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6,6/10
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Quando o professor universitário J.T. Neumeyer descobre um arquivo policial que descreve os detalhes de seu assassinato - que ocorrerá cinco dias no futuro - ele não perde tempo tentando sal... Ler tudoQuando o professor universitário J.T. Neumeyer descobre um arquivo policial que descreve os detalhes de seu assassinato - que ocorrerá cinco dias no futuro - ele não perde tempo tentando salvar sua própria vida.Quando o professor universitário J.T. Neumeyer descobre um arquivo policial que descreve os detalhes de seu assassinato - que ocorrerá cinco dias no futuro - ele não perde tempo tentando salvar sua própria vida.
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Yes, we watched enthralled; at least the last episodes. We felt it was too much special effects, all too moody music, and way too much time wasting melodrama. Knowing we had a four hour stretch to weary our way through, we took our time until we knew we were near the denouement, at which point we watched more closely and could then feel the excitement building.
But remember: it's television. Television is made in an entirely different way, no matter the artistic ambitions. This would never work in a watered down two hour format at the theatre - it just plays as television. If you're all right with television, fine; if television leaves you flat and wanting to see real cinema instead, this 'movie' will leave you flat too.
The device of this movie demands a 'conceit' - and a consequent suspension of disbelief - that you either buy into or else you won't like the whole thing much.
After a night of sleep we woke mostly feeling we'd wasted our time. It's not so much the movie makers' fault - remember: it's television.
But remember: it's television. Television is made in an entirely different way, no matter the artistic ambitions. This would never work in a watered down two hour format at the theatre - it just plays as television. If you're all right with television, fine; if television leaves you flat and wanting to see real cinema instead, this 'movie' will leave you flat too.
The device of this movie demands a 'conceit' - and a consequent suspension of disbelief - that you either buy into or else you won't like the whole thing much.
After a night of sleep we woke mostly feeling we'd wasted our time. It's not so much the movie makers' fault - remember: it's television.
i did'nt mind this mini series.for a TV science fiction movie,it's not half bad.it kept me interested through out,and even riveted at times.the acting is very good in this movie.i'm not sure how accurate the movie is from a physics point of view,but so what,i enjoyed it.the basic premise is that physics professor J.T.Neumeyer(Timothy Hutton) discovers that he is murdered in 5 days(thanks to an anonymous tip from the future.so he must try to figure out who the murderer is and try to prevent his own killing thereby altering his destiny and maybe that of others.the whole thing involves theoretical time travel(sort of)in the present and in the future.i have to say,the ending caught me completely by surprise.i wasn't expecting it at all.i honestly thought this was a well done mini series.i'd give '5 days to Midnite' 8/10
After a fashion, I really enjoyed this miniseries from 2004, "Five Days to Midnight," starring Timothy Hutton, Randy Quaid, Kari Matchett, Hamish Linklater, Angus Macfayden, and Gage Golightly.
Hutton plays physics professor J.T. Neumeyer who, while visiting his wife's grave on the anniversary of her death, finds a briefcase with his name on it. Inside are news clippings that talk about his death five days from now. At first, he thinks it's a joke but ultimately believes it was sent by his brilliant but eccentric student Carl (Linklater) and perhaps is not a joke. With an 11-year-old daughter to care for, Neumeyer isn't about to go down without a fight.
Complications abound, including a secret his girlfriend (Matchett) has been keeping, and his brother-in-law's financial difficulties. Then there's the implication of actually changing the future - which Carl warns him can't happen.
Quantum physics is extremely interesting to me -- parallel universes and the like, time travel - unfortunately, there was not as much emphasis on this in the plot; instead, the focus seemed to be on making it into a detective story. Less interesting.
My big problem was the way the discs were set up. I watched the first disc, returned it to Netflix, got the second, and immediately realized I hadn't seen one episode. I found out I wasn't the only one this happened to - the discs separate the episodes, one hour each, rather than one episode, two hours.
Timothy Huttton was excellent, and all the acting was good - Hamish Linklater is always wonderful -- and all of the acting is good. Because of Hutton, you really get involved in the story and in this man's plight.
If you watch this, you'll have questions - there is an excellent post on the message board that explains it all.
Can we change the future, and if we do, what are the implications? Are the past, the present, and the future occurring at the same time? If we try to change it, are we doomed to the same fate even if the circumstances change? Movies have been asking these questions for years. "Five Days to Midnight" also deals with the future sending us messages. It's all fascinating -- I just wish there had been more of it.
Hutton plays physics professor J.T. Neumeyer who, while visiting his wife's grave on the anniversary of her death, finds a briefcase with his name on it. Inside are news clippings that talk about his death five days from now. At first, he thinks it's a joke but ultimately believes it was sent by his brilliant but eccentric student Carl (Linklater) and perhaps is not a joke. With an 11-year-old daughter to care for, Neumeyer isn't about to go down without a fight.
Complications abound, including a secret his girlfriend (Matchett) has been keeping, and his brother-in-law's financial difficulties. Then there's the implication of actually changing the future - which Carl warns him can't happen.
Quantum physics is extremely interesting to me -- parallel universes and the like, time travel - unfortunately, there was not as much emphasis on this in the plot; instead, the focus seemed to be on making it into a detective story. Less interesting.
My big problem was the way the discs were set up. I watched the first disc, returned it to Netflix, got the second, and immediately realized I hadn't seen one episode. I found out I wasn't the only one this happened to - the discs separate the episodes, one hour each, rather than one episode, two hours.
Timothy Huttton was excellent, and all the acting was good - Hamish Linklater is always wonderful -- and all of the acting is good. Because of Hutton, you really get involved in the story and in this man's plight.
If you watch this, you'll have questions - there is an excellent post on the message board that explains it all.
Can we change the future, and if we do, what are the implications? Are the past, the present, and the future occurring at the same time? If we try to change it, are we doomed to the same fate even if the circumstances change? Movies have been asking these questions for years. "Five Days to Midnight" also deals with the future sending us messages. It's all fascinating -- I just wish there had been more of it.
I'm not kidding, this really hooked me; one could almost say that this ought to come with a warning, letting people know that this may very well grip them and their attention, and not let go until the final credits roll. From the first moments, this is interesting and engaging. The concept is not completely original, of course, but this is a good take on it, and I found myself surprised by most of the twists. This follows a physics professor trying to uncover the truth behind a police file that details his own murder, with the date being five days later. The plot keeps you watching, and there are unexpected developments that make sense. There's only one brief instance of obvious exposition, and apart from that, the story-telling is rather well-done. The cinematography and editing are great, with the one exception of the occasional "sluggish" time effect, which isn't always used well. This builds atmosphere and suspense well, and can be intense. It's exciting when it tries to be. The script is well-crafted and clever. Humor tends to be appropriate in tone and amount, though one person is pushed a little excessively as comic relief. The characters are well-written and credible. Dialog can be smart. The music is cool and fitting. Production design is excellent throughout. Special effects tend to look marvelous. The acting is convincing, every single performance, including the kid. Throughout, this is fairly well-done. The climax is well-done. It does, unfortunately, not completely live up to the incredible things that the audience imagines during the course of the show, but it wraps stuff up well. The DVD comes with trailers for this and three other things, as well as four informative and well-done featurettes. While I can't speak for any other version, the one I watched did not have nudity or language, and was in five episodes of about forty minutes each, so three hours and twenty is the full running time. I recommend this mini-series to any fan of science fiction-thrillers that deal with the idea of time and how set in stone the future is. Huh. The Sci-Fi Channel doesn't always suck. Before The Lost Room and this, I wouldn't have believed that to be possible. 7/10
This is an awesome movie. I taped it when it was on television and I liked it so well I bought the DVD. It is one of those movies I can't get enough of and I have watched it several times.
The actors are fantastic - that little girl is a magnificent actress. Timothy Hutton really shows what he is capable of. I was not familiar with Kari Matchett, but I would like to see more of her work. Randy Quaid was perfect as the stereotyped detective.
The soundtrack (which I am still trying to find) is great - perfectly placed songs and music. The music enhanced the film rather than just disappearing into the background.
If you have the opportunity to get the DVD, do. I watched the commentary and although I don't usually like to watch those (I hate knowing the secrets - I want to keep the magic), I did thoroughly enjoy the information. Their methods of shooting with multiple cameras and the time sequencing was explained and I'll always wonder why every film isn't made with multiple cameras. It really elevated this movie into an unforgettable film.
I highly recommend this film to anyone. Don't be turned off if you don't like Sci-Fi - this is a movie for anyway who just wants to escape into an engrossing story.
The actors are fantastic - that little girl is a magnificent actress. Timothy Hutton really shows what he is capable of. I was not familiar with Kari Matchett, but I would like to see more of her work. Randy Quaid was perfect as the stereotyped detective.
The soundtrack (which I am still trying to find) is great - perfectly placed songs and music. The music enhanced the film rather than just disappearing into the background.
If you have the opportunity to get the DVD, do. I watched the commentary and although I don't usually like to watch those (I hate knowing the secrets - I want to keep the magic), I did thoroughly enjoy the information. Their methods of shooting with multiple cameras and the time sequencing was explained and I'll always wonder why every film isn't made with multiple cameras. It really elevated this movie into an unforgettable film.
I highly recommend this film to anyone. Don't be turned off if you don't like Sci-Fi - this is a movie for anyway who just wants to escape into an engrossing story.
Você sabia?
- CuriosidadesThe events in the mini-series take place Monday, 7 June 2004 through Friday, 11 June 2004. The show premiered on the SciFi Channel (USA) on Monday, 7 June 2004 and consecutive episodes were shown each night through Friday, 11 June 2004 roughly following a real-time schedule. The fourth episode (with events ending at or slightly past 3.55am according to the script) was actually first shown at 9.00pm on Thursday, 10 June 2004, so the series did get ahead a bit. Additional date-specific product placements (for instance, a poster for A Batalha de Riddick (2004), playing in theaters at the time, as seen on a slow pan at the university outside Neumeyer's office) and current popular culture references (for example, a reference to the popular show, CSI: Investigação Criminal (2000), airing at the time on network TV) in conversation help reinforce this setup.
- Erros de gravaçãoIn the fist part of the mini-series, J.T. Neumeyer promises his daughter that they will look for Orion with her new telescope. He is shown looking at Orion's Belt a little later that night. Orion's Belt is only visible from Washington in winter evenings, not June.
- ConexõesReferences CSI: Investigação Criminal (2000)
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- 5 Days to Midnight
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- Tempo de duração42 minutos
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