AVALIAÇÃO DA IMDb
4,4/10
23 mil
SUA AVALIAÇÃO
O ex-super-herói Jack volta ao trabalho para transformar um grupo improvável de crianças em super-heróis de uma academia privada.O ex-super-herói Jack volta ao trabalho para transformar um grupo improvável de crianças em super-heróis de uma academia privada.O ex-super-herói Jack volta ao trabalho para transformar um grupo improvável de crianças em super-heróis de uma academia privada.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 vitórias e 8 indicações no total
Ryan Whitney
- Cindy Collins
- (as Ryan Newman)
- …
Avaliações em destaque
First off, a tiny bit about me. 1) I took my daughters (13 & 10) to this movie. 2) I tend to enjoy children's movies and I love SciFi. 3) My wife & I mostly agreed about the quality of this movie. 4) I've never rated a movie before.
Although I agree with many points from the first posting, I do think this movie *had* promise. It seems to me that if all characters were developed properly, that the screenplay had been more carefully thought out, that the technical filming of the show had gone better (boom mic!), that there was cohesiveness to the whole story, and that the actual plot had been more fully developed that this movie could have been spectacular. I was even willing to accept the story line until the kids were mysteriously found dutifully waiting in their room when they were supposed to be hiding. After that, it went downhill quickly for me.
I would have liked to see more exemplary development of the kids' powers -- the kind of foreshadowing that is later revealed in how they save the day (ie. A scene of Summer controlling the paint balls would have helped me believe better her focused power use in the end). Why spend all that time watching Cindy throw ton-weights at a target? How did Dylan's ability with the apple help in the end? What did they do with Tucker to help him learn to control his bloating? How is "mind sight" related to invisibility? Don't even get me started on Ms. Cox character (which I thought she played well).
The pacing and development of the two predictable romances was fair, but why not let Summer have a little tirade with Dylan for knowing he had "seen" her dancing? Followed up with Dylan's peace offering of the necklace pendant -- drama & release -- make the relationship grow on us.
The human stories here have to do with the kids as outcasts in life. Let's develop that more than the two short bits about the girls and Jack finally relating to Dylan. Zoom needed to grow with each kid to show his own growth and bring out his determination to succeed.
Then again, succeed at what? I think Tim Allen does a great job with the "unknown" aspect of the plot. He has no motivation, he gives none. But without a believable reason to drive the plot of the kids' training, we get what we saw. Also, there's nothing socially "dangerous" about the threat of Concussion - it seems a personal vendetta or overblown fear that Larraby is concerned about -- hardly enough to make me feel for him or his cause, and, unfortunately, the movie.
Finally, let's chew on continuity and technical prowess. I was thinking I saw the boom 5 times (but let's not quibble). Aren't people paid to notice these things (the director, even) during production? Let's keep track of where the characters are and give them a reason to go/be somewhere else. Let's give the characters more reason, heck even a strategy, to want to make and close a vortex. Let's see Rip Torn say the line that we watch him ventriloquize {sic}.
Would I watch it again? Maybe just to watch Zoom stumble again, see Houdini throw another punch, or see Summer be radiant -- OK, Cindy's got the tough-cute factor that can be enjoyable in moderation (pull up a chair, whydontya).
Although I agree with many points from the first posting, I do think this movie *had* promise. It seems to me that if all characters were developed properly, that the screenplay had been more carefully thought out, that the technical filming of the show had gone better (boom mic!), that there was cohesiveness to the whole story, and that the actual plot had been more fully developed that this movie could have been spectacular. I was even willing to accept the story line until the kids were mysteriously found dutifully waiting in their room when they were supposed to be hiding. After that, it went downhill quickly for me.
I would have liked to see more exemplary development of the kids' powers -- the kind of foreshadowing that is later revealed in how they save the day (ie. A scene of Summer controlling the paint balls would have helped me believe better her focused power use in the end). Why spend all that time watching Cindy throw ton-weights at a target? How did Dylan's ability with the apple help in the end? What did they do with Tucker to help him learn to control his bloating? How is "mind sight" related to invisibility? Don't even get me started on Ms. Cox character (which I thought she played well).
The pacing and development of the two predictable romances was fair, but why not let Summer have a little tirade with Dylan for knowing he had "seen" her dancing? Followed up with Dylan's peace offering of the necklace pendant -- drama & release -- make the relationship grow on us.
The human stories here have to do with the kids as outcasts in life. Let's develop that more than the two short bits about the girls and Jack finally relating to Dylan. Zoom needed to grow with each kid to show his own growth and bring out his determination to succeed.
Then again, succeed at what? I think Tim Allen does a great job with the "unknown" aspect of the plot. He has no motivation, he gives none. But without a believable reason to drive the plot of the kids' training, we get what we saw. Also, there's nothing socially "dangerous" about the threat of Concussion - it seems a personal vendetta or overblown fear that Larraby is concerned about -- hardly enough to make me feel for him or his cause, and, unfortunately, the movie.
Finally, let's chew on continuity and technical prowess. I was thinking I saw the boom 5 times (but let's not quibble). Aren't people paid to notice these things (the director, even) during production? Let's keep track of where the characters are and give them a reason to go/be somewhere else. Let's give the characters more reason, heck even a strategy, to want to make and close a vortex. Let's see Rip Torn say the line that we watch him ventriloquize {sic}.
Would I watch it again? Maybe just to watch Zoom stumble again, see Houdini throw another punch, or see Summer be radiant -- OK, Cindy's got the tough-cute factor that can be enjoyable in moderation (pull up a chair, whydontya).
Remember how in the 70's you could tell the production value of a film by how often you saw the boom mike fall into view of the actors- well thanks to boom operator Darryl Purdy and the laziness of Peter "I apparently never watch the dailies" Hewitt, you can see the boom mike fall into view 3 separate times. That said allow me to point out that the cute little girl who acts as badly as her speech impediment can't save the film in the same way that the Brady Bunch would not have been popular with a the show devoted to Cindy Brady.
There was so much wasted possibility showing us the back ground of these characters the over use of montage and collage editing would not have been needed.
Also the film has three apparent villains in the film except none of them are bad and we never know why two of them are necessarily considered bad- but that's o.k. because the story was written by someone with ADD or perhaps short term memory loss as significant as the character in "Memento".The story has no continuity- Tim Allen hates the kids he plays with the kids he feels sorry for the kids no wait he doesn't understand why he's there to train the kids_ FOR THE LOVE OF GOD MAKE UP YOUR MIND!!! Nothing in this movie fit together- and in the end the super evil villain (whom we have waited 90 minutes to see) gets a scolding in the last 6 minutes of the movie and then it's over.
Didn't Peter Hewitt read the script before filming oh no wait this is the same guy that gave us "Bogus Journey"- you remember- the sequel that ended the Bill and Ted franchise. Not to mention the Garfield Movie.. a comic strip so revered for 30 years they made it into a Saturday morning cartoon but the movie that couldn't keep the audiences attention for 90 minutes (success based solely on a lack of other children films during its release and parents who grew up with Garfield the previous generation)...WHY DOES PETER HEWITT GET WORK, why?? Afterall,it is the directors responsibility for many things including having a working script and a vision before starting a project ( the exceptions being Andy Warhol who's audience base was too stoned to notice and Francis Ford Coppola with "Apocalypse Now" who had several million dollars to keep his dream afloat.
Peter Hewitt should be ashamed of himself for this crap.
There was so much wasted possibility showing us the back ground of these characters the over use of montage and collage editing would not have been needed.
Also the film has three apparent villains in the film except none of them are bad and we never know why two of them are necessarily considered bad- but that's o.k. because the story was written by someone with ADD or perhaps short term memory loss as significant as the character in "Memento".The story has no continuity- Tim Allen hates the kids he plays with the kids he feels sorry for the kids no wait he doesn't understand why he's there to train the kids_ FOR THE LOVE OF GOD MAKE UP YOUR MIND!!! Nothing in this movie fit together- and in the end the super evil villain (whom we have waited 90 minutes to see) gets a scolding in the last 6 minutes of the movie and then it's over.
Didn't Peter Hewitt read the script before filming oh no wait this is the same guy that gave us "Bogus Journey"- you remember- the sequel that ended the Bill and Ted franchise. Not to mention the Garfield Movie.. a comic strip so revered for 30 years they made it into a Saturday morning cartoon but the movie that couldn't keep the audiences attention for 90 minutes (success based solely on a lack of other children films during its release and parents who grew up with Garfield the previous generation)...WHY DOES PETER HEWITT GET WORK, why?? Afterall,it is the directors responsibility for many things including having a working script and a vision before starting a project ( the exceptions being Andy Warhol who's audience base was too stoned to notice and Francis Ford Coppola with "Apocalypse Now" who had several million dollars to keep his dream afloat.
Peter Hewitt should be ashamed of himself for this crap.
My kids thought it was a great show. They ran around for the next week pretending to be really fast/invisible/strong.
I wasn't very impressed. As ever the effects were adequate, even the story was good. The character development was lacking and the acting was wooden.
The movie has a couple of guys who should be really funny; Tim Allen & Chevy Chase. They just weren't made use of in a funny way. Courtenay Cox was funnier and for her that's saying something.
The climax was anticlimactic but I think this links back to poor character development. We just didn't get to know the bad guy enough to really care about him.
I wasn't very impressed. As ever the effects were adequate, even the story was good. The character development was lacking and the acting was wooden.
The movie has a couple of guys who should be really funny; Tim Allen & Chevy Chase. They just weren't made use of in a funny way. Courtenay Cox was funnier and for her that's saying something.
The climax was anticlimactic but I think this links back to poor character development. We just didn't get to know the bad guy enough to really care about him.
I rented this movie for my cousin, it was his pick and we watched it as soon as we got home, he loved it! I seriously was expecting this big travesty of a film with the way the users are talking about it on IMDb, but I have to honestly say that it wasn't THAT bad, come on, it's a kid's movie, what did you expect? Citizen Kane? For the kids it had a fun plot and cool visuals, yeah, the story was a little lame, but as adults we should know that this movie was not meant for us, so I am going to judge it on being a children's movie.
These kids all have super powers, but don't know how to use them effectively, so the program of Zoom is going to help them become super heroes with a man who was a former celebrity type of hero who is now a has-been. They enjoy being kids with each other and learn how to use their powers in the right ways and must destroy Conor, another former super hero who went bad. Together they all must learn to a team and also a family.
Like I said, for a kid's movie, it's cute and it really wasn't a BAD movie, I've seen worse, believe me! So don't use most of these comments as your judgment factor, see how the kids react and really judge for yourself, it's a fun little flick that I wouldn't watch again, but I think it will be a fun small classic somewhere down the road for the children.
5/10
These kids all have super powers, but don't know how to use them effectively, so the program of Zoom is going to help them become super heroes with a man who was a former celebrity type of hero who is now a has-been. They enjoy being kids with each other and learn how to use their powers in the right ways and must destroy Conor, another former super hero who went bad. Together they all must learn to a team and also a family.
Like I said, for a kid's movie, it's cute and it really wasn't a BAD movie, I've seen worse, believe me! So don't use most of these comments as your judgment factor, see how the kids react and really judge for yourself, it's a fun little flick that I wouldn't watch again, but I think it will be a fun small classic somewhere down the road for the children.
5/10
"Zoom" is a fun movie for two audiences. It's a comedy sci-fi flick that was made for kids, with a far-out allusion to the super-heroes group from the age of comic books. The humor appeals a little bit to we older movie buffs. But of more interest and entertainment for the older movie crowd are the two characters, Dr. Grant and General Laraby.
Chevy Chase is a hoot as the government scientist, Dr. Grant, and Rip Torn is very funny in his frequent role as a cantankerous commander of some sort from films of the past. Tim Allen and the younger cast who play the super heroes are okay and should amuse the younger of the young crowd who follow the superheroes. Of course, once they reach about eight years of age, the kids are no longer dazzled by these more comical, kid-friendly characters. They're ready for the tougher, rougher, more daring super hero flicks. They want the "real thing" like the adults. You know, Spiderman, Batman, Superman, Wolverine and Captain America.
My grandkids, the youngest ones anyway, get a kick out of flicks like this.
Chevy Chase is a hoot as the government scientist, Dr. Grant, and Rip Torn is very funny in his frequent role as a cantankerous commander of some sort from films of the past. Tim Allen and the younger cast who play the super heroes are okay and should amuse the younger of the young crowd who follow the superheroes. Of course, once they reach about eight years of age, the kids are no longer dazzled by these more comical, kid-friendly characters. They're ready for the tougher, rougher, more daring super hero flicks. They want the "real thing" like the adults. You know, Spiderman, Batman, Superman, Wolverine and Captain America.
My grandkids, the youngest ones anyway, get a kick out of flicks like this.
Você sabia?
- CuriosidadesIn the only photo of the old Zenith team, in addition to Tim Allen (Zoom) and Kevin Zegers (Concussion), the other teammates are portrayed by Alexis Bledel (Ace), Wilmer Valderrama (Marksman), and Devon Aoki (Daravia).
- Erros de gravaçãoWhen Dylan sees a display in the control room with pictures of the 4 of them with their stats, 3 ages are wrong: 6-year-old Cindy is listed as 10, 12-year-old Tucker is listed as 11, and 17-year-old Dylan is listed as 18. The same display shows Tucker's and Cindy's hero names, but they got those names seconds before Dylan saw the display.
- Cenas durante ou pós-créditosThe film opens with a prologue detailing the history of Team Zenith, and ends with a shot of the new Team Zenith Roster, both in comic-book art.
- ConexõesFeatured in Troldspejlet: Episode #36.16 (2007)
- Trilhas sonorasSo Insane
Written by Greg Camp
Performed by Smash Mouth
Smash Mouth appears courtesy of Beautiful Bomb Records Inc.
Principais escolhas
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- How long is Zoom?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- El Capitán Zoom Y Los Pequeños Grandes Héroes
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 35.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 11.989.328
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.510.408
- 13 de ago. de 2006
- Faturamento bruto mundial
- US$ 12.506.362
- Tempo de duração1 hora 33 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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What is the German language plot outline for Zoom - Academia de Super-Heróis (2006)?
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