Godzilla - A Batalha do Século

A meteorite falls from the sky into the "Ogasawara Trench" in the Pacific Ocean. It awakens Godzilla, and Battra ( a sea going monster with a huge horn in its' forehead, and spikes for skin). The meteorite inspires an atoll to pop up and expand into an island. Cut to an Indiana Jones wanna-be, who is busily robbing an ancient tomb somewhere in Indonesia. After he gets the relic he wants, and escapes from the trap his thievery sets off, he's caught by government men and jailed. After being freed from jail by a company that wants his relic, He and his ex-wife, who works for the company, go to the new island, "Infant Island". There they find a giant, multi-hued egg, and discover mini twins, (they're called The Cosmos in this movie) who live in a flower, and will translate the various noises the Monsters make. A ship is hired to take the Egg back to Tokyo. It Hatches on the way back And that's just the first fifteen minutes.

Let's see - The Cosmos sing four songs to Mothra, in untranslated Japanese; Battra's red eyes shoot red lasers, which kill everything they touch; Godzilla shoots blue lasers from his mouth that make things explode, and which whitens his teeth ( he ought to patent that); and Mothra shoots white..stuff that forms a cocoon for him when he's ready to evolve, or which immobilizes his enemies. When Battra and Mothra have morphed into their flying forms, they are actually beautiful ( as long as the camera doesn't get too close). Nagoya (sp?), Tokyo , and Yokohama get stomped in this one.

This movie starts out pretty good, with realistic looking meteor falling to earth, but that's the end of good special effects for this film. Special effects director Koichi Kawakita must have been absent the day they shot this movie (although he is credited), because his previous film (Godzilla vs King Gidorah) was lot better than this one.

The only reason I could think of for this movie's special effect being so bad was that it was rushed for summer season when kids are off school. These movies are primarily targeted I believe for elementary school kids which I think is grave mistake on Toho's part, because many children enjoyed Gamera 3 which was not catering to younger audiences.

Asides from the above, this movie has more than few things in common with the original Mothra vs Godzilla (1964).

1. There's a corrupt real estate developer as the main protagonist.

2. A typhoon exposes Mothra's egg.

3. Two man and a woman goes on an expedition to Infant (Mothra) island.

4. It's two monsters against one Godzilla.

5. Actor Akira Takarada stars in both movies.

This DVD comes together with Godzilla vs King Gidorah which Toho created as their 60th anniversary project, which is one of the best Godzilla movie of the '90s.

"Godzilla vs. Mothra" is a somewhat preachy kaiju movie in which Mothra, a friend to mankind (despite, as we are constantly reminded, our selfish and stupid behavior) faces off against Battra, a guardian of Earth who was created millennia ago in response to an attempt by our distant ancestors to control the weather. Godzilla, having been awakened by a meteorite crashing into the ocean shows up and the two giant bugs have to decide whether to join forces against a common enemy of both man and the Earth. Other than some superfluous "Indiana Jones"-style archeological adventures, the movie is essentially a bug-fight with Godzilla thrown in as an after-thought. I liked the original adult Mothra (1961, 1964) but I'm not a fan of her colourful new appearance (she looks like she's made of fuzzy pipe-cleaners and covered with dyed poodle fur) or her new 'laser beam' (?) abilities. Both larval forms and the adult Battra look pretty good, and the scenes where Mothra passes through her cocoon stage (wrapped in silk, leaning against the Japanese parliament buildings) was great (I was disappointed when Battra's corresponding morphological change was instantaneous). The Heisei-era Godzilla suit is still looks great and the 'fight' scenes are pretty well staged (for a monster that can take tank shells in the chest at close range, Godzilla sure hates having the tip of his tail bitten). As always, Akira Ifukube's score is great and brings back both Godzilla's iconic march and Mothra's beautiful theme (IMO, the best music in the franchise). The acting is pretty typical for a 90's Kaiju outing: fine in non-demanding roles, but the 'Cosmos', Mothra's little fairy-familiars are neither as sweet nor as melodic as the Peanuts (who originated the roles in "Mothra" (1961)). The dubbing in the version I watched (a Tristar DVD) was OK (although the greedy CEO of Murutomo has a silly, cartoonish voice). The environmental self-flagellation in the film is about as subtle as one would expect from a Godzilla film (even when compared to G. vs Hedorah) and comes across a bit self-righteous for a country that uses over 20 billion disposable wooden chopsticks a year, mostly made from imported wood. All-in-all, number 19 in the series is an OK outing but a step down from its antecedent, the gloriously silly "Godzilla vs. King Ghidorah". The Japanese seem to suffer from collective kaiju-amnesia (there is no reference to Mothra having visited the islands before) and show tremendous aplomb (no one seems particularly surprised when two gigantic moths show up).

Number four in the Heisei Godzilla movies, and it's the return of Mothra!

However, there's a new monster thrown into the mix, the creature known as Battra!

Big G isn't too bad in this one. I'm not too sure about the sound of his atomic heat beam. I think it needs checking.

Mothra is back, but her larva form doesn't move in the way it did before. It's like she'd just propelled on rollers.

Battra is a very good newcomer. I don't know which form I like best, the larva or flying forms.

This is a good movie, but it's not the best.

A very solid entry into the giant monster genre. What makes this stand out compared to most other kaiju flicks is the way that the human characters are actually likeable and entertaining to watch. Unlike many other kaiju films, the "plot-explaining" scenes here are not a nuisance that clutter the film and delay the giant monster fight scenes we're all waiting for. Instead they blend into the film well and feature characters that one can grow to like (Masako and Takuya's affectionate bickering was very amusing, for instance). It says a lot about the strength of the human characters when you consider that even the little girl featured in the cast is not a nuisance (though she does utter the hilarious line "I'll make my daddy get a -real- job!").

The actual city-stomping and monster-on-monster battle scenes are a delight as well, and there are plenty of them. While they're beginning to show their age, they still look polished and convincing enough to be entertaining, and are done with lots of style. Special mention must go to the beautiful music, which adds to the film greatly.

Of course, the main storyline is pretty daft, though stomachable. As usual with Mothra around, there's a rather thick environmentalist message to blurb out, but the subject's treated in a not too clunky fashion this time. There are the odd moments of cheesy special effects or clumsy dubbing, but nothing too serious. All in all this is a very entertaining film. It makes a good introduction to the genre for kaiju newbies and kaiju fanatics will lap it up. In fact, anyone with an interest whatsoever in modern Japanese culture shouldn't hesitate about checking this out.

That, and the chanting of "Mossura ya, Mossura..." tends to stick with one ^^.