AVALIAÇÃO DA IMDb
6,7/10
47 mil
SUA AVALIAÇÃO
Um assassino profissional e um empresário desanimado se encontram no bar de um hotel na Cidade do México em um encontro que os une de uma forma que não esperavam.Um assassino profissional e um empresário desanimado se encontram no bar de um hotel na Cidade do México em um encontro que os une de uma forma que não esperavam.Um assassino profissional e um empresário desanimado se encontram no bar de um hotel na Cidade do México em um encontro que os une de uma forma que não esperavam.
- Prêmios
- 1 vitória e 6 indicações no total
Arlin Miller
- Radio DJ
- (narração)
Avaliações em destaque
Star / producer Pierce Brosnan exercises his comedic chops in this rather nuanced look at the life and career of a veteran hitman. Julian Noble (Brosnan) meets a struggling businessman, Danny Wright (Greg Kinnear) when their paths cross in Mexico City. The two become good friends - better friends than we even realize at first, because after Julian has botched more than one job, he becomes a dead man walking. And it is Danny to whom he turns for help. While Danny and his wife "Bean" (Hope Davis) are understandably dismayed at the presence of a professional killer in their home, they get over it, becoming rather intrigued by this charming, eccentric individual.
The supporting cast features some solid actors - Philip Baker Hall, Dylan Baker, Adam Scott - and Davis is enchanting as the loving wife, but the main reason that "The Matador" works as well as it does is due to the interplay between two interesting characters. Brosnan and Kinnear play this extremely well; indeed, Brosnan has never been quite this endearing or amusing before. Also, "The Matador" is a highly offbeat affair, foregoing some of the trappings that one might expect from a tale about a hitman. It forgets about violence (for the most part) and action set pieces, concentrating on its poignant moments and its humour.
Written and directed by the talented Richard Shepard, "The Matador" spends some time globe trotting and offering up some international locales. The title stems from Julians' enjoyment of watching bullfights, and belief that the spectacle is not without honour. The struggle of our haunted main character to overcome his mental blocks and emotional problems does make him vulnerable, and certainly as likeable as any person could be who earns their living killing people.
The brief sight of Brosnan in a cheerleaders' outfit is absolutely priceless. He'd made a good living playing debonair types, but here he really cuts loose for once, and the film is all the better for it. But this is not meant to sell Kinnear short, as he does an excellent job at playing the "straight man" with a tragic past and uncertain present.
Seven out of 10.
The supporting cast features some solid actors - Philip Baker Hall, Dylan Baker, Adam Scott - and Davis is enchanting as the loving wife, but the main reason that "The Matador" works as well as it does is due to the interplay between two interesting characters. Brosnan and Kinnear play this extremely well; indeed, Brosnan has never been quite this endearing or amusing before. Also, "The Matador" is a highly offbeat affair, foregoing some of the trappings that one might expect from a tale about a hitman. It forgets about violence (for the most part) and action set pieces, concentrating on its poignant moments and its humour.
Written and directed by the talented Richard Shepard, "The Matador" spends some time globe trotting and offering up some international locales. The title stems from Julians' enjoyment of watching bullfights, and belief that the spectacle is not without honour. The struggle of our haunted main character to overcome his mental blocks and emotional problems does make him vulnerable, and certainly as likeable as any person could be who earns their living killing people.
The brief sight of Brosnan in a cheerleaders' outfit is absolutely priceless. He'd made a good living playing debonair types, but here he really cuts loose for once, and the film is all the better for it. But this is not meant to sell Kinnear short, as he does an excellent job at playing the "straight man" with a tragic past and uncertain present.
Seven out of 10.
"The Matador" stars Pierce Brosnan as a burned out assassin. He's James Bond gone to seed, in too-tight, garish clothes, gold chains, and an ugly haircut. Our struggling assassin, Julian Noble, is in Mexico, trying to regain his nerve. Staying at the same hotel is a likable, down-on-his luck businessman Danny Wright (Greg Kinnear), also trying to regain his equilibrium. Danny is desperate to close a deal and return to his wife in Denver (Hope Davis) with good news.
Noble and Wright unexpectedly become friends. Wright convinces Noble to reveal certain techniques, which he demonstrates at a bullfight. Noble is eventually targeted by his employers and shows up in Denver.
Writer and director Richard Shepard did the Q&A after this delightful movie at the Austin Film Festival. Shepard was also down on his luck. After suffering the loss of his agent and rejection of recent scripts, he decided to write a story no one would buy and create a character no one would want to play. Then Pierce Brosnan called. Brosnan regains his equilibrium in this movie. (There is life after Bond!) He has a wonderful flair for self-deprecating comedy. Don't miss it.
Stay for the closing credits to read what the filmmakers say about bullfighting. I look forward to more of Richard Shepard's projects.
Noble and Wright unexpectedly become friends. Wright convinces Noble to reveal certain techniques, which he demonstrates at a bullfight. Noble is eventually targeted by his employers and shows up in Denver.
Writer and director Richard Shepard did the Q&A after this delightful movie at the Austin Film Festival. Shepard was also down on his luck. After suffering the loss of his agent and rejection of recent scripts, he decided to write a story no one would buy and create a character no one would want to play. Then Pierce Brosnan called. Brosnan regains his equilibrium in this movie. (There is life after Bond!) He has a wonderful flair for self-deprecating comedy. Don't miss it.
Stay for the closing credits to read what the filmmakers say about bullfighting. I look forward to more of Richard Shepard's projects.
A hit-man who is The Dude and Bad Santa both at once.
Pierce Brosnan is at his best and most hilarious in Richard Sherpherd's The Matador (2005), as a booze-drenched over the hill hit-man who loves bullfights, tacky clothes and teenage girls. It is his unapologetic lust for the latter that provide some great laughs in the film.. There is nothing funnier than hearing a sleazy, broken-down version of James Bond exclaim after ogling some Catholic schoolgirls, "God I hate these Catholic countries; it's all blushy blushy, no suckie fuckie."
So Brosnan has a terrifically dirty mouth in The Matador and this is juxtaposed with Greg Kinnear's goody-goody family man character in their newfound, unlikely friendship. Both these characters elicit real sympathy, but especially Brosnan who should be a very unlikable character, a man desperate for a meaningful relationship in his life but just can't stop himself from saying the wrong things. We follow these two very different men as they learn from each other and start changing their lives, projecting equal doses of heart and humour.
The Matador effective in the sense that it mixes absurdity and quirkiness just right and glazes it with a dark comedy coating feel. It is also quite funny thanks to its Brosnan performance, but it does not have much in the way of a plot and no other characters or detours are even worth mentioning - so it is sadly very forgettable. Still, if you are even a slight fan of Brosnan's I urge you to see this film which is easily his greatest performance, and it's a crime he wasn't showered with awards for it.
6.5/10
Pierce Brosnan is at his best and most hilarious in Richard Sherpherd's The Matador (2005), as a booze-drenched over the hill hit-man who loves bullfights, tacky clothes and teenage girls. It is his unapologetic lust for the latter that provide some great laughs in the film.. There is nothing funnier than hearing a sleazy, broken-down version of James Bond exclaim after ogling some Catholic schoolgirls, "God I hate these Catholic countries; it's all blushy blushy, no suckie fuckie."
So Brosnan has a terrifically dirty mouth in The Matador and this is juxtaposed with Greg Kinnear's goody-goody family man character in their newfound, unlikely friendship. Both these characters elicit real sympathy, but especially Brosnan who should be a very unlikable character, a man desperate for a meaningful relationship in his life but just can't stop himself from saying the wrong things. We follow these two very different men as they learn from each other and start changing their lives, projecting equal doses of heart and humour.
The Matador effective in the sense that it mixes absurdity and quirkiness just right and glazes it with a dark comedy coating feel. It is also quite funny thanks to its Brosnan performance, but it does not have much in the way of a plot and no other characters or detours are even worth mentioning - so it is sadly very forgettable. Still, if you are even a slight fan of Brosnan's I urge you to see this film which is easily his greatest performance, and it's a crime he wasn't showered with awards for it.
6.5/10
THE MATADOR is hit-man movie lite....if you can say that about a hit-man movie. The violence is never really shown but often introduced. At first I was scared I was in for another retread of mid-90s gangster-hit-man-hipster-dark comedy BUT was happily surprised when I realized this is just a sweet and humorous story about friendship. Nothing terribly exciting happens in this film but every bit of it is kept me grinning. The three leads have the best chemistry the big screen has offered in recent years and it looks like they had a great time making this film together. The writing is sharp though at times it felt as if the script had been adapted from a stage play because of the one set dialog scenes. This is a good film that I probably won't remember for too long but at the time it was a complete joy. Good film.
The delivery of some very humorous rude lines by Pierce Brosnan is alone worth the price of admission. He plays a kind of "James Bond's psycho twin brother", separated at birth, no doubt. As an intense hit-man, his character is very sexual but even better, very funny. Add the kind-hearted, uber-likable American "guy next door', Greg Kinnear, to set up contrast. The myriad locations, vivid colors, and quick-witted humor provide great entertainment. Hope Davis is well cast as the "gem of a wife". But the focus of the film is on the two fellows, a new "Odd Couple", and that's the part that works very well. Have a great (probably R-rated) laugh, and look for the places where the story goes a little deeper.
Você sabia?
- CuriosidadesThe movie's screenplay almost never made it to Pierce Brosnan. Richard Shepard said: "I wrote it to make it on digital video for two hundred fifty grand. I wrote the most outrageous character I could (in Julian Noble), because I figured it would never get made in Hollywood."
- Erros de gravaçãoWhen Julian is telling the story about his first mistake in Manila, the camera can be seen, hidden behind palm leaves and bamboo, when two guys holding a mirror are walking through the frame.
- Citações
Julian Noble: The margaritas always taste better in Mexico.
Danny Wright: They certainly do.
Julian Noble: Margaritas and cock.
- Cenas durante ou pós-créditos"The filmmakers do not condone bullfighting, but respect its long tradition in the Mexican culture. It was extremely important to the producers that no bulls were harmed because of the production of 'The Matador'. In no way did the producers of this film create, arrange or organize any of the bullfights seen within this movie. Sequences staged by the producers employed fake and computer-generated bulls exclusively. Absolutely no animals were harmed by the production of this movie."
- ConexõesFeatured in Siskel & Ebert & the Movies: Last Holiday/The Matador/The Libertine (2006)
- Trilhas sonorasA Town Called Malice
(1982)
Written by Paul Weller
Performed by The Jam
Courtesy of Polydor Ltd. (U.K.)
Under license from Universal Music Enterprises
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is The Matador?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Matador
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 12.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 12.594.698
- Fim de semana de estreia nos EUA e Canadá
- US$ 69.100
- 1 de jan. de 2006
- Faturamento bruto mundial
- US$ 17.356.268
- Tempo de duração
- 1 h 36 min(96 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente