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7,2/10
21 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaIn this prequel to Mou gaan dou (2002), Chan Wing Yan has just become an undercover cop in the triads while Lau Kin Ming joins the police force. Both the triads and the police find an enemy ... Ler tudoIn this prequel to Mou gaan dou (2002), Chan Wing Yan has just become an undercover cop in the triads while Lau Kin Ming joins the police force. Both the triads and the police find an enemy in a rival crime boss.In this prequel to Mou gaan dou (2002), Chan Wing Yan has just become an undercover cop in the triads while Lau Kin Ming joins the police force. Both the triads and the police find an enemy in a rival crime boss.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 6 vitórias e 25 indicações no total
Anthony Chau-Sang Wong
- SP Wong Chi Shing
- (as Anthony Wong)
Tung Cho 'Joe' Cheung
- Kwun
- (as Joe Cheung)
Henry Fong
- Gandhi
- (as Ping Fong)
Peter Ngor Chi-Kwan
- Negro
- (as Peter Ngor)
Chung-yue Chiu
- Mary
- (as Yu Chiu)
Say Ping Yap
- Socialites
- (as Shi Pin Ye)
Avaliações em destaque
A loose prequel to 2002's hit Infernal Affairs, this goes back to the 1980s and '90s when the Hong Kong police force and the city's ruling triad sent undercover agents into each other's organisations.
Tony Leung and Andy Lau are missed as the supermoles (played here by young look-alikes) but directors Andrew Lau and Alan Mak have something smart up their sleeves, shifting the emphasis of the story onto the able shoulders of the pair's world-weary veteran superiors. Anthony Wong and Eric Tsang are excellent as the morally compromised cop and likable but capable capo, ageing friends who understand they stand just over the line from each other.
A knowledge of the first film helps navigate the labyrinthine plots of the dizzying opening act but once it finds its pace, it's a slick, slow-burning thriller all the way marred only by the directors' occasional lapse into Godfather pretensions while the backdrop of 1997's hand-over of Hong Kong is effective shorthand for the huge changes taking place within the forces of both law and disorder.
Tony Leung and Andy Lau are missed as the supermoles (played here by young look-alikes) but directors Andrew Lau and Alan Mak have something smart up their sleeves, shifting the emphasis of the story onto the able shoulders of the pair's world-weary veteran superiors. Anthony Wong and Eric Tsang are excellent as the morally compromised cop and likable but capable capo, ageing friends who understand they stand just over the line from each other.
A knowledge of the first film helps navigate the labyrinthine plots of the dizzying opening act but once it finds its pace, it's a slick, slow-burning thriller all the way marred only by the directors' occasional lapse into Godfather pretensions while the backdrop of 1997's hand-over of Hong Kong is effective shorthand for the huge changes taking place within the forces of both law and disorder.
Thought the first one was one of the finest Cop thrillers in recent years and the follow up is equally brilliant - for obvious reasons its a prequel set in 3 time periods leading up to the events in the first movie. This time round Ming(Edison Chen - Andy Lau last time) and Yan(Shawne Yau - Tony Leung last time) are more peripheral characters - the main action concentrates on Inspector Wong(Anthony Wong) and his struggles against the Triads. The leader of the major gang has been murdered and his son Hau(Francis Ng) has taken over - he is a more ruthless boss and intends to take over all the territory that other leaders currently control. These include Sam(Eric Tsang) and its interesting how close Wong and Sam are before the events that end so tragically later - Wong would rather have Sam running things and it appears that Wong has conspired with Sam's woman Mary(Carina Lau) to have Hau's Father killed - only to see the son become worse than the Father. To complicate matters Yan is Hau's half brother who as a cop is willing to infiltrate Hau's gang but whose loyalty is put under pressure when he realises that Wong(who he is working for) had a hand in his Fathers murder.Meanwhile Sam is grooming Ming to become his mole in the HK Police(although Ming's attraction for Mary does complicate things).
How this all pans out and leads to the events in the first film I shall leave but its an excellent film - a little complicated at times as you have to work out all the dynamics buts worth the effort - as mentioned the most poignant part is the relationship between Wong and Sam - they may be on opposite sides but have a closeness that will prove to be the central point of the story later.
There is a fantastic scene where Hau contrives to have himself held in Police custody whilst the other gang bosses are murdered and the way the film cuts between his interview(where he reveals how he knows who killed his Father) and the other bosses being wiped out is worthy of comparison with Coppola's Godfather - the series has that whole epic feel and the way it culminates with the handover of power to the Chinese in 1997 with new bosses on both sides of the conflict coming to power is very well done.
For once a sequel that lives up to the original........I shall be interested to see if Scorcese's remake can come close.
How this all pans out and leads to the events in the first film I shall leave but its an excellent film - a little complicated at times as you have to work out all the dynamics buts worth the effort - as mentioned the most poignant part is the relationship between Wong and Sam - they may be on opposite sides but have a closeness that will prove to be the central point of the story later.
There is a fantastic scene where Hau contrives to have himself held in Police custody whilst the other gang bosses are murdered and the way the film cuts between his interview(where he reveals how he knows who killed his Father) and the other bosses being wiped out is worthy of comparison with Coppola's Godfather - the series has that whole epic feel and the way it culminates with the handover of power to the Chinese in 1997 with new bosses on both sides of the conflict coming to power is very well done.
For once a sequel that lives up to the original........I shall be interested to see if Scorcese's remake can come close.
IA2 has lived up to its predecessor's name. Although the supporting actors, Shawn Yue and Edison Chen, paled in comparison to their more experienced and classy leading men, their acting was A.
I just find it disturbing that in most triad and police movies in HK, the female roles are rather limited. This is in particularly true in IA1 ans IA2, where the female roles were either guest roles or supporting roles. Carina Lau's character should have been given a bit more coverage, esp she's such a fine actress and would be able to handle a much bigger role by herself.
Eric Tsang, Francis Ng and Anthony Wong were in fact the ones who brought their movie characters to life. A good effort to Shawn and Edison but kudos to the older actors! Hopefully, IA3 would be as good as IA and IA2.
I just find it disturbing that in most triad and police movies in HK, the female roles are rather limited. This is in particularly true in IA1 ans IA2, where the female roles were either guest roles or supporting roles. Carina Lau's character should have been given a bit more coverage, esp she's such a fine actress and would be able to handle a much bigger role by herself.
Eric Tsang, Francis Ng and Anthony Wong were in fact the ones who brought their movie characters to life. A good effort to Shawn and Edison but kudos to the older actors! Hopefully, IA3 would be as good as IA and IA2.
The directors mentioned that the reason behind making 'Mou gaan dou II' (aka 'Infernal Affairs II') was that they wanted to provide some background information and history on the first movie so that the viewers understand the situations better. However, having seen the first movie, I don't see why there was a need for a film about what happened before. Why does everything need to be explained? 'Mou gaan dou' was quite straightforward and as a stand alone it's an excellent action thriller. The prequel is a different genre. It's more a crime drama and it lacks the slickness, steady pace and coherency of the first film, not to forget Lau and Leung's strong performances. Most of the first hour painfully drags on. While 'Mou gaan dou' centred around Yan and Ming, 'Mou gaan dou II' is mainly about Sam, Wong and Hau (who play their leaders in the first film). Here Yan and Ming are merely supporting characters. Unlike in 'Mou gaan dou', here most of the performances are passable rather than great. Wong and Tsang do a fine job in the leading roles. In addition Ng does a brilliant job too. Lau's Mary appears to be too sketchy but she does well. Yet, even with the flaws, 'Mou gaan dou II' is not a bad film but rather an okay film because there are some noteworthy sequences especially towards the end where Hau meets his fate and Mary's murder.
7cwx
What a tangled web a studio can weave when they realize they desperately need to make some money off of a sequel to a film that didn't need one. That's not to say that this is bad, but it would strike me as an ordinary film even if I hadn't seen the extraordinary film that came before. This "sequel," despite the number, is actually a prequel, but it doesn't so much fill in the blanks as muddy up the waters; it's often confusing, it's not always clear if some of the new backstory really squares with the depictions we saw in the first one, and some of the more glaring questions are left unanswered (possibly for film number three). The young replacements the mole characters, previously played by Tony Leung and Andy Lau, are certainly not up to the task. Thankfully, the movie works because Anthony Wong and Eric Tsang reprise their roles as the respective cop and mob boss, and it is quite interesting to learn about a relationship between them that, from what I recall, was far from obvious before. I certainly wouldn't recommend watching this before the first one, despite the chronology, but I imagine it is worth satisfying the likely thirst for more that you will most likely have after watching the previous film.
Você sabia?
- CuriosidadesShot back-to-back with Conflitos Internos III (2003). While this is a prequel to Conflitos Internos (2002), the third instalment is a direct sequel to the first film.
- Erros de gravaçãoTowards the end of the movie, during the montage of the Handover Ceremony, an Australian flag is shown on Lau's desk instead of the Hong Kong flag. (The Australian flag is very similar to the colonial flag of Hong Kong, both featuring the Blue Ensign and Union Jack).
- ConexõesFollowed by Conflitos Internos III (2003)
- Trilhas sonorasLONG SKY
Composed by Wong Ka Keung
Lyrics by Wong Ka Keung and Yip Sai Wing
Arranged & Performed by Beyond
OP: Beyond Publishing Ltd.
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- How long is Infernal Affairs II?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Infernal Affairs II
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 3.244.410
- Tempo de duração1 hora 59 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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By what name was Conflitos Internos II (2003) officially released in India in English?
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