AVALIAÇÃO DA IMDb
5,5/10
6,8 mil
SUA AVALIAÇÃO
Marcos cobiça a filha promíscua do seu patrão, mas após engarrafar um plano de extorsão, ele sente-se culpado.Marcos cobiça a filha promíscua do seu patrão, mas após engarrafar um plano de extorsão, ele sente-se culpado.Marcos cobiça a filha promíscua do seu patrão, mas após engarrafar um plano de extorsão, ele sente-se culpado.
- Prêmios
- 1 vitória e 3 indicações no total
Avaliações em destaque
For two thirds of this film I was spellbound and then it suddenly span away from me. Listening to the director speaking afterwards, I think I know what went wrong and I shall have to view again some time to find out. It is all very watchable but slightly confusing towards the end, which is a shame and may be my fault, that of the director or even of Mexico itself. Whilst I have never been to the country it did seem that part of the lifeblood of this movie was the tangled city of contradictions itself. Even though not perfect in my eyes there was enough to show that this is a director of keen and original talent who will produce much more. His liking to work with non actors is welcome and his treatment of actual graphic sex is stunning. Very affecting, bitter sweet movie.
This film is about a man and wife, who kidnapped a friend's baby for ransom. However, the baby died, and they have to live with the consequences.
The plot outline describes a promising start of an emotional drama. It could have been a captivating story if it was elaborated well. However, the plot ends there. The filmmakers ran out of ideas of what to do, and hence film a car driving around the city for minutes, or film the urban apartment blocks from a rooftop. Or throw in some sex scenes to keep viewers interested.
There is almost no portrayal of Ana and Marco's states of mind after the kidnapping goes wrong. There is no description of the victim's family's grief. Instead, the film wanders around aimlessly and pointlessly. It fails to engage, captivate or evoke any emotions. "Battle in Heaven" describes no battles. It lacks any redeeming value, and I strongly suggest staying away from it.
The plot outline describes a promising start of an emotional drama. It could have been a captivating story if it was elaborated well. However, the plot ends there. The filmmakers ran out of ideas of what to do, and hence film a car driving around the city for minutes, or film the urban apartment blocks from a rooftop. Or throw in some sex scenes to keep viewers interested.
There is almost no portrayal of Ana and Marco's states of mind after the kidnapping goes wrong. There is no description of the victim's family's grief. Instead, the film wanders around aimlessly and pointlessly. It fails to engage, captivate or evoke any emotions. "Battle in Heaven" describes no battles. It lacks any redeeming value, and I strongly suggest staying away from it.
As the director probably hoped, the opening and closing blow job scenes gained this film a great deal of notoriety and attention that far exceeded the publicity such a turgid, self-consciously 'arty' film would normally receive. This unrelentingly ugly and frequently agonisingly boring film is about a couple of days in the life of a man who shags his bosses daughter and who, with his wife, has kidnapped a child (for no explained reason). At times this has the artless artiness of such trash auteurs as Doris Wishman, but give me Doris' 'Deadly Weapons' over this tedious trash any day! Pretentious and dull this is a pastiche of art house world cinema and does not warrant your time
This is an art film, or at least what the average movie goer will view as an art film. By that, I mean you're going to have to dig really deep to find a plot that you can follow. The scenes are too obviously artistic...a tear drop, a blank stare, holding of hands.
The movie is about a man who is struggling with the guilt of having kidnapped a child who died. I'm not worried about giving away any spoilers because I'm not sure there are any to give away. The movie is a sequence of scenes that make you wonder why they are in the film, and frustratingly so because you really never find out.
American audiences especially will be shocked by the sex scenes. I'm not saying that's good or bad. We just rarely see a penis in a movie, aside from porn, let alone an erect one, let alone someone interacting with one.
The reason I gave this move a 5 is based entirely on its style. The characters often stare at each other with blank faces but they are consistently unemotional. The characters look like real people plucked right off a Mexico City street. The sounds in the film are interesting and graphic, sometimes noisy. But it works to keep you in the film. The filming in Mexico City creates an interesting backdrop. You're just dying for a story to be drawn from it but it never emerges, at least not a good one.
The movie is about a man who is struggling with the guilt of having kidnapped a child who died. I'm not worried about giving away any spoilers because I'm not sure there are any to give away. The movie is a sequence of scenes that make you wonder why they are in the film, and frustratingly so because you really never find out.
American audiences especially will be shocked by the sex scenes. I'm not saying that's good or bad. We just rarely see a penis in a movie, aside from porn, let alone an erect one, let alone someone interacting with one.
The reason I gave this move a 5 is based entirely on its style. The characters often stare at each other with blank faces but they are consistently unemotional. The characters look like real people plucked right off a Mexico City street. The sounds in the film are interesting and graphic, sometimes noisy. But it works to keep you in the film. The filming in Mexico City creates an interesting backdrop. You're just dying for a story to be drawn from it but it never emerges, at least not a good one.
As a Mexican, it is very exciting for me to find new proposals for Mexican modern films.
Unfortunately, must of the current Mexican movies are taking the same Hollywood recipe: beautiful actors, violence, soundtracks of well known Latin groups... Batalla en el Cielo does not follow this. The director, Carlos Reygadas, is a person that really wants to show what he has in mind, and does not care about considering distracting elements for having a greater impact in the audience.
I am against the use of sex for attracting audience to a film. However, I really think that some (not all) of the sex scenes of this movie were really part of the story. Also, showing sex as it is (not always as idealistic and esthetic as Hollywood has taught us) is an interesting proposal!
I consider that one of the main achievements of this movies is to show many cultural traits of my country:
-The view of the Catholic religion as a resource to erase the mistakes one has made: "you can do whatever you want, don't worry about the effects because God will always help you"
-The notorious gap between rich and poor people: when Ana refers to Jaime's servant as "la gata" in such a despective -but common- way.
-The double morale managed by Mexican: how can a prostitute, as Ana, can be a moral leader over Marcos's acts?
-The informal commerce (Marcos and his wife sold merchandise in the subway).
-The love for soccer (what can I say about that, if I love it?)
-Cheating on your partner
-The lifestyle in Mexico City, with its traffic jams, way people behave in the subway, neurotic people, kidnaps.
All the issues above are part of the Mexican life.
Personally, I consider the following opportunity areas:
-Not all the music that was used was OK. Sometimes it was too "belic" for me , but at least it is according to the scenes and most of it does not follow the marketing intentions to make you buy a soundtrack
-The audio quality should have been improved (it was not easy to understand, even for people used to the way people from Mexico City speak!)
-Some (very few!) parts were too slow... but considering Reygadas's style, I might think that it is part of his professional charm.
I like to see a different proposal. I would recommend this film to people that, at the time that they leave the theater, really want to think about human nature, rather than thinking if it was an erotic or violent film.
I hope my comment has been useful...
Unfortunately, must of the current Mexican movies are taking the same Hollywood recipe: beautiful actors, violence, soundtracks of well known Latin groups... Batalla en el Cielo does not follow this. The director, Carlos Reygadas, is a person that really wants to show what he has in mind, and does not care about considering distracting elements for having a greater impact in the audience.
I am against the use of sex for attracting audience to a film. However, I really think that some (not all) of the sex scenes of this movie were really part of the story. Also, showing sex as it is (not always as idealistic and esthetic as Hollywood has taught us) is an interesting proposal!
I consider that one of the main achievements of this movies is to show many cultural traits of my country:
-The view of the Catholic religion as a resource to erase the mistakes one has made: "you can do whatever you want, don't worry about the effects because God will always help you"
-The notorious gap between rich and poor people: when Ana refers to Jaime's servant as "la gata" in such a despective -but common- way.
-The double morale managed by Mexican: how can a prostitute, as Ana, can be a moral leader over Marcos's acts?
-The informal commerce (Marcos and his wife sold merchandise in the subway).
-The love for soccer (what can I say about that, if I love it?)
-Cheating on your partner
-The lifestyle in Mexico City, with its traffic jams, way people behave in the subway, neurotic people, kidnaps.
All the issues above are part of the Mexican life.
Personally, I consider the following opportunity areas:
-Not all the music that was used was OK. Sometimes it was too "belic" for me , but at least it is according to the scenes and most of it does not follow the marketing intentions to make you buy a soundtrack
-The audio quality should have been improved (it was not easy to understand, even for people used to the way people from Mexico City speak!)
-Some (very few!) parts were too slow... but considering Reygadas's style, I might think that it is part of his professional charm.
I like to see a different proposal. I would recommend this film to people that, at the time that they leave the theater, really want to think about human nature, rather than thinking if it was an erotic or violent film.
I hope my comment has been useful...
Você sabia?
- CuriosidadesWriter/director Carlos Reygadas shot crowded street scenes in the middle of real crowds. Cameraman Diego Martínez Vignatti sat in a wheelchair and they just pushed him through everyone. Luckily, no one who passed by looked into the camera lens.
- Erros de gravaçãoDuring the scene where Ana and Marcos are making love, as the camera pans out, a crew member's reflection can be seen in the window.
- ConexõesEdited into Samo je zemlja ispod ovog neba (2009)
- Trilhas sonorasThe Protecting Veil
Written by John Tavener
Naxos Rights International
Chester Music Limited
Premiére Music Group
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- How long is Battle in Heaven?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Battle in Heaven
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- € 1.601.792 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 70.899
- Fim de semana de estreia nos EUA e Canadá
- US$ 20.351
- 19 de fev. de 2006
- Faturamento bruto mundial
- US$ 258.227
- Tempo de duração1 hora 38 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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