Revólver

I will start by saying that this has undeservedly be panned by just about everyone! The fact is it wasn't what anyone was expecting, especially from Guy Ritchie. What everyone was expecting was cockney geezers and good one liners "do ya like dags?" etc, but this is far more mature than his previous works. I would agree that it is confusing but all the facts are there for us we just have to see them and listen harder, this film demands all your attention! Look past the cool and dazzling look of the film, try to listen to the dialogue rather than admire the performances and i think we will all get a more thorough understanding of the whole film.

Yes this has its influences from modern classics( fight club, pulp fiction etc ) but it is in the whole original in both direction and pacing with a music score second to none. I feel that if everyone watched this film over and over they would understand it a lot more and maybe appreciate it for the fine piece of modern cinema that it is and i hope also that Ritchie continues in this vain as i far prefer this to his mockney "masterpieces".

Guy Ritchie and Jason Statham collaborate once again with a huge cast of mostly action bloke films. While this is absolutely still a bloke film this one is quite different from your average Ritchie film and I have to admit I find myself impressed with the acting range shown by the entire cast but a shout out to Statham who was a real performance surprise and absolutely to Ray Liotta who hit all of his marks perfectly.

I hope more film makers see this film as a new benchmark for the two actors so they may be cast in a few more interesting rolls.

I enjoyed it and hope you guys do as well when you get around to seeing it.

Revolver is one of Guy Ritchie's most underestimated films. Stylistically, he is built the best of all previous paintings and completely rehabilitated the actor after Swept Away. One of the best roles for Jason Statham. The open ending, of course, spoils the impressions of the film, but the main plot twist worked.

I normally do not like movies about gangsters, drug pushers and warlords, but this one has all of that and it had quite a different twist. It is one of the best made films I have seen in a long time. The timing is impeccable. The scenes are well designed. The casting is marvelous. Some might call it a psychological film, but I think its more about one man's spiritual growth as he grapples with what life hands him. The writing is engaging and the action has much to be expected, but also unexpected outcomes.This keep the film fresh from start to finish and it ends in a way that makes you wonder. I wouldn't want anything more from a film and highly recommend it to people who are willing to watch a move thoughtfully with full engagement.

This is a test.

This is a test of the system, to determine who is who and who is speaking to whom. You think this is me you are watching, but it is you making these letters into bits of yourself.

Its a banal, sophomoric insight. Its the stuff of retail religions. Its aped by dopes. But none of that makes it less rich for artistic exploration.

Richie is something of a nitwit with an amusing style which merges staccato internal narration with clean, brisk editing. His stuff is simple, cinematic fun. Here he takes this idea, common even in Adult Swim cartoons on TeeVee, and serves it up as a sort of kindergarten "Memento." (or more aptly "Old Boy.")

But. But in my world it doesn't matter. I think David Lynch would be a disaster as a dinner companion. Listening to him is like listening to an acid burnout case, and it makes me sick. Yet his films are as deep as they come because he opens a door and leaves room for me to furnish the place. His films are genius so he doesn't have to be.

This is a small case of that. Except for some amazing missteps (the cartoon, the reversed car crash), the guys in the hot tub, the lollipop lips.... this is a Stata Center, a jumbled space that is friendly to advanced ideas merely because it is jumbled and open -- and not because it has any sense.

I believe this is because where the Stata Center is jumbled spatially (its at MIT), this is jumbled cinematically in much the same way. Its the cinematic quality of the room. Its easy to read. It provides launching pads. It doesn't matter at all what it says. In fact it even says it doesn't matter what it says. It pretends to be a challenge that is equal of the highest level of play (and believes it) but at the same time it allows that this is always bogus.

Its no Greenaway, Kar-Wai or Medem. There is nothing here to find, no implanted wisdom, quite the opposite. But you will find it worthwhile.

Ted's Evaluation -- 3 of 3: Worth watching.