A Lula e a Baleia

Although I liked this movie, I found it disturbing. They all need counseling, especially the kids. The younger one had some behaviors that made me wonder about a serial killer in the making. Luckily, he didn't seem to have the mental make up for that. Neither kid was on a path to becoming a "healthy, functioning" adult. The end was slightly abrupt and left me feeling conflicted and a bit disturbed.

This movie is a good film, that's for sure. The actors perform brilliantly and the script is original and touching. However, all this is boring.

I guess people with an interest in the social aspect of one's life will find this very nice and good. For the parents (and children) who are on the same path as the character, should they choose to really understand the movie, it will be a learning experience that will save them from a lot of pain and anguish.

OK, the guy is a cowardly hypocrite that hides behind his intellectual aura tons of frustration and, surely enough, stupidity. The woman leaves a life of discomfort and maybe even fear, but lacks the courage to do anything about it. She cheats on the husband then leaves clues to it, so that the responsibility of the divorce would fall on him. The sons pick sides based on age, both mimicking behaviour that they don't understand yet, and thus making fools of themselves. Very weird and socially tense situations, but that's it. After the first half an hour you know everything there is to know, only the awkward situations remain, in a hostile, not humorous manner.

The ending is as devoid of resolution as the entire content. The problems are there, you know what, where, when and how, but there is no solution. In the end, the film is nothing but a portrait, you either like it or you don't.

HERE...I am going to serve up a rather Long LIST of Details,,,,

BUT. FIRST... Let us FOCUS on the Title´s Content and Context:

For dyed in the wool fans of European cinema, The Squid and the Whale, an independent production, Grand Prize winner at the "Sundance" Film Festival, has much more in common with films from the old continent than with those huge budget Hollywood productions. IMDb lists its budget as 1.5 Million, most certainly paltry, especially when compared to the 100 to 200 million dollar behemoths that abound in LA-LA-LAND! So if the European style is to your liking, we guarantee that "SQUID" will truly enchant you!

To justify my initial assertion, let's just analyze SQUID for a moment:

A) No CGI effects, No car chases or crashes, and no 100 Decibel Explosions!

B) SQUID is highly character-driven

C) SQUID is very heavy on intense, highly focused dialog

D) SQUID's characters have almost no physical contact, but engage in relentless psychological arm-wrestling!

E) SQUID resorts to NO cinematic gimmicks of any kind, whatsoever!

F) Considering that both Jeff Daniels and Laura Linney appear in SQUID, with its miniscule budget, it cannot be anything other than a TRUE labor of love!

If the above list hits some of your cinematic hot buttons... You really MUST SEE Squid! ....8 STARS!

If you are unphased...DON'T...Simple as that!

ENJOY! / DISFRUTELA!

Any comments, questions or observations, in English o en Español, are most welcome!

A friend of mine was hesitant to see this movie, because she'd heard that it pushes the agenda that divorce is never a good option for dealing with marital problems. I don't really know who told her this, and I hope this same reason isn't keeping others from seeing it. This isn't at all what I took away from the film. It certainly communicates the idea that divorce isn't easy, on either the parents or the kids, but I don't feel that it pronounces judgement on those who turn to it as an option.

"The Squid and the Whale" is a sad--though at times very funny--look at what divorce does to one family in 1986 New York. Jeff Daniels plays the dad, a pompous, arrogant writer whose feelings of commercial failure (he teaches literature at a university) cause him to act intellectually superior to everyone he meets. Daniels is almost too good in this role; he reminded me way too much of people I actually know who are like this. He's the kind of guy who would be deadly at a dinner party, because there's no such thing as a casual or flippant remark in this guy's presence. He analyzes everything to death, and isn't content until everyone's opinion matches his own.

Laura Linney plays the wayward mom, blamed for the break up of the marriage by the dad because of a string of affairs she carries on. Her guilt keeps her from being able to discipline her sons, especially the oldest, who treats her horribly. Linney's role is smaller but in some ways much more complex than Daniels'. Her character has to take responsibility for her infidelity but still make the audience sympathize with her.

Caught in the middle of this mess are their two boys. The oldest quickly allies himself with his dad, and walks around regurgitating his father's opinions on every subject, rarely pausing to form any of his own. The younger son, more sensitive and tired of being intellectually brow beaten by his father and older brother, sticks closer to the mom. No one is totally to blame, yet no one is completely innocent either in this honest and frank film.

Noah Baumbach has made no secret of the fact that it is based on his own adolescent life, and it has that confessional feeling that movies in this genre frequently do. There are awkward moments when this doesn't totally work. The ending for one is rather ham-fisted, and a scene between the oldest son and his school therapist seemed awfully pat to me. But the acting and the sharp writing make up for these weaknesses, and the movie manages to be poignant without ever becoming maudlin or overly sentimental.

See it for the performances of Linney and especially Daniels, who has been proving his versatility as an actor over the last few years.

Grade: A-

I mused as I watched this movie, they were married in 1969, and 17 years later, in 1986, they found themselves only able to get a divorce. I married in 1968, and 17 years later, in 1985, I was also getting a divorce. Like that couple, I don't think I ever knew for sure why.

Jeff Daniels is Bernard Berkman, professor and author who was absolutely manipulative, of his students, his wife, their sons -- whatever it took to get past the moment. He loved no one, not even himself, and got great joy out of such conquests as beating his young son in ping-pong. And giving his teenage son advice to play the field, women are objects for the pleasure of men.

Laura Linney is Bernard's wife Joan. After she found out that she could be a successful writer, she began to tire of her husband's overbearing ways. But she too was weak, and had been having an affair for several years. That they broke up was not the fault of either. They grew in different directions and were unable to see the situation realistically. That probably is the most common symptom of this kind of breakup.

Caught in the middle are the two sons, Walt and Frank. Walt, the teen, idolizes his dad, and in a very shallow manner talks scholarly about things he has not taken the time to read. He "composes" a song for a school talent show, wins the prize, but it is discovered that he took a song that had already been written. When asked why, he responded, "I could have written that song. The fact that someone else did was just a technicality."

For the most part the movie is very unusual, but also very well written and interesting. Here we have these flawed people trying to navigate through this family mess, and somehow they seem they will survive. It has a nice touch of realism through it, and is also very funny at times.

The title comes from's Walt's fear, as a small child, of the squid and whale exhibit at the museum.