Esquina da Morte

I was not at the special screening in Orange County but got to see this movie under special circumstances. To me, this movie was about five elements from being great. Having said that, though, I would definitely recommend other people to see it because the project as a whole is worth it and it pays off in the end. James Marsden was excellent. Giovanni Ribisi was near excellent. Some of the other actors did very good jobs with their parts. The story itself was also compelling. What didn't ring true to me were Warren's performance. . .totally miscast and an average performance, the cameos of Tommy Lee and Val Kilmer were distracting and unneeded, Brad Renfro was good in any one scene but from scene to scene his character was not consistent. . .one scene he seemed normal and the next he seemed like Rain Man, the dialogue had a few too many clichés, and the movie did not completely capture the period of the early 1990's or, in flashbacks, the mid-80's. Had all of these things been just a little better a 9 out of 10 would have been easily attained. Still I plan to recommend it to other people because this movie will emotionally move you.

I was surprised at how much I liked this film, being that I had never heard of it. The story focuses on Tommy (James Marsden), who has just come home from the army, but he's now undercover (working for Brian Dennehey), to bring down the gangsters he grew up. He comes home to see his brother Vincent (Brad Renfro) and his cousin Joey (Giovanni Ribisi), and the story goes from there. I won't go into any more detail at the sake of not ruining the film, but it's very good. If you enjoy a good gangster film, then this is the one for you. I am giving it an 8 out of 10. Also notice certain celeb cameos, such as Val Kilmer, Tommy Lee, an d Dennis Hopper.

A decent story, good acting, but for a good number of people who have spent any time in Philly and/or Pittsburgh, ... you can't pull off calling Pittsburgh 'Philadelphia' (anymore then you can call Philadelphia 'Pittsburgh'). Both cities are great locations for movies... but just because they both happen to be in Pennsylvania, you can't interchange them -- geographically, architecturally they are distinctively unique (even if you leave the "Youse Guys" and the "Younse" accents out of it). Had South Philly's "Rocky" been filmed in Pittsburgh but pawned off as Philly it wouldn't be the classic it became, (nor conversely would the "Deer Hunter") it would have been ruined. I don't know how much better "10th & Wolf" would have been if the geography matched the story, but for me it would have been more believable.

What an awful film. I caught a screening of it last night in Irvine, CA. I think the filmmakers would be lucky if it made it straight to USA or FX. It's not even good enough for Showtime. Seriously though. Every cliché in existence is thrown in, combined with REALLY bad acting and REALLY bad cameos from Val Kilmer and Dennis Hopper. What a waste of time. The worst performance in the film probably comes from Lesley Ann Warren, who acts all Jennifer Coolidge-esquire in an over-the-top role. After seeing this movie, everyone will know that Paul Haggis is the real brains behind "Crash," because what Bobby Moresco wrote here comes straight from the lame examples you would find in a book on how to write a screenplay. Trust me, and don't waste your time on this movie if it ever ends up coming to a theater near you, which it probably won't. This was pure trash.

This is one of those films that gives the impression it is written by someone who is more a fan of the genre than a practitioner. It contains all the usual elements found in these 'tough' and 'gritty' crime dramas – the questionable loyalty between hoods who have grown up together on the mean streets of the city's slums, the psychotic gangster, the tough but vulnerable single mum, the doting mother, the sleazy clubs, the random acts of violence, the pop music soundtrack – but never once comes close to showing any signs of originality.

James Marsden – as anonymous a leading man as you are ever likely to find – plays the son of a mobster drummed out of the marines for stealing a jeep and going after Saddam on his own when the US call off the Gulf War on the dictator's doorstep back in '91. He is offered a deal by shady cop Brian Dennehy (looking surprisingly trim but worryingly frail) to help put away a mobster from his old neighbourhood in return for his freedom from military prison. Returning to his old haunts, he falls in with his slightly feeble-minded brother and his cousin – ably played by Giovanni Ribisi – who is about to embark on a gang war with the mobster in question, which leads to the usual conflict of loyalties.

After watching this I wondered not only why I bothered watching it through to its inevitable conclusion, but also why anybody bothered putting up the money for it. The script is pedestrian at best, and the storyline never wavers from a path that is as predictable as it is dull. Only the quality of the acting, and especially a blistering performance from Ribisi, make this worth watching at all. Well – that and the unintentionally hilarious death scene of one-legged gangster, Julian.