Estranha Família

One of the challenges Winter Passing faces is getting the audience to empathize with characters enough to ride the film's emotional ups-and-downs. Director Adam Rapp took a risk by placing so many of the events which define each character outside of the story, instead conveying these details through conversations between characters (i.e. "Who's pills are these?" or "Who is Corbit and why does he live here?").

The potential reward of this "Tell-Don't-Show" approach is that the director can add dimension to the characters by providing a greater quantity of personal history and details. The risk, however, is that the audience won't invest enough emotionally in the characters to really care about what happens to them.

The acting was quite good; I'm always glad to see Will Ferrell push beyond his slapstick beginnings, and he and Zooey Deschanel have very believable chemistry. But by relying so heavily on dialogue and description, the film subverts the medium, and made it hard for me to identify with any of the four main characters.

What a nice film! The premise is simple: Actress Reese Holden (played by Zooey Deschanel) is offered a lot of money if she can get hold of letters written to and by her late mother and father, novelist Don Holdin (played be Ed Harris). Reese hasn't seen her father for a long time; she hadn't gone to her mother's funeral. Ed Harris, performing with sensitivity and rigour (as in Pollock and The Hours)gives a fine performance as the socially maladaptive, reclusive "genius" counterpointed by s dazed, bewildered, but protective Corbit (Will Ferrell, who gives a fine performance. I've just seen him in The Producers, and physically/vocally he is *completely* different. It's a good role.) Like Pieces of April, the film works with silences, visual cues, and verbal cues intertwined. It is a film which is worth concentrating in - and Zooey Deschanel's performance as Reese Holdin is excellent. She doesn't go over the top, rather it is through a subdued range that she succeeds in winning over the audience. Don't miss this film, or let it pass you by.

Winter Passing introduces a few great characters inside of an interesting family reconciliation plot, but fails to deliver with the results. Deschanel does a great job anchoring the film's emotional context as the very multidimensional, seemingly jaded Reese and the always dependable Ed Harris does more with one eye then many actors can emote during an impassioned speech. Will Ferrell however, despite being the go-to comedic relief in a very somber film, simply cannot disappear outside of himself enough as an actor to ever truly play a character other then his endless Saturday night live variations, and to me his awareness almost condescends the film's emotional impact. Nevertheless, the film will have you engaged in the offbeat family situation we are thrust into, only to have it become tied up way too neatly and quickly at the end. This lack of a thought out finale will make the emotional attachments made throughout the film with the main characters not as hard hitting as the movie perhaps intended, but still delivers a pretty solid, if a little unfulfilled, drama.

"Winter Passing" is a lot of things besides being a very good movie. I don't want to miss the chance to say that it could have been a lot better, but it is what it is and what it is, is what we get. In this way, what we get is a very introspective portrait of sad and lonely people; I know it doesn't sound right but that's all I'm going to say about the film.

The thing is that when you love cinema, you watch films even if you don't know what they are about and you understand the nature of each movie; "Winter Passing's" nature is loneliness, not just its characters' but the sceneries' it's set in. In fact, it's one of the most contemplative and observing films I've seen this year.

No wonder the cinematography is by Terry Stacey from "The Door in the Floor"; it makes you watch…He uses a lot of darkness and creates a mood so depressing that sometimes you can't figure out what's going on. But it is a good trick, because when the sun comes out (and you've been expecting it); Stacey's images look beautiful.

Adam Rapp, the man who directed and wrote the film, has a good narrative eye and we sense it constantly during the film, but he also has a talent for directing actors; and there's also credit to the casting directors for this: the most unusual small ensemble. A weird and special actress (Zooey Deschanel), a comedian (Will Ferrell), a character actor (Ed Harris), and a rising English young star (Amelia Warren)…They all work perfectly together, because each of them understands the fragile situation of their character and the rest.

By the way, Harris is working really hard these days and has a lot of films we still haven't seen. And about Ferrell, I wanted to say this after watching "Blades of Glory", a regular and overrated film I didn't write about in which the comedian was the best element...Whether he does comedy or drama, his hair is long or short, black or brown; Ferrell always constructs his characters from zero. He picks little things and starts repeating them throughout a movie, to prove he is completely in character. You should pay close attention to his work in any film.

Rapp crafted a solid screenplay that's maybe a bit over sentimentalist, but he intelligently clarifies it in a crucial part of the movie. However, for a story so humane and real, he could have been harsher; because his elegant narration and images ask for it. However, in his piece, and like in the best dramas, things are said better by means of the images and not of the words; and that's always appreciated.

Also, if anything, "Winter Passing" is living proof that Zooey Deschanel is a fantastic actress; that when she wants she can leave eccentricity and also do great things (because she does great things when she's eccentric); that she can carry a whole movie by herself and that it should happen more often. But probably it won't, because she's one of the most down-to-earth people in the business, and she only works when it's worth it…Too bad.

Greetings again from the darkness. When writers attempt to tackle too many themes in one story, usually none are complete. Writer and Director Adam Rapp (brother Anthony is of "Rent" fame and has a brief cameo in this one) is extremely ambitious as he explores parenthood, artistic genius, friendship, community, guilt and the desire to feel love and pain. Surprisingly Rapp is mostly successful in pulling off a most complex script.

Ed Harris stars as a reclusive writer with more than a nod to J.D. Salinger (his last name is Holden ... get it?). In poor health and being taken care of by a former student (Amelia Warner) and a broken down rhythm guitarist (Will Ferrell), Harris is taken aback when his long lost daughter (Zooey Deschanel) shows up one day. Drastically altering the dynamics of this bizarre little community, Deschanel literally steals the film. She spills her soul on screen and we somehow understand her habit of slamming her hand in a drawer just to feel something. She is a pitiful person seeking redemption and her place in life.

Harris and Warner are fine in their roles, but Ferrell is a real distraction. As a viewer, we don't see the character. We see Will Ferrell on screen ... acting goofy and clumsily mumbling his lines. His open mike night could easily have been an SNL skit. This movie would have been much better with a straight forward actor in this role. That said, I still have faith Ferrell will succeed as a dramatic actor. If Robin Williams could make the transition, surely Elf can.

If you might enjoy multi-layered story telling, a tremendous performance by Zooey and can look past Will Ferrell, this movie has a lot to offer.