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Oliver Twist

  • 2005
  • 14
  • 2 h 10 min
AVALIAÇÃO DA IMDb
6,8/10
35 mil
SUA AVALIAÇÃO
Oliver Twist (2005)
Home Video Trailer from United Artists
Reproduzir trailer2:05
5 vídeos
86 fotos
CrimeDrama

Um órfão conhece um carteirista nas ruas de Londres, após o encontro ele se junta a um bando de meninos que são treinados para roubar a seu mestre.Um órfão conhece um carteirista nas ruas de Londres, após o encontro ele se junta a um bando de meninos que são treinados para roubar a seu mestre.Um órfão conhece um carteirista nas ruas de Londres, após o encontro ele se junta a um bando de meninos que são treinados para roubar a seu mestre.

  • Direção
    • Roman Polanski
  • Roteiristas
    • Charles Dickens
    • Ronald Harwood
  • Artistas
    • Barney Clark
    • Ben Kingsley
    • Jeremy Swift
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,8/10
    35 mil
    SUA AVALIAÇÃO
    • Direção
      • Roman Polanski
    • Roteiristas
      • Charles Dickens
      • Ronald Harwood
    • Artistas
      • Barney Clark
      • Ben Kingsley
      • Jeremy Swift
    • 150Avaliações de usuários
    • 89Avaliações da crítica
    • 65Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias e 4 indicações no total

    Vídeos5

    Oliver Twist
    Trailer 2:05
    Oliver Twist
    Oliver Twist
    Trailer 2:11
    Oliver Twist
    Oliver Twist
    Trailer 2:11
    Oliver Twist
    Oliver Twist
    Trailer 2:05
    Oliver Twist
    Oliver Twist
    Clip 0:49
    Oliver Twist
    Oliver Twist
    Clip 1:07
    Oliver Twist

    Fotos86

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    Elenco principal50

    Editar
    Barney Clark
    Barney Clark
    • Oliver Twist
    Ben Kingsley
    Ben Kingsley
    • Fagin
    Jeremy Swift
    Jeremy Swift
    • Mr. Bumble
    Ian McNeice
    Ian McNeice
    • Mr. Limbkins
    Richard Durden
    Richard Durden
    • Unkind Board Member
    Timothy Bateson
    Timothy Bateson
    • Parson…
    Andy de la Tour
    Andy de la Tour
    • Workhouse Master
    Filip Hes
    • Workhouse Boy
    Andreas Papadopoulos
    • Workhouse Boy
    Laurie Athey
    • Workhouse Boy
    Joe Tremain
    Joe Tremain
    • Hungry Boy
    • (as Joseph Tremain)
    Peter Copley
    Peter Copley
    • Dining Hall Master
    Andy Linden
    • Mr. Gamfield - the Chimney Sweep
    John Nettleton
    John Nettleton
    • 1st Magistrate
    Tony Noble
    • 2nd Magistrate
    Michael Heath
    Michael Heath
    • Mr. Sowerberry
    Gillian Hanna
    Gillian Hanna
    • Mrs. Sowerberry
    Teresa Churcher
    Teresa Churcher
    • Charlotte
    • Direção
      • Roman Polanski
    • Roteiristas
      • Charles Dickens
      • Ronald Harwood
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários150

    6,835.1K
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    Avaliações em destaque

    6TashC

    Not Much of a Twist

    Adapted from the classic Dickens tale, Oliver Twist is the story of an idealistic orphan struggling to survive in a savage adult world. A world where hypocrisy, greed and cunning are celebrated and there are only rare glimpses of compassion.

    The film focuses on the key events of the Dickens novel, excluding many of the subplots and associated characters. It opens with Oliver's (Barney Clark) arrival at the workhouse of "Please Sir, can I have some more" fame and follows his escape to London and its dingy underworld. Here he falls in with a band of pickpockets led by Fagin (Ben Kingsley) - a central character typifying hypocrisy, greed and cunning - but finds salvation in the form of Mr Brownlow (Edward Hardwicke) who recognizes the goodness in Oliver and endeavors to extract him from his, albeit unsuccessful, life of thievery.

    As he did with his award-winning, "The Pianist", Polanksi drew on his own life experiences as an orphan in the ghettos in World War II to recreate certain moods. Grim, grimy and often claustrophobic, "Oliver Twist" startlingly depicts a callous world where children live at the whim of ruthless, self-serving adults. But the horror of this dark, unforgiving world is relieved by the inclusion of humour and banter throughout, making the film both captivating and entertaining.

    As Oliver, Barney Clark exemplifies the helplessness of an innocent at the mercy of strangers and being manipulated for their benefit. As noted by Mr Sowerberry, the undertaker, "There's an expression of melancholy in his face, my dear, which is very interesting. He'd make a delightful mute". And mute and incapacitated - be it through hunger, illness, injury and/or fear - he is for much of the film. Other than a surprising brief show of defiance that takes him from the coal shed and sets him on the road to London, there is little evidence of any determination, strength or willfulness at all in this Oliver. But unfortunately there is little to endear him either and the film suffers for it.

    Harry Eden has more depth and is much more compelling as the Artful Dodger. Plucky and likable, his struggle with the consequences of his betrayal of Nancy (Leanne Rowe) is agonising. Ben Kingsley is masterful and almost unrecognizable as Fagin. Depicted as pure evil in the novel, Polanksi strives to give this character humanity and meaning. The result is a foul, exploitative, groveling survivor –a desperate and pitiful villain, but not a completely heartless one.

    The elimination of many of the twists of the novel means that this film may disappoint viewers familiar with the intriguing undercurrents of Dickens' plot and richness of his characters' and their relationships. The only incredible discovery that Oliver makes in this version is that there is a better life to either the workhouse or the den of thieves.

    While adaptation to film necessitates simplification of the story and as Polanksi points out "For today's taste, you need to abandon a certain amount of melodrama that was very typical for the period", it is easy to feel that in this paring down we have been left with an entertaining adventure set in 19th century Britain. When it comes to this Oliver, less is not more.
    10ashyendel

    Polanski the great

    Roman Polanski never ceases to amaze me at all the things he can do. He can make so many different kinds of films well. His range is truly extraordinary. The man who gave us Chinatown, Pianist, Rosemary's Baby has now directed Oliver Twist. I've seen most of the versions of Twist but this is by far the best. David Leans version is often talked about but it is overpraised. It tends to be overly sentimental an very slow in certain places. I'm not for fast moving movies but his version can be quite dull at times. Polanski's film has updated a great story with lush photography of pastoral settings and the narrative moves briskly. He manages to develop the characters quite well despite the pace. The acting from all is superb especially Ben Kingsley who is barely recognizable. I've never been a fan of great books that have been adapted to film but Polanski seems to have a real knack for this sort of thing. He filmed Tess (also an adaptation) 25 years back with an Academy award nominated direction. That film is one of my all time favorites but Oliver Twist is even better. Polanski seems to get better with age. I can't wait to see what he does next.
    9buznuz

    Though Polanski's Oliver Twist is a superficially conventional retelling of the story, this is Polanski, and the truth about pain is here if you are paying attention.

    There was little that Charles Dickens didn't know about human nature. Who better to interpret his work for the screen than the similarly gifted Roman Polanski.

    Polanski's film allows everyone their humanity. Even the extras who people the immaculately designed sets, seem to have a life outside of this film. Ben Kingsley's performance as Fagin is not held in aspic in old age, but is full of hints about his earlier life. Oliver's sufferings seem to mirror that of children in many places and in all times. When it is alleviated it is not by those worldly motivations of charity or civil duty. While a carriage full of prosperous people studiously ignore his plight, a poor old woman who has little herself cares for him. While the wealthy city is content for him to die on the street, a criminal feeds him. When Oliver finally takes his place in the middle class, a priggish religiosity reminds us of Victorian society's cure for criminality. In the end Polanski knows and Dickens asserts that individual decency and humanity alone provide hope.
    7TheLittleSongbird

    Good film, but inferior to the David Lean classic.

    The 1948 David Lean film is a classic, that is well worth watching for the outstanding performance of Alec Guiness. This adaptation was very good indeed, but I do think it is inferior to the 1948 film.

    The film does look splendid, with fine period detail, and the cinematography is gorgeous. I also thought the score by Rachel Portman was beautiful, and very fitting. Roman Polanski's direction is excellent, and although it is a long time since I read the book, it is fairly true to the source material. Barney Clark gives a charming and vulnerable performance in the title role, and the Artful Dodger and the other boys are well done. Nancy was well portrayed and her character's death was very disturbing, I have to admit. The end scenes were very well staged and perfectly captured on camera.

    However, the film does have some less impressive bits. I will confess I was disappointed in Ben Kingsley as Fagin, he wasn't terrible, he just wasn't quite my idea of Fagin. Fagin is supposed to be oily and manipulative, and while Kingsley occasionally had these in his performance, compared to the outstanding performance given by Guiness, it was somewhat anaemic. Jamie Foreman looks the part of Sikes, and evidently has the acting ability, however I felt that something was holding him back, as if he was reluctant to be violent. The dog wasn't quite as convincing as the dog in the 1948 film, in the case of the 1948 film, if there was such thing as an Oscar for animals the dog should've got it. I did like the fact that the film tried to be faithful to the spirit of the book, but it felt a little bloated at times.

    Don't get me wrong, it is not a terrible movie, it's just that I preferred the David Lean film, but I did like this film a lot. 7/10 Bethany Cox
    7ma-cortes

    New version of the classic Dickens with riveting stage design and impressive settings

    The film concerns Oliver Twist (Barney Clark), an innocent and ill-treated waif who is living at a workhouse in early 19th-century . The orphan escapes and he goes to London plunging in the underbelly . There he's dragged into a life of crime when is befriended by a band of youthful pickpockets . The little robbers are trained to steal for their master Fagin (Ben Kingsley) . The boy is struggling to flee himself the underworld . He's subjected to many awful incidents before finding somebody to worry for him until his rescue from a miserable life by a noble (Edward Harwicke who replaced Frank Finlay) to whom a sadist thief called Bill (Jamie Foreman) tries to burgle his house .

    The picture is a well done co-production , -being specially a British movie- of Charles Dickens immortal story . As Charles Dickens novel Oliver Twist includes many more characters and subplots than can be fit into a just-over-2-hours film . This version narrows down and streamlines the story to focus on misfortunes of Oliver , the Artful Dodger , scheming Fagin , evilness by fearful Bill Sykes , Nancy , Mr. Brownlow and other criminal elements of London . The novel's other characters Mr. Bumble, Mrs. Mann, Mrs. Corny, Noah Claypole, Charlotte, Mr. Monks, the Maylie family, the Fleming family, and the Leeford family, are all either relegated to brief cameo roles or omitted entirely from the story .

    Ben Kingsley's Fagin is a treat , he's magnificent as the mean and greedy old man creating an under-age army of plunderers ; besides , an awesome portrayal by the support casting . The movie has a clever utilization of effects , colour as well as lighting and with highly smartness use of edition to increase suspense in provoking drama , emotion or horrible events as when happens the killing . The idea of making a new version of Charles Dickens' "Oliver Twist" was suggested by Emmanuelle Seigne r, director Roman Polanski's wife , while he was looking for a plot that their children would find interesting. Director Roman Polanski's children have parts in the film, in fact , Morgane Polanski plays the farmer's daughter and Elvis Polanski plays the boy with the hoop . It's colorfully and sharply photographed by Pawel Edelman . Glowing cinematography of the rustic outdoors in Pre-Raphaelist style and gorgeous Victorian landscapes , just like urban London ; though , all of them were filmed in Czech Republic , at Prague Studies . In addition , excellent scenarios of dingy and dirty settings of the slums where the narration is developed . This is the best (along with David Lean version and the musical by Carol Reed) of many renditions about the unforgettable novel . Other retelling results to be the followings : by Frank LLoyd 1922 , by David Lean 1948 , and by Carol Reed 1968 . The motion picture was shot with nice detail and imaginatively realised by Roman Polanski .

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      The set was so huge that director Roman Polanski rode around it on a motorized scooter.
    • Erros de gravação
      Flipped shot: At 46:55, after Oliver is punched in the face while running from the crowd, the lettering on a hand held sign ('ELECTION') is backwards.
    • Citações

      Oliver Twist: Please, sir, I want some more.

    • Versões alternativas
      SPOILER: Footage of the beating of Nancy from Bill was cut in the UK to obtain a "PG" rating.
    • Conexões
      Featured in Troldspejlet: Episode #35.9 (2006)
    • Trilhas sonoras
      Newry Town
      Performed by Jumbo Brightwell

      Courtesy of Topic Records

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    Perguntas frequentes20

    • How long is Oliver Twist?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 18 de novembro de 2005 (Brasil)
    • Países de origem
      • República Tcheca
      • Reino Unido
      • França
      • Estados Unidos da América
    • Central de atendimento oficial
      • arabuloku.com
    • Idioma
      • Inglês
    • Também conhecido como
      • Oliver Twist: Cậu Bé Mồ Côi
    • Locações de filme
      • Praga, República Tcheca(only studio)
    • Empresas de produção
      • R.P. Productions
      • Runteam II Ltd.
      • ETIC Films
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 60.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 2.080.321
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 68.447
      • 25 de set. de 2005
    • Faturamento bruto mundial
      • US$ 42.580.321
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 10 minutos
    • Cor
      • Color
    • Mixagem de som
      • DTS
      • Dolby Digital
    • Proporção
      • 2.35 : 1

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