Closer: Perto Demais

Because Closer is, in a way, like sneaking a peek behind the closed doors of people we know, or more so, like looking in a mirror when we are at our most base and humanly human, some people seem to be viscerally turned off by it, as is apparent by a few of its more negative reviews.

To me, the very fact that it opens the door to such "voyeurism", if you will, is part of its deep emotional appeal.

Who among us can say we have never been tempted to be lured away from what we believe is love, by what we momentarily believe to be love? In closer, however these moments go beyond temptation, into lies, deceit, infidelity, misery, painful truths, abandonment, tears and suffering. "Love", in Closer, is shown to be against everything we've been taught to believe it should be, such as: honest/truthful, enduring, constant ... and faithful.

In short, it is a rabidly anti-romantic film, where, unbelievably, somewhere within each of these broken, self-serving, selfish, emotionally-underdeveloped people, brilliantly played by Jude Law, Julia Roberts, Clive Ovens and Natalie Portman, we find beauty, and in the end, a deep satisfaction upon seeing that love of self can lead to release and rebirth.

It had been a while since I watched this, and I am happy to say that I loved it this time around as much as the first time I laid eyes on it. And isn't that the mark of real love? That it endures?

Closer, is one of my favorite films.

9.5

What an amazing concept. A story that perfectly captures the emotions that we feel when involved in a love spat. The complete desire and need for another person, wanting to hold them close to you, while at the same point in time the mere vision of seeing that person and hearing their voice sends you into utter misery and you feel repulsed by them. Jude Law is masterful in his role, and he is matched equally by the performances of Clive Owen, Natalie Portman and Julia Roberts. A brilliant movie with many mixed emotions. As soon as you think, okay, this is where they live happily ever after, another twisting tale occurs. This is as real as it gets folks. Definitely one worth purchasing when it hits DVD, apart from that, watch it on big screen and you will be amazed at how you relate to this master piece.

This movie is a big game of narcissistic people who treat each other as puppets. There is no love, no truth, no good. In the beginning we all try to find a hero in the story, someone to sympathize with only to realize what we have is a bunch of mentally ill people making themselves suffer. Dan (Jude Law) is just a big kid longing for attention and a new toy, which he only cares for about 5 mins. Anna (Julia Roberts) is also desperate for attention and love since her ex left her for a younger girl. She is confused and unreasonable, her ego makes all the decisions instead of her mind. Larry (Clive Owen) is an agressive jerk, playing along Dan's little game, while Alice is just a naive, traumatized, young girl who falls in love and decides to avoid all the red flags and becomes part of this sick 4 some. Brilliant movie. Honestly not the ending what I hoped for tho (I just wanted all 4 of them together in a room while Slim Pickens rides the atom bomb there).

Dan (Jude Law), an obituary writer, falls for stripper Alice (Natalie Portman) who is new in London. Later Dan writes a book about Alice, and meets photographer Anna (Julia Roberts). Alice knows she's losing Dan. Dan tricks dermatologist Larry (Clive Owen) on an internet chat, and Larry meets Anna. Larry marries Anna but the wander eye strikes again.

Director Mike Nichols is going minimalist with Patrick Marber's play. This is a movie with four incredible performances. Clive Owen is brutal. Natalie Portman is hurt. Jude Law is childish. Julia Roberts is wonderful. They are doing some of their best work here. Don't come for a rom-com. This is emotionally vicious, damaged, pathetic human relationships.

I couldn't wait to see this movie. Now, I realize I should have waited to see this movie until it could be rented.

This is a very cold film about some very unpleasant people who don't seem to be able to make up their minds about much. I liked the way it was done, I loved the acting, and I loved the use of "Cosi Fan Tutte" throughout the film.

Yet it left me feeling empty. I never saw the play, but I imagine it was quite powerful. As a film, it had a deadly detachment.

Certainly when one looks at a film like Virginia Woolf, also based on a play, also directed by Mike Nichols, also about some unpleasant people, one wonders why Woolf came off so well and this one didn't (for me, anyway). I think it's because Virginia Woolf is an incredible love story - at the end, when George explains that they're childless, and Martha says "We couldn't" referring to having a baby, one realizes what's underneath all of the unpleasantness.

In "Closer," there's just no payoff. Four people change partners, hurt one another, are seemingly incapable of doing anything else, but no one tells us why. Only the Natalie Portman character shows some humanity. But some isn't enough.

Mike Nichols is a fabulous director, but the direction wasn't the problem here. It's the characterizations. I can't agree with some of the other posters that the film was fascinating. I didn't find it so. The theater was packed because of good reviews. I suppose the critics are hungry for something intelligent, and obviously the ticket-buying audience is, and who can blame them?

But don't tell me this is the best you can come up with. When everybody walks out of the theater complaining, as they did after the showing I attended, there's a problem.