A Janela Secreta

"Secret Window" is another one of those eerie thrillers where danger lurks within the shadows. We can almost feel it, and so can the hero, as he walks through his house, armed with a weapon, ready to defend himself at all costs. He hears a noise from somewhere behind him, spins around, and suddenly realizes it was just his imagination. He sighs, puts down the weapon, turns around, and BOO! There's the bad guy, who has somehow managed to enter the locked home and avoid being detected. What if, I wonder, one of these times, the bad guy was seen as he entered? What if the Fisherman from "I Know What You Did Last Summer" had been spotted, and confronted, by one of the teenagers? What if Norman Bates' "Mother" had been exposed from the start? Then there presumably would be no movie, of course.

Although we know where "Secret Window" is headed quite early on, David Koepp (writer of "Panic Room" and director of the well-made "Stir of Echoes") manages to sustain the audience's interest through a series of suspenseful camera shots. Some are inventive, while others are merely fun to watch because we can guess where Koepp got his inspiration.

Mort Rainey (Johnny Depp) is a successful author who lives up north with his beloved dog and a laptop. He apparently abandons his social life, never gets a haircut, and wears quite silly-looking glasses. He has a sarcastic personality and presumably does not get along very well with the local residents, who generally keep to themselves anyway.

Mort's life is changed forever when a strange man named John Shooter (John Turturro) shows up at his doorstep claiming that Mort has "stolen" his story. Mort is handed a dirty manuscript. Within the pages are passages literally identical to those from Mort's own book, "Secret Window," published in 1994, three years before John claims he wrote his. "Secret Window," the novel, is about a man whose wife cheats on him. Fueled by rage, the fictional character murders his own wife and buries her in the "secret garden" located outside of the "secret window" of their home.

It is said that art imitates life, and through a series of flashbacks we learn that Mort's novel bears an eerie similarity to his own problems -- "six months ago" his wife (Maria Bello) had an affair with Ted (Timothy Hutton). Mort assumes that John Shooter has some sort of connection to his past, and hires a detective (Charles S. Dutton) to find the mysterious man, who always seems to appear out of nowhere when Mort is alone.

Depp's performance is the highlight of the film -- if Depp is imitating Stephen King (the author of the short story "Secret Window" is based on), he succeeds. Barely recognizable hidden underneath a layer of geeky clothing and a generally disheveled appearance, Depp once again proves that he can tackle any sort of role as an actor -- from a scared teenager who has to stay up ("A Nightmare on Elm Street") to a Hunter S. Thompson lookalike ("Fear and Loathing in Las Vegas").

Koepp, who wrote the screenplay for the film, realizes that the key to the story is Depp's performance wisely allows his primary actor to let loose. Meanwhile the co-stars all deliver fine, convincing performances and although the grand finale is a bit of a let-down, and terribly predictable, the movie's style is interesting. "Secret Window" is better than most in its genre, although by no means is it a masterpiece of any sort. Just an enjoyable Friday/Saturday night matinée, and worthy of recommendation if you're not looking for anything special.

I could criticize the "twist" of the movie and say that it has become one of the most overused solutions to Hollywood film thriller/mysteries of the past decade, but I won't spoil it, and let you decide for yourself whether it does the story justice.

I've seen psychological thriller's that try to scare you more than melt your brain, this one I'm proud to say does both. It's a very, very malicious and haunting thrill machine. I t brings the very essence of how horror and Psycho thriller's are suppose to be done, not with over the top gore and CGI, but with old school conventional means.

Secret Window is as sinister as it is smart it rolls along at a very steady pace and brings more to the table than what was required. It shows you what the decent into madness and utter chaos looks like, it shows you the depth and moral ambiguities of a torn man who's lost everything. With that said you can examine the physic of the mind as it cracks under extreme and constant pressure and how your choices do affect who you help, or who you hurt. This film's pace and dark style is meant to reflect horror films of the 40's, 50's, 60's and early 70's before gore became cool but that makes this film such a joy to watch and study. And that makes it a great film, not a good film, a great film.

Johnny Depp( who was fantastic here.) gives a very eccentric and brilliant performance as the conflicted writer Mort Rainey, John Turturro does exceptionally well as the sinister and vicious Shooter and he almost outclasses Depp in this film. Charles S. Dutton does well with the few scenes he's. But the main let down and I think the reason for this film's poor reviews from critics were the bland and very lame performances of Timothy Hutton( he won an Oscar he can do better than this.) and Maria Bello, they really lowered the caliber and class of this film and forced Depp to try harder to make them look good and make there time on screen with him good, but he succeeds and they fail. But Turturro and Depp hold up strong.

Secret Window is a very Keene and captivating psychological/horror thriller that is surefire mind boggling entertainment and out of this world fun. This movie is great rainy day entertainment or any day entertainment for that matter it's just all around a fantastic and mind boggling film that makes you question the sanity of writers and the world they live in ( speaking as one myself.) it brings to question as the thoughts in our mind really our conscious or our selves just speaking out to right the wrongs doe against us It's a film that ask those questions and then you have to answer. All in all Secret Window was a sinister, malicious and thought provoking film that delivers a movie going experience like no other.

Not exactly a memorable or path-breaking movie of its genre, 'Secret Window' does manage to be fun to an extent. The story is easily predictable and there are plenty of unintentionally funny moments (which were supposed to provide thrills). It is pretty much just another thriller but the locations (especially the landscape and nature round the lake house) are very pleasing to look at and the cinematography is quite impressive, even though it's highly overdone in the end sequence. The way the 'revelation' is displayed towards the end is hilarious and overly dramatic. Perhaps 'Secret Window' would have worked better had it been more subtle. The plot holes do not provide much advantage to the film. Johnny Depp is great at what he's given to do but the role itself suffers from poor writing. Torturro is adequate. The supporting cast are just there. They don't contribute much and the actors are just okay. If it weren't for Depp and the nice lakeside view, this would be just another mediocre thriller

Secret Window's tag line – "Some windows should never be opened" – is so snarkily appropriate in its unintentional damning of this ridiculously overwrought psychothriller that it's a wonder some smart underling at Columbia hasn't leapfrogged up the studio ladder by pointing it out to the powers that be. Their error is the critics' gain, though, and even the presence of Johnny Depp, as novelist Mort Rainey, can't save this film from its own unintended melodramatics. Secret Window lacks a B-movie sucker punch, and by the final reel it degenerates into a hackneyed mishmash of obvious revelations and cheap, ineffective horror theatrics despite Depp's mangy fun. There's no car crash in this one as in his current television project Kingdom Hospital and much of his recent writing – King penned it before that wayward van almost took him out of the running forever – but the film itself is an effective enough metaphor for out-of-control bs that frankly was part and parcel of King's novella from page one.

Mort Rainey, a successful writer received an unwanted visitor one day, Mr Shooter, who accuses him of plagiarism, Mort's life spirals out if control.

I have to be honest, I absolutely loved it, I'd class it as a real classic, it had a touch of everything, horror, thriller, psychological drama, I thought it was great.

'The only thing that matters is the ending.' Never a truer word has been spoken, it built and built, it developed pace and momentum, and peaked with a tremendous conclusion, the best bit of the film.

Johnny Depp, what can you say, absolutely incredible here, he's outstanding.

I loved it, 9/10.