AVALIAÇÃO DA IMDb
6,3/10
10 mil
SUA AVALIAÇÃO
Alienígenas invadem a Terra, usando monstros gigantes como armas. As Forças de Defesa da Terra são impotentes diante da ameaça, e o destino do planeta mais uma vez repousa sobre os poderosos... Ler tudoAlienígenas invadem a Terra, usando monstros gigantes como armas. As Forças de Defesa da Terra são impotentes diante da ameaça, e o destino do planeta mais uma vez repousa sobre os poderosos ombros de Godzilla.Alienígenas invadem a Terra, usando monstros gigantes como armas. As Forças de Defesa da Terra são impotentes diante da ameaça, e o destino do planeta mais uma vez repousa sobre os poderosos ombros de Godzilla.
- Prêmios
- 3 indicações no total
Avaliações em destaque
If this is the last Godzilla as said, then I can say the series had a good run and ended on a high note. Perhaps not the highest note possible, this is a very flawed film. However, it is the second best in the Millennium series (next to Megaguiras).
If you read my Godzilla, Mothra, Mechagodzilla review, than you can easily see why i say so. Many of this series have had this annoying habit of having about thirty minutes of plot, then an hour of monster combat. This one gives equal time to storyline and action sequences.
No matter how short, the monster battles are always entertaining, the high point being a fight between Mothra and Gigan. This battle is relatively quick but still very entertaining. Gigan is one of the most powerful foes in the movie, and it was good to see Mothra getting to fight the second most important monster.
Monster X looked like something that would be creepy if it was human size, or maybe a little taller, and crept around in the shadows of a space station. However it didn't matter when he was easily the most powerful monster in the film (or, at least could transform into it).
The human battles were all done very well, accept for an annoying motorcycle chase which had the dumbest use of Matrix style special effects I have ever seen. However, many disappointed fans exaggerate the Matrix influence. It is clearly there in the action scenes, don't get me wrong, but other than the one I mentioned they are well crafted fight scenes.
I rather not talk about the film's flaws, after all, when they are flaws you find in any action film, what are you going to get from going over them. And that in itself is a flaw: This is an action film. Don't expect a monster movie, it is an action film that happens to have a lot of the action being done by monsters.
With an ending that could bring a tear to one's eye. So the Godzilla series (presumably) ends on a good note, much better than Godzilla vs. Destroyah (Terror of Mechagodzilla was not an ending in my opinion). This is a film to be enjoyed, and should have a place in your collection. Its the movie that every now and then you might just want to pop in the DVD player, just because.
***/**** stars
If you read my Godzilla, Mothra, Mechagodzilla review, than you can easily see why i say so. Many of this series have had this annoying habit of having about thirty minutes of plot, then an hour of monster combat. This one gives equal time to storyline and action sequences.
No matter how short, the monster battles are always entertaining, the high point being a fight between Mothra and Gigan. This battle is relatively quick but still very entertaining. Gigan is one of the most powerful foes in the movie, and it was good to see Mothra getting to fight the second most important monster.
Monster X looked like something that would be creepy if it was human size, or maybe a little taller, and crept around in the shadows of a space station. However it didn't matter when he was easily the most powerful monster in the film (or, at least could transform into it).
The human battles were all done very well, accept for an annoying motorcycle chase which had the dumbest use of Matrix style special effects I have ever seen. However, many disappointed fans exaggerate the Matrix influence. It is clearly there in the action scenes, don't get me wrong, but other than the one I mentioned they are well crafted fight scenes.
I rather not talk about the film's flaws, after all, when they are flaws you find in any action film, what are you going to get from going over them. And that in itself is a flaw: This is an action film. Don't expect a monster movie, it is an action film that happens to have a lot of the action being done by monsters.
With an ending that could bring a tear to one's eye. So the Godzilla series (presumably) ends on a good note, much better than Godzilla vs. Destroyah (Terror of Mechagodzilla was not an ending in my opinion). This is a film to be enjoyed, and should have a place in your collection. Its the movie that every now and then you might just want to pop in the DVD player, just because.
***/**** stars
A very unusual Godzilla film.
It Moves very fast. The monster battles are not like any of the previous films and the human side of the story is as much a focus as the Monsters tale is and surprisingly it is interesting. It works mainly as an adrenaline rush though, it's cathartic. The "monsters" have a lean, muscular look and move fast- they are not the puffy slow moving beasts of the past.
No long drawn out scenes of endless wrestling, this is more like boxing and Godzilla is the master dispatching them all. No need to be a fan to find it entertaining.
This movie does something similar to what "Aliens" did way back in '86. It redefines Godzilla as an Action Hero and goes past what any casual viewer might expect. This is a hard core action film that never lets up and leaves you drained.
The main negative is that it cribs way too much from the film "The Matrix". While Matrix lifted from Asian cinema generously, Final Wars does a Xerox of the copy and in several places has a tin ear regarding some things that are now considered trite and overused the world over.
The movie is just a lot of fun.
It Moves very fast. The monster battles are not like any of the previous films and the human side of the story is as much a focus as the Monsters tale is and surprisingly it is interesting. It works mainly as an adrenaline rush though, it's cathartic. The "monsters" have a lean, muscular look and move fast- they are not the puffy slow moving beasts of the past.
No long drawn out scenes of endless wrestling, this is more like boxing and Godzilla is the master dispatching them all. No need to be a fan to find it entertaining.
This movie does something similar to what "Aliens" did way back in '86. It redefines Godzilla as an Action Hero and goes past what any casual viewer might expect. This is a hard core action film that never lets up and leaves you drained.
The main negative is that it cribs way too much from the film "The Matrix". While Matrix lifted from Asian cinema generously, Final Wars does a Xerox of the copy and in several places has a tin ear regarding some things that are now considered trite and overused the world over.
The movie is just a lot of fun.
GODZILLA FINAL WARS may not please Godzilla purists but it delivers the goods for everybody else, -at least those with some knowledge of Godzilla lore. I saw it with a packed house of G fans at Subway Cinema's annual New York Asian Film Festival and it was the perfect audience for a film as steeped in the kaiju mythos as this one. Every time a new monster appeared on screen the crowd applauded or, rather, they applauded once that monster became recognizable, since the director often teases us with quick cuts and blurry motion before giving us a good, steady full-body shot. There are 15 monsters in all, many friendly old faces and some obscure ones, but all recognizable to longtime Godzilla fans.
The other real pleasure for G fans is the star-studded cast. Three venerable stars of older kaiju films turn up, two in major roles. Akira Takarada (star of the original GODZILLA, 1954) plays the UN Secretary General and Kumi Mizuno (the gorgeous leading lady from MONSTER ZERO, FRANKENSTEIN CONQUERS THE WORLD, WAR OF THE GARGANTUAS and more) plays the Commander of the Earth Defense Force. In a smaller role, Kenji Sahara turns up in a lab coat assisting the attractive young female biologist (Rei Kikukawa) assigned to investigate the monster attacks. Also on hand are Jun Kunimura (Boss Tanaka in KILL BILL VOL. 1); Kane Kosugi, a martial arts star in his own right and son of "ninja" star Sho Kosugi; and one other gorgeous actress, Maki Mizuno, who plays the biologist's newscaster sister. Masahiro Matsuoka plays Ozaki, the lead mutant hero who uses MATRIX-style martial arts to fight the alien invaders. Don Frye plays the tough American captain who pilots the Gotengo (the flying, burrowing ship from ATRAGON) and stands up to the aliens in several memorable confrontations. A martial artist/wrestler/extreme fighter known primarily in Japan, Frye speaks all his lines in English in the Japanese print I saw, while everyone else speaks Japanese to him.
The film's all-star monster cast and alien invasion plot seem derived chiefly from DESTROY ALL MONSTERS (1968), but with everything pumped up to hyper speed. The film is incredibly fast-paced and filled with action, either in the form of battles between monsters or martial arts fights/ray-gun shootouts between the human and mutant defenders and the alien invaders. Since the monsters attack numerous cities around the world (including New York, Paris, Shanghai, Tokyo--of course--and even Vancouver!) there turns out to be more mass destruction in this film than in all other G films combined.
One can argue that the whole production is sheer lunacy, but it's lunacy done with conviction and affection. The director clearly knows and loves Godzilla films and he conveys that love while also adding new twists and imaginative touches (e.g. Anguirus, the spike-covered ankylosaurus, curling up into a spiked ball to launch a rolling attack). One's overall reaction depends on any number of factors, but this should definitely be seen by all kaiju fans.
The other real pleasure for G fans is the star-studded cast. Three venerable stars of older kaiju films turn up, two in major roles. Akira Takarada (star of the original GODZILLA, 1954) plays the UN Secretary General and Kumi Mizuno (the gorgeous leading lady from MONSTER ZERO, FRANKENSTEIN CONQUERS THE WORLD, WAR OF THE GARGANTUAS and more) plays the Commander of the Earth Defense Force. In a smaller role, Kenji Sahara turns up in a lab coat assisting the attractive young female biologist (Rei Kikukawa) assigned to investigate the monster attacks. Also on hand are Jun Kunimura (Boss Tanaka in KILL BILL VOL. 1); Kane Kosugi, a martial arts star in his own right and son of "ninja" star Sho Kosugi; and one other gorgeous actress, Maki Mizuno, who plays the biologist's newscaster sister. Masahiro Matsuoka plays Ozaki, the lead mutant hero who uses MATRIX-style martial arts to fight the alien invaders. Don Frye plays the tough American captain who pilots the Gotengo (the flying, burrowing ship from ATRAGON) and stands up to the aliens in several memorable confrontations. A martial artist/wrestler/extreme fighter known primarily in Japan, Frye speaks all his lines in English in the Japanese print I saw, while everyone else speaks Japanese to him.
The film's all-star monster cast and alien invasion plot seem derived chiefly from DESTROY ALL MONSTERS (1968), but with everything pumped up to hyper speed. The film is incredibly fast-paced and filled with action, either in the form of battles between monsters or martial arts fights/ray-gun shootouts between the human and mutant defenders and the alien invaders. Since the monsters attack numerous cities around the world (including New York, Paris, Shanghai, Tokyo--of course--and even Vancouver!) there turns out to be more mass destruction in this film than in all other G films combined.
One can argue that the whole production is sheer lunacy, but it's lunacy done with conviction and affection. The director clearly knows and loves Godzilla films and he conveys that love while also adding new twists and imaginative touches (e.g. Anguirus, the spike-covered ankylosaurus, curling up into a spiked ball to launch a rolling attack). One's overall reaction depends on any number of factors, but this should definitely be seen by all kaiju fans.
Neither did the makers of this movie ... that's why they took the US-Godzilla "for a ride here"! But that's not the only creature from the Gojira/Godzilla past that is brought back. I don't if every creature is on display here, that was in a previous movie, but there quite a few of them. So if you know your Gojira movies, you'll have plenty to enjoy from those "cameos" alone!
You might have guessed it already, but this movie doesn't take itself serious, too. It's a great fun ride and it never aims for anything else than this promise. And since it delivers on that promise/premise, it's a pretty good movie (for me at least)! You will even enjoy it, if you're not familiar with the back story of Gojira, just bare in mind, that this is mostly old-school effects (man in costume kind of effects, so to speak). There are occasionally a few CGI, but it's mostly old school. And that's the fun of it! So it just depends on your expectations, on how you'll like the movie ...
You might have guessed it already, but this movie doesn't take itself serious, too. It's a great fun ride and it never aims for anything else than this promise. And since it delivers on that promise/premise, it's a pretty good movie (for me at least)! You will even enjoy it, if you're not familiar with the back story of Gojira, just bare in mind, that this is mostly old-school effects (man in costume kind of effects, so to speak). There are occasionally a few CGI, but it's mostly old school. And that's the fun of it! So it just depends on your expectations, on how you'll like the movie ...
I attended the world premiere of GODZILLA: FINAL WARS in Hollywood tonight, and I must say the experience was incredibly exciting. The film itself, however, was indeed a "mixed bag" of greatness and mediocrity, and I left Grauman's Chinese Theater a bit conflicted.
I found the film's much anticipated title sequence to be too rushed and erratic, much like the film itself. The titles were not easy to read as they literally flashed on and off of the screen on top of distracting clips from classic Godzilla films.
The film's script was as confusing and scattered. The film started with a good, deliberate pace but quickly degenerated into an orgy of images and scenes spliced together in such quick succession, as one person I talked to put it, it was like you were channel surfing between several sci-fi and kaiju films playing at the same time.
The special effects were at times spectacular and beautiful...at other times they looked as if they had been executed in a rather hasty fashion. Some notable effects sequences: the Earth Defense Force's battle with Ebirah, Rodan's attack on New York, Godzilla's battle with Kumonga in New Guinea. Deserving special recognition is Zilla's daytime attack and night time fight with Godzilla in Sydney, Australia. Zilla's CGI was very well executed. There were a handful of effects shots that were not totally bad, but could have used some fine tuning. Manda attacking Atragon could have used some more work, for example.
Keith Emerson's electronic and pulsating music must be the most unique ever heard in a Godzilla film, but well done and intriguing.
As mentioned earlier, the pace of the film is so fast and erratic, it is hard to keep up with. Without giving away specifics, this must be one of the most out-of-control, if not THE most out-of-control script in the series.
It will take me a few days to figure out my true feelings about this film, but I imagine, with its high points and its flaws, this will be one of the most controversial films in the series among fans.
I found the film's much anticipated title sequence to be too rushed and erratic, much like the film itself. The titles were not easy to read as they literally flashed on and off of the screen on top of distracting clips from classic Godzilla films.
The film's script was as confusing and scattered. The film started with a good, deliberate pace but quickly degenerated into an orgy of images and scenes spliced together in such quick succession, as one person I talked to put it, it was like you were channel surfing between several sci-fi and kaiju films playing at the same time.
The special effects were at times spectacular and beautiful...at other times they looked as if they had been executed in a rather hasty fashion. Some notable effects sequences: the Earth Defense Force's battle with Ebirah, Rodan's attack on New York, Godzilla's battle with Kumonga in New Guinea. Deserving special recognition is Zilla's daytime attack and night time fight with Godzilla in Sydney, Australia. Zilla's CGI was very well executed. There were a handful of effects shots that were not totally bad, but could have used some fine tuning. Manda attacking Atragon could have used some more work, for example.
Keith Emerson's electronic and pulsating music must be the most unique ever heard in a Godzilla film, but well done and intriguing.
As mentioned earlier, the pace of the film is so fast and erratic, it is hard to keep up with. Without giving away specifics, this must be one of the most out-of-control, if not THE most out-of-control script in the series.
It will take me a few days to figure out my true feelings about this film, but I imagine, with its high points and its flaws, this will be one of the most controversial films in the series among fans.
Five Godzilla Movies You Need to Watch
Five Godzilla Movies You Need to Watch
Celebrate Shin Godzilla returning to theaters with a look at some of our favorite Godzilla movies.
Você sabia?
- CuriosidadesThis 28th Godzilla film marked the final use of Toho's Big Pool water tank, which was used for the water scenes for all Tôhô special effects-related films since Tempestade no Pacífico (1960), for which it was constructed. The Big Pool was 88 meters wide and 72 meters long. It was given one final performance when it was last used for this film on September 7th and was demolished on October 13th. Toho's decision to destroy the pool was due to "progress of special-effects technology such as CG, and a large-scale reconstruction plan of the studio." This was considered by many to be the end of an era.
- Erros de gravaçãoThe New York cop's mouth and speech are badly mismatched. This is because actor Mick Preston used the F-word repeatedly during filming and was later required to dub over his original dialog with less-offensive language. Viewers can still see him mouthing the F-word in certain shots.
- Citações
The Controller of Planet X: [after Godzilla defeats 'Zilla'] I knew that tuna-eating monster was useless!
- Cenas durante ou pós-créditosAfter Godzilla and his son wade off into the sea with a final roar, the title monster's name appears on screen one last time. The ending credits themselves play over various scenes from the movie, including some that were deleted or removed from the finished cut. These include Mothra flying back to her home island, Hedorah the smog monster with some brief city destruction, more lead up to Ozaki making his way too Douglas Gordan, a fight between Kazama and Kumasaka in the news room, a new shot of King Caesar running, and several different shots of Godzilla. The credits fade to black with the sound of the original Godzilla roar signaling the end.
- Versões alternativasThough the film is already filled with references to past Godzilla movies, the German dub adds a new one by referring to the monster Gigan with the code-name "Monster Zero", as a nod to the film A Guerra dos Monstros (1965) in which King Ghidorah had that designation.
- ConexõesFeatured in Cinemassacre's Monster Madness: Godzilla 1998 (2008)
- Trilhas sonorasWe're All to Blame
Performed by Sum 41
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Godzilla: Final Wars
- Locações de filme
- Broken Hill, Nova Gales do Sul, Austrália(Arizona scenes)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 19.500.000 (estimativa)
- Faturamento bruto mundial
- US$ 9.167.302
- Tempo de duração
- 2 h 5 min(125 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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