Irmãos

The movie is filmed mostly with hand held camera, and the technical quality is not the best. I am normally not a fan of these so called "Dogme" movies, but it gives the opportunity to tell a story with a small budget and without having to waste time on special effects and so on. And what a movie. The actors play so intense and fascinatingly well, that I often sat on the edge of the seat, had "goose bumps"(gaasehud), wept like whipped(graed som pisket). The cutting is also very special and interesting. For instance a scene, where representatives of the military arrives to tell Sarah, that her husband is missing, it is cut right before they tell her the bad news. It gives a good effect. I would also like to welcome Connie Nielsen to the staff of fantastic Danish actors(her first danish movie) and will look forward to possibly/eventually watch/experience her great magic i a Danish movie again. I must write her a fan letter(my first).

'Brødre'('Brothers') is a remarkable film from Denmark written by Anders Thomas Jensen and Susanne Bier who also directs this microscopic examination of the intricacies of family bonding, the significance of the blood ties between brothers, and the effects of one of the brutal realities of war on every individual member of a family. It is a tense drama made palpable by some phenomenal acting and direction.

Michael (Ulrich Thomsen) and Jannik (Nikolaj Lie Kaas) are polar opposites as brothers: Michael is his father's dream, a man who is committed to his family, his beautiful and devoted wife Sarah (Connie Nielsen) with whom he has two daughters, while Jannik is a carefree drifter who drinks too much and refuses to have the stable life his parents expect of him. Michael is off to war in Afghanistan and is in a tragic helicopter accident and reported as dead. When Sarah is informed her world crumbles, as does the mental state of her father-in-law. Jannik hears the news while drunk but slowly awakens to the awful reality that his brother is gone and his sister-in-law and nieces need the support he has never been able to muster.

In Afghanistan we discover that Sarah's inclination that Michael is not really dead is true: Michael has been captured by the Taliban and the experience as a prisoner changes him indelibly, breaking his shell of perfection and he becomes vulnerable and fragile. When Michael returns home to the surprise of everyone the dynamics that have reversed between the family and Jannik and the force that bonds Michael and Jannik is challenged and we are left to examine the fallout.

The script in Danish is supplemented with excellent subtitles in English, but one wonders if the words are even necessary - so fine is the acting of every actor involved. Connie Nielson is a major force in cinema today, a brilliant actor whose spectrum of dynamics appears endless. Both Thomsen and Kaas are equally fine in their difficult roles. This is a superlative work, a psychological drama that strikes chords of familiarity on many levels. Highly Recommended. Grady Harp

It's not hard to classify this one--it's an intense psychological drama. Whatever mood you were in before you started, you are most likely to be in a somber mood at the end. Perhaps the less you know about the story the more it will involve you. This is one of those movies that makes you ask the questions, "What would I have done in that situation," and "How would I have lived with my decision."

The main thrust of the story is an intimate examination of how a tragedy affects family dynamics. Nature abhors a vacuum. Guilt, jealousy, and doubt drive this to an intense climax.

Parformances are first rate, particularly Connie Nielsen.

The family man Major Michael Lundberg (Ulrich Thomsen) is happily married with his beloved Sarah (Connie Nielsen) and adores his two daughters Natalia (Sarah Juel Werner) and Camilla (Rebecca Løgstrup Soltau). His younger brother Jannik (Nikolaj Lie Kaas) has just left prison on probation for bank robbery and has issues with his father Henning (Bent Mejding). Michael invites Jannik to have dinner at home with their family. When Michael arrives in Afghanistan, his helicopter crashes and he is considered missing in action. However, he is captured and sent to a camp where he meets the radar technician Niels Peter (Paw Henriksen). After a long period imprisoned, Micahel is forced to kill Niels with a bar to survive. Meanwhile Jannick comforts Sarah and the children and he becomes close to Michael's family. When Michael is rescued, he comes back home emotionally detached and paranoid. Further, he is convinced that Sarah and Jannik have slept together during his absence. When the envious Natalia lies during the birthday dinner party of her sister telling that her mother and Jannik had shagged to upset her father, the disturbed Michael triggers an intense paranoia jeopardizing his family.

"Brødre" is a powerful and realistic drama about lives destroyed by war. This film is extremely well-acted, with an adequate cast that gives credibility to the plot led by the gorgeous and excellent Connie Nielsen. The sensitive director Susanne Bier of "Efter Brylluppet" makes another extraordinary movie based on the family dynamics. Jim Sheridan remade this film in 2009, but in a shallow teen "americanization" version. My vote is nine.

Title (Brazil): "Brothers"

The Danish film "Brothers" 2004 aka Brodre, w-d by Susanne Bier, is NFE (may not be for everyone). It's about love, a showdown of emotions (the opening music and repeated strains remind me of Sergio Leone's spaghetti western sounding tone). The fact that Michael ('Tour De Force' performance from Ulrich Thomsen of "The Celebration" 1998 aka Festen) keeping his traumatic experience within himself, unable to share with anyone, even his dear wife, is a sobering thought from the post-war effects. He's full of paranoia and is suspicious of everyone around him. It's so hard on him, on family members/children who do not understand what he had gone through that affected his 'warped' emotions and predicament. We cannot weather trauma alone.

As audience, we were privy to what happened to Michael as a prisoner of war - we saw what he had to experience - the circumstance and 'no-choice' decision at the time. His determined will focused on 'must stay alive to see his family and loving wife again' kept him hanging on amidst fear and uncertainty under the atrocities/ravage of war. Learning to forgive oneself - to not blame yourself - is not easy to do. What happen happened under circumstances out of your control and yes, it's easier said than done to say that you mustn't bear the burden or guilt feeling within you. We need the love and support of family/people around us - to be able to trust them that they would listen and understand.

Connie Nielsen as Michael's wife Sarah and Nikolaj Lie Kaas as Michael's younger brother, Jannik, provided an insightful portrait of the triangle of relationships that thrived and yet to survive. In the opening of the film, Bier has on screen along with intriguing graphic imagery and an eye close-up: "I will always love you. That is the only truth that remains. Life is neither right nor wrong, good or bad. But I love you. That's all I know." Towards the end, the graphic imagery and the eye repeated: "Life is neither right nor wrong, good or bad. But I love you. That's all I know."

I caught on Sundance Channel, Dutch documentary filmmaker Heddy Honigmann's "Crazy" 2000, provides 'unpresuming' accounts of how some of the once Dutch soldiers or former workers of UN missions, are dealing with post-war effects by listening or tuning to music as relief. She also did "Good Husband, Dear Son" 2001, a documentary about the surviving women reminiscing their loss of husbands and sons during the 1992 Yugoslav civil war. It's heart-breaking films worth watching.

From the PBS special of Dr. Wayne Dyer's Inspiration: Your Ultimate Calling, I heard about Immaculée Ilibagiza's book (collaborated with writer-journalist Steve Erwin) "Left To Tell: Discovering God Amidst the Rwandan Holocaust" - sounds like the act of forgiveness can be easier to practice by learning from her autobiographical account. Couldn't wait to absorb from her shared spirituality.