A Vila

As with M.Night's other movies, I enjoyed this latest outing, especially the performances of the leads. I think the movie suffered in overall response due to a poorly conceived marketing plan.

The movie was sold as a horror film and fans of that genre went into this with that mindset in place. When the film actually turned out to be a look at how we try and protect those we love from the horrors of the "real world", fans were upset and rightly so. As anyone that has enjoyed M.Night's movies, all is not what it would seem. I think the marketing pushed too hard the horror aspect which created an expectation that was not going to be met.

I think if you go into this movie expecting another commentary on spiritual and moral themes, you are going to like this. If you are going into this for the scare factor, you are going to be left empty.

It's not what you think it is. It's not horrific. It's not gory. It is however a very well written and played thriller drama, with a fantastic love story woven into it to keep it from getting overbearing.

I've seen the 6th Sense and thought it was fantastic, and passed on Signs because I'd already been sick of alien movies by then, though it looks like I should see it.

I went into this film without preconceptions about M. Night Shyamalan or his previous work. I wanted to see a good scary movie. Good it was. Scary it was less. Don't go into it expecting to get horrified, and you won't leave the movie upset about it.

I liked this movie a lot, largely because it caught me by surprise at many points. It's too easy to spoil the movie if I mention why though, so I'll just say you have to see it for yourself.

The acting, particularly by Bryce Howard, Joaquin Phoenix, Adrien Brody, and William Hurt, was played well with the right subtlety and nuance to make the characters believable.

Howard's role as the smart, emotionally strong tomboy who also happens to be blind was played with an understanding you don't often see in a period role. She was Ivy, and she was living in the late 19th century. She showed an innocence that she could only have gotten away with in this character, and she played it like the time was hers.

There was no doubt of who she was. She conveyed the strength (both her real strength and that which she exuded with a feminine machismo) of her character very well, but never pushing it over the top. She never shouted an emotion; she whispered it, but it was loud and clear. When she spoke about love and fear, you felt it. When she cried she wasn't hamming it up; she exuded grief from eyes, face, and body. She was brilliant, and I can't wait to see her on screen again. She also happens to be incredibly beautiful. Did that cloud my judgment? Go see the movie.

Phoenix continues to upstage his previous roles in every movie I've seen him in. His expressions are classic. The theater laughed more from his modest look of confusion in one scene than I've heard at the last 3 comedies I've watched. He was being more serious than ever, but the comedy of his emotions, however brief, was transmitted perfectly through his stone cold face, only barely showing what he felt inside, but saying everything. Throughout the movie, he was quiet, thoughtful, brave, and pure of spirit, and he said it all in so few words. When he spoke of emotion, it had a power that gripped me. The lines he delivered, though incredibly well written, were meant for him.

Shyamalan's dialogue helped, in that it was rarely obtrusive when spoken by these actors.

About the story: It twists in ways few could imagine. That makes it a bit upsetting. Expect to be let down a little. If you're not looking for gory horror, then you might just love it. When it's not changing directions though it's fantastic in it's subtleties. I can't avoid that word because it applies well to how Shyamalan put this together.

I don't buy many movies, but I will be purchasing this when it comes out on DVD.

This appears to be a really divisive movie. It seems to me that people wanted another Sixth Sense and when The Village arrived, people were disappointed. Maybe the distributor didn't help by giving the impression it's a horror movie. It isn't. Or maybe some have taken against the writer/director.

It's a story of someone going to great lengths for someone they love. It just so happens there's a twist on the way.

I've recently rewatched The Village after many years. And whilst I knew the twist, there was plenty to keep me entertained and I think it's held up well. Put it this way, I persuaded my 14 year old to watch it with me, and she thoroughly enjoyed it. There were jump scares, good performances and it looked good. The twist completely wrong footed her, and we both thoroughly enjoyed it.

In recent years, M Night Shyamalan's reputation has taken a serious beating, having directed universally panned Razzy films (such as The Last Airbender and The Happening), and even some recent successes (Split, Glass) haven't been enough to salvage his career. However, slightly earlier in his directorial filmography sits this genuine horror-mystery masterpiece, criminally underrated and judged undeservedly.

The Village is a different take on a horror trope, detailing an isolated community's resolve against a hidden threat in the surrounding forest. As this genre goes, the cast does not get any better: Sigourney Weaver, Joaquin Phoenix, Adrien Brody and Brendan Gleeson all feature prominently, as well as relative unknowns Jesse Eisenberg and Dallas Bryce Howard in some of their earlier roles. All are individually excellent and well-cast, perfectly depicting the repressed fear of a society without outside influences.

The plot of is consistent and of genuine quality, which doesn't often translate in the horror genre; however, do not be dissuaded by the premise of horror - The Village plays more off the resulting drama than cheap jump scares, and slow burns until the revelations in the second half blow the script open. The forest village is the ideal setting for this hidden evil, sparsely populated and somewhat bleak - the integral use of red and yellow elevate the cinematography further, making the environment more distressing.

The Village should be a must-watch purely on the merit of the plot: some may not connect with the subtleties of the script and the nuances of the story, but those who take the time to invest will be thoroughly rewarded with a quality film.

I will not go into details about the plot of the movie, or how good or bad the movie was. What i would like to tell is how good i felt that evening as i went to bed. As I was resting my head on my pillow, i felt extremely good about humanity. My heart and mind were filled with hope about the future. That is what the movie did to me. In am writing this 10 years after seeing the movie, and i can still recall with clarity how i felt that evening in bed. Hence, the movie gets a 10 from this reviewer.