I'm not sure why it's worth a watch. I know gambling I had to quit and I thought it was pretty authentic except you don't pay a bookie after a bit he always pay on Thursday. I'm not sure why Carolyn had to burn her hand, and it sort of falls apart after that. This movie is worth a watch, but it's a hard watch. Force Whitaker is the key in this movie. Embrace it all together. Academy award winning cast.

This movie was plausible. Gambling addiction is much like any other addiction, very, very ugly. The characters in the movie did a pretty good job in showing how addiction can destroy one's life. Each character fit his part quite well. Doubling your money, betting the odds may provide a rush, but in the end, it's one gigantic let down. A not bad movie.

Wow. I must disagree with the guy who hated the movie. Don't know what movie he was watching, but I was at the screening Sunday night and the film was well received and rightly so.

It's an intelligent, character driven movie. Great performances. They don't make many films like this anymore. I actually had issues with CRASH (the cartoonish depiction of race issues of LA, the coincidences). EVEN MONEY is a better film.

One issue: I had no idea in which city the movie took place.

Other than that, I highly recommend this film for those of you who miss the great character driven films of the 70's.

"Even Money" is an ensemble drama that aims to be the Traffic or Syriana of gambling, but comes off closer to Crash—a trite amalgam of scenes we've seen many, many times before. The fact that you've heard so little about a film with such an impressive cast (Kim Basinger, Ray Liotta, Danny DeVito, Tim Roth, Kelsey Grammar, Nick Cannon, Jay Mohr, Carla Gugino, Forest Whitaker) should tell you something; indeed, the scuttlebutt on the ol' World Wide Internets is that the film was headed straight to DVD until Whitaker picked up the Oscar.

The cast is mostly good, but there's only so much that they can do with this material. Basinger and Liotta are especially hard up, stranded in a story thread that is older than the hills; poor Carla Gugino is stuck playing the same scene (by my count) three times straight, which is a criminal misuse of an actress as intelligent and sexy as she. Tim Roth has some nice moments as an especially snarky bad guy, though this viewer wondered if he would really show up at the college basketball game that provides the film's climax (with a resolution that can be clearly seen the moment the story turn is introduced). Kelsey Grammar (nearly unrecognizable) appears, at the film's beginning, to be doing an interesting piece of character acting as a cop, but he then disappears for over an hour, which makes his character's big final scene somewhat less than compelling.

"Even Money" is a mess, an attempt to manufacture a prestige picture by throwing many talented actors at a script whose most complex insight appears to be "gambling is bad". We should expect as much from producer Bob Yari, who gave us the aforementioned "Crash" ("racism is bad"). Director Mark Rydell has helmed a couple of successful films ("On Golden Pond", "The Cowboys") and some interesting failures ("Intersection", "The Rose"), but when he pops up briefly as a powerful figure at the end of "Even Money", all I could think of was his similar acting role in Altman's "The Long Goodbye", and how much I'd rather be watching that movie than this one.