C.S.A.: The Confederate States of America

People, seriously... These are reviews of a Fictional movie. REVIEWS! As in, did you like it or not based on Staging, Costumes, writing, Acting, etc. No one cares if you're from a former confederate state, and you happened to get all butt-hurt about it being made.

CSA was pretty good. Low budget, but entertaining. Half-a$$ed the costumes, but who cares! It's a mockumentary. And a silly one at that. If you like dry, humorous, FAKE, history movies then this is right up your alley.

One thing I will say that I had a personal problem with was the amount of commercials that ran during this movie. If I didn't already have insurance on my slave, he wouldn't be working in the field with all that heavy machinery. When will congress pass mandatory slave insurance into law?

See. Seems ridiculous when you treat it seriously, or as something to get upset about...

This reminded me of Pink Flamingos. Some people thought it was ridiculous, obnoxious and tawdry. Others thought it was brilliant and wickedly hilarious. The people you considered your friends tended to think like you did--they either hated it or loved it. CSA is that same kind of movie. It's brilliantly insightful to some and tediously vindictive to others. I know that my friends will love it. There is an enormous amount of historical and social introspection that went into it, and its underlying message is that tendencies in societies don't evaporate simply because one group of advocates wins a war or an election. The dialectic of how we see each other as souls on this planet is the search for God itself, and a journey we spend a lifetime on. If my comments make sense to you, you will love the film. If it all seems like old hippie mumbo jumbo, you will probably hate it. In any case, it will help you sort out your friends.

C.S.A.: THE CONFEDERATE STATES OF AMERICA is a blistering satire / nightmare vision of an alternate America, in which the south won the Civil War. Presented as a "documentary", CSA uses the same, basic structure as a Ken Burns production to great effect. The "history" is shown through "interviews" with "experts", "archival" footage, and "re-enactments".

Intentionally offensive and anything but politically correct, this movie hearkens back to the acidic humor of the NATIONAL LAMPOON magazine, during its early 1970's heyday. The main feature is interrupted by "commercials", reminiscent of films like THE KENTUCKY FRIED MOVIE, THE GROOVE TUBE, or TUNNEL VISION (also from the '70's). The products / services advertised are extremely racist by design, many being explained at the end of the film.

At once hilarious and jaw-dropping, due to its sledgehammer approach, it's obviously not meant to be taken seriously, not even remotely. In spite of this, the message is clear and direct. Recommended for lovers of controversial comedy, this movie gets extra points for audacity!...

I was able to catch CSA at the TRUE/FALSE Film Festival in Columbia, MO (great fest, kudos to all involved). The Producer and Director of CSA were there to briefly discuss the film. Sadly, it was held at the Blue Note, which is a fantastic venue for watching bands, but not for screening films. Anyway, on to the review.

Told like a Ken Burns Civil War documentary, CSA really gives a great look at what "might have been." From Jefferson Davis as the President of the United States and his exile of Abraham Lincoln to Canada, to The President meeting with Chancellor Hitler to discuss enslaving the Jewish race as opposed to destroying it to JFK's assasination because of his wanting to end slavery, the film touched on many of the United States' milestone moments told through this alternate universe. The span of American history is so vast that, unfortunately the film raises more questions than could possibly be answered.

The director spoke after the film and said he made this film to bring the subject of race to the forfront and to open discussion about it. As far as a spark for discussion, it works well. I just wish it could have delved deeper into the social, economical and political issues it raises (would there be protests toward slavery as now there are protests against the Bush administration's unilateral attack on Iraq? Interesting topic...).

The one thing that completely blew me away was that all the products advertised in the "commercial breaks" were real. I knew of one or two, but not all of them. That was a very interesting twist that stood out in a film filled with interesting and satirical twists.

A welcome addition to the Spike Lee family of films and the growing number of films that don't pander to the lowest common denominator for African-Americans: Daughters of the Dust/ Native Son/ Magic Love/The Spook who sat by the Door.

No stunt casting like P.Diddy in Raisin in the Sun.

The concept of alternate universe storytelling is radical for black filmmakers. That they found so much material to support the imaginary world they were creating was astonishing. My only real complaint is the level of acting on display. Some of it is passable but much of it was amateurish, community theater level. Ultimately, the audience for this film will grow over the years and will be discovered by all kinds of movie fans and film buffs.