Michael Bluth assume os assuntos da família depois que seu pai é preso. Mas o resto de sua família estragada e disfuncional está fazendo seu trabalho insuportável.Michael Bluth assume os assuntos da família depois que seu pai é preso. Mas o resto de sua família estragada e disfuncional está fazendo seu trabalho insuportável.Michael Bluth assume os assuntos da família depois que seu pai é preso. Mas o resto de sua família estragada e disfuncional está fazendo seu trabalho insuportável.
- Ganhou 6 Primetime Emmys
- 61 vitórias e 123 indicações no total
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Resumo
Reviewers say 'Arrested Development' is praised for its clever writing, memorable characters, and innovative storytelling, especially in its original seasons. Unique elements like non-linear narratives, running gags, and Ron Howard's narration are highlighted. However, later seasons, particularly the Netflix revival, receive mixed reviews. Critics note a decline in quality, with episodes feeling convoluted and less funny. The reboot is often criticized for lacking the earlier charm, though many still appreciate the humor and cast performances across all seasons.
Avaliações em destaque
This show takes a few episodes before you *really* GET it. And once you get it, you'll realize why everybody thinks it's one of the best sitcoms ever.
Each character is really defined and original...with real, unique personalities. All of the actors have fantastic chemistry, making for really great interactions and relationships within the show.
The writing for this show is great, and the plots are so absurd that you can't help but find them funny.
A refreshing change in a world where people like reality shows...it's the only good sitcom left.
Each character is really defined and original...with real, unique personalities. All of the actors have fantastic chemistry, making for really great interactions and relationships within the show.
The writing for this show is great, and the plots are so absurd that you can't help but find them funny.
A refreshing change in a world where people like reality shows...it's the only good sitcom left.
Probably the best show of the 2003 season, and the best new comedy in years. It's very hard to describe, since the comedy is entirely character-based, not plot- or wisecrack-based.
Basically, it's the story of the Bluth family, developers who are in bankruptcy with the father in prison for fraud. One son, Michael, tries to be responsible and keep things going, while the rest of the group is entirely self-centered and can't seem to focus on the fact they are broke and in disgrace.
The various family members go off in various directions: George (GOB) fancies himself a magician, Buster is a momma's boy, Lindsay goes off supporting odd causes, Lindsay's husband Tobias fancies himself an actor. It's a show you need to watch closely, but the laughs are all over the place, from unexpected directions.
Basically, it's the story of the Bluth family, developers who are in bankruptcy with the father in prison for fraud. One son, Michael, tries to be responsible and keep things going, while the rest of the group is entirely self-centered and can't seem to focus on the fact they are broke and in disgrace.
The various family members go off in various directions: George (GOB) fancies himself a magician, Buster is a momma's boy, Lindsay goes off supporting odd causes, Lindsay's husband Tobias fancies himself an actor. It's a show you need to watch closely, but the laughs are all over the place, from unexpected directions.
this comedy is smart where so many others are not. its one of the few shows on today that you find DO NOT have a laugh track which alone makes it unique, but with the excellent writing and acting make it a refreshing and hilarious change. after a few episodes, it all makes sense and is that much funnier once you know the characters and their very individual quirks.
this show deserved all of the awards it won plus a few more just to make sure it gets noticed. its been voted TV-lands "future classic" after only a single season if thats any clue to those who haven't seen it yet. the dry acting of jason bateman and the voice over by ron howard are both stellar and add greatly to the shows overall style.
watch this show as soon as it begins again (nov 7, 2004 after the simpsons) you wont be sorry.
this show deserved all of the awards it won plus a few more just to make sure it gets noticed. its been voted TV-lands "future classic" after only a single season if thats any clue to those who haven't seen it yet. the dry acting of jason bateman and the voice over by ron howard are both stellar and add greatly to the shows overall style.
watch this show as soon as it begins again (nov 7, 2004 after the simpsons) you wont be sorry.
First three seasons were like best thing you could see in a sitcom ever. But from 4th season it's all going downhill. I couldn't even get through season 5.
If it wasn't for last two seasons, this show would have been my favourite sitcom.
Strange, Fox's promos almost made me miss out on this whole thing.
It's a sit-com made with very high standards, it's a career revival for Ron Howard, Henry Winkler and Liza Minelli, and it's a show that puts Fox's profile into HBO territory. "It's Arrested Development"
"In fact...", a Ron Howard quote that has become a cliché around our house, in fact, it's all those things and more. The writing is as good as everyone says it is, the cast is on par with that of Seinfeld or Roseanne. (Say what you will about her, that was a dream cast) Whenever new characters appear, they are inevitably played by people familiar to fans of edgy, intelligent humor. People like Jeffrey Tambor and Jason Bateman are dependably good, Michael Cera is a standout, and David Cross is finally being seen for the talent that he is.
The strongest thing I can say about this is that I find myself repeating various running gags, things that, like "In fact...", have become clichés. "I've made a huge mistake." "I'm having the time of my LIFE in here!" "surprisingly cat-like" "Take a powder, willya fellas?"
This last one, uttered by Liza Minelli as Lucille Austero, sticks with me especially, and I hope that Liza stays with the show longer. As good as the principles are, she manages to outclass even them. The same with Henry Winkler, whose Barry Zuckercorn is the sort of lawyer television's been dying for. Among those main players, Lindsay and Tobias are pretty strange characters to begin with, but when you consider that they are an old married couple, that crosses the line into the bizarre. This show is full of people and situations you just won't see anywhere else, at least until other derivative shows start appearing.
Watch carefully, as there are many bit and pieces lingering in the background that you might miss. Recently, George Michael was dumped by his girlfriend. As he trudged home in a state of misery, you could hear sad Charlie Brown music. In the background, you could see a real - but bright red - dog house, with a real dog lying on top of it. It's things like these that tell me that the creators are just pleased to be doing this show for it's own sake, and that kind of love of the work shows through in the end.
Who knows if this show will last? There's an audience out there for this sort of thing, but they've generally settled into the Sunday night HBO schedule. Hopefully the Emmys, the word of mouth, and the critical raves will draw attention to this show. If not, we'll just have our A.D. dvds to keep us warm, and thank God for 'em!
It's a sit-com made with very high standards, it's a career revival for Ron Howard, Henry Winkler and Liza Minelli, and it's a show that puts Fox's profile into HBO territory. "It's Arrested Development"
"In fact...", a Ron Howard quote that has become a cliché around our house, in fact, it's all those things and more. The writing is as good as everyone says it is, the cast is on par with that of Seinfeld or Roseanne. (Say what you will about her, that was a dream cast) Whenever new characters appear, they are inevitably played by people familiar to fans of edgy, intelligent humor. People like Jeffrey Tambor and Jason Bateman are dependably good, Michael Cera is a standout, and David Cross is finally being seen for the talent that he is.
The strongest thing I can say about this is that I find myself repeating various running gags, things that, like "In fact...", have become clichés. "I've made a huge mistake." "I'm having the time of my LIFE in here!" "surprisingly cat-like" "Take a powder, willya fellas?"
This last one, uttered by Liza Minelli as Lucille Austero, sticks with me especially, and I hope that Liza stays with the show longer. As good as the principles are, she manages to outclass even them. The same with Henry Winkler, whose Barry Zuckercorn is the sort of lawyer television's been dying for. Among those main players, Lindsay and Tobias are pretty strange characters to begin with, but when you consider that they are an old married couple, that crosses the line into the bizarre. This show is full of people and situations you just won't see anywhere else, at least until other derivative shows start appearing.
Watch carefully, as there are many bit and pieces lingering in the background that you might miss. Recently, George Michael was dumped by his girlfriend. As he trudged home in a state of misery, you could hear sad Charlie Brown music. In the background, you could see a real - but bright red - dog house, with a real dog lying on top of it. It's things like these that tell me that the creators are just pleased to be doing this show for it's own sake, and that kind of love of the work shows through in the end.
Who knows if this show will last? There's an audience out there for this sort of thing, but they've generally settled into the Sunday night HBO schedule. Hopefully the Emmys, the word of mouth, and the critical raves will draw attention to this show. If not, we'll just have our A.D. dvds to keep us warm, and thank God for 'em!
Which Actors Were Left Out of the Bluth Family
Which Actors Were Left Out of the Bluth Family
Jason Bateman, Tony Hale, Jeffrey Tambor, and more helped establish "Arrested Development" as a critical darling. See which other actors were almost cast in the cult classic.
Você sabia?
- CuriosidadesRon Howard's role as the narrator was accidental. He was merely filling in on the pilot, but his voice just "worked."
- Erros de gravaçãoIn several episodes, you can see flowers and trees outside the doors and windows of the model home; but in the shots of the exterior of the home, it is on a dirt plot, surrounded by nothing.
- ConexõesFeatured in The 61st Annual Golden Globe Awards (2004)
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- Season 4 Remix: Fateful Consequences
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