Chrystal

I am not much of an "indy" film person, but really this didn't look or carry like an independent film. The production quality and the acting were on par or better than any studio release I have seen. It is good in the way that Saving Private Ryan was good. Ultimately it is a pretty depressing story, but a good story none-the-less.

Some of the dialog was down right hilarious which maybe seems misplaced in a dark story of this type but it actually worked to lighten the story overall. I really thought for the most part the acting was from good to great. There are a couple of classic scenes between Ray Mckimmon and Billy Bob Thorton that just steal the movie.

The scenery it's self is a big part of the story as well and some of the shots are just plain beautiful. No offense to the folks in Arkansas, but when you hear Arkansas you don't normally associate it with beauty, but it really is pretty.

So ya ultimately I thought it was a pretty good flick.

The quality of film that can only be delivered by Billy Bob Thorton. Along with Sling Blade, Levity and Monsterball I was immersed into the storyline, the actors and music of this fine, thoughtful and moving film.

I appreciate these films of substance, Thorton's pathway's to redemption rather than some of the later more commercial films and this one delivers to the max.

The soundtrack of rich folk music adds to an already exceptional presentation.

Can't wait for another film like this of his to come out!

This remarkable and completely unique film had me on the edge of my seat from the moment I heard the haunting music playing on a cello in the opening scene. I knew from the choice of this instrument when most would use a banjo or other traditional instruments common to mountain culture, that I was in for many surprises. The entire score was brilliant.

Ray McKinnon's script and direction is so original and painfully real and passionate. Just when the reality is too much to bear he makes you laugh so hard your belly aches. The acting by the entire cast, including that wonderful dog as broken as the family, is perfection. The fight scene is a ballet and nobody since Peter O'Toole moves as well as Ray McKinnon with such self-abandonment.

His performance as Snake is at once very funny and terrifying. Lisa Blount gives a performance of a lifetime. It is a difficult role which could easily have been one dimensional or overdone but she brings subtlety, nuances and richness to this character that is so fragile that you just want to reach into the screen and comfort her.

Billy Bob Thornton breaks your heart with his strong portrayal of the husband so consumed with guilt that he sets up a situation to allow himself to be beaten into a pulp to be punished for his sin.

The location and production design captures the Ozarker's uncommon and palpable sense of place and the junk sculpture in the yard is such a touching metaphor for a broken family welded together, with hope to heal and create a future. The last moment will take your breath away. I hope this film gets a chance to be seen by everyone. I feel grateful to have discovered it.

I went to this movie with no idea of what to expect other than Billy Bob Thornton's usual brilliance. I was blown away, I couldn't decide what I was mesmerized by more, the characters or the sheer prowess of these actors. I didn't grown up in the Southern culture, I married into it, and wish I had learned to understand it better and so much earlier. I was literally transported to the small town in Alabama where my ex-husband grew up as I watched these characters do their dance. It was riveting. Ray McKinnon has created a masterpiece and his wife in the role of Chrystal was like watching someone go through life walking on broken glass, you can't help but wonder what on earth keeps them moving but that smallest glimmer of hope.

Chrystal is a tragic story told with the well-crafted vision of Ray McKinnon. Visually, it is a beautiful glimpse of middle America in all its raw serenity. Its violence at times, although uncomfortable, seems necessary to provide the realism of the situation and the lives of these people.

It is a simple story of heartfelt emotion between a couple that has suffered and been broken by the loss of their child. Billy Bob Thorton and Lisa Blount battle through their individual pains, emotions and confusions with great fortitude and delivery. The story unfolds slowly, but is worth taking the journey. The supporting cast is stellar. Colin Firth as Hog is a treat.