AVALIAÇÃO DA IMDb
6,7/10
1,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA gothic '50s high-school comedy about a love-triangle that goes terribly bad, as two young, murdered teens return to their prom to get revenge.A gothic '50s high-school comedy about a love-triangle that goes terribly bad, as two young, murdered teens return to their prom to get revenge.A gothic '50s high-school comedy about a love-triangle that goes terribly bad, as two young, murdered teens return to their prom to get revenge.
- Prêmios
- 1 indicação no total
Eric Gilliland
- Spud
- (narração)
Sarah Silverman
- Cherri
- (narração)
Dermot Mulroney
- Rod
- (narração)
Beverly D'Angelo
- Darlene
- (narração)
David Carradine
- Mr. Snerz
- (narração)
Keith Carradine
- JoJo
- (narração)
Martha Plimpton
- Miss Crumbles
- (narração)
Tom Noonan
- Principal
- (narração)
Justin Long
- Dwayne
- (narração)
Michael Showalter
- Wally
- (narração)
Hayley DuMond
- Buttercup
- (narração)
Ed Begley Jr.
- Rev. Sidney Cheddar
- (narração)
Craig Bierko
- Sarge
- (narração)
Jay O. Sanders
- Football Announcer
- (narração)
Peter Jason
- Coach
- (narração)
Matt Groening
- Will
- (narração)
Don Hertzfeldt
- Dill
- (narração)
Avaliações em destaque
I viewed HIGH HAIR today in Los Angeles -- perhaps three years after it was originally screened. Comments on IMDb said it was a retro 50's style high school story line which drew my attention.
I am a child of such an era having graduated in 1959 (at the cusp of the next decade of the 50's) from high school.
I entered the theater with an invited friend. I was a bit anxious whether my experience would be the same as another person's opinion as we left the screening and talked.
We both had the same movie experience: It took about 20 minutes to get into it and at one moment in time, there was a hook that carried the film into its conclusion and enjoyment. I suppose this is a cult film, but it works well with those who were in high school in the era of the film despite the fact that this was not my own experience.
My enjoyment was the fusion of Japanese anime into contemporary American animation as a borrowed skill with a true technique honed by Bill Plimpton.
He pulled it off without a finger print of evidence that would tie him to such a cinematic crime of imitating Japanese Anime and not his own invention.
It worked. Just fine. Pure fusion.
I am a child of such an era having graduated in 1959 (at the cusp of the next decade of the 50's) from high school.
I entered the theater with an invited friend. I was a bit anxious whether my experience would be the same as another person's opinion as we left the screening and talked.
We both had the same movie experience: It took about 20 minutes to get into it and at one moment in time, there was a hook that carried the film into its conclusion and enjoyment. I suppose this is a cult film, but it works well with those who were in high school in the era of the film despite the fact that this was not my own experience.
My enjoyment was the fusion of Japanese anime into contemporary American animation as a borrowed skill with a true technique honed by Bill Plimpton.
He pulled it off without a finger print of evidence that would tie him to such a cinematic crime of imitating Japanese Anime and not his own invention.
It worked. Just fine. Pure fusion.
While the story is pretty good (although very used), this kind of animation just blows. it looks like the animator is down right lazy. instead of 10 frames he uses the same 2 over and over. i've seen better animation by first year art student. i mean it. And the dubbing synchronization (and voices characterization all-in-all) is poor: when someone looks (visually) like he's shouting, their voice is dry and in normal volume. there is way too much silence and lack of sound effects to make the scenes work and be coherent, instead of just frames flickering around with big random pauses.
There are so many great storytellers and animators out there. I really can't figure out why Plympton is considered such a great one.
A sheer disappointment.
There are so many great storytellers and animators out there. I really can't figure out why Plympton is considered such a great one.
A sheer disappointment.
Bill Pympton's "Hair High" is everything an animated feature should be. It features some of the funniest comedy you will ever see in a film, animated or live action. This comedy is combined with excellent, unique animation that sets the film apart from other animated features. The rough feeling of it is a much needed break from the perfection that is Disney and Dreamworks. Plympton really proves that you don't need expensive fancy 3D graphics to make an amazing film; all you truly need is talent and ambition. The plot ties everything together; giving some meaning to the crazy world that is Plympton's animation style.
One of the best parts of "Hair High" is the cast of voices. Kill Bill's David Carradine lends his vocal talent, along with Beverly D'Angelo, and Animators Don Hertzfeldt and Matt Groening. Each voice fits the character perfectly, which really adds to the already excellent animation and story.
Overall, the incredibly weird, yet extremely funny, antics of "Hair High" are sure to entertain. Laugh after laugh, this film takes the fun of Plympton's shorts and allows the audience to enjoy the fun for over an hour.
One of the best parts of "Hair High" is the cast of voices. Kill Bill's David Carradine lends his vocal talent, along with Beverly D'Angelo, and Animators Don Hertzfeldt and Matt Groening. Each voice fits the character perfectly, which really adds to the already excellent animation and story.
Overall, the incredibly weird, yet extremely funny, antics of "Hair High" are sure to entertain. Laugh after laugh, this film takes the fun of Plympton's shorts and allows the audience to enjoy the fun for over an hour.
I wonder if Pink Floyd's The Wall animations helped inspire this little animation gem. I wish this had had greater circulation. The Triplets of Belleville comes to mind as well. The story is strange, the animation brimming with nicely realised ideas. I guess you could compare it to Carrie. It's sort of a grand All-American nightmare. I found this movie at an op shop. Another lucky day for me!
This is a bit of a psychedelic rockabilly animated nightmare. Packed with 50s American cool, depicted with 60s European charm. Telling the story Spud, a new kid in high school, it's a familiar and not particularly original story, but Spud is likeable and as he says "he just doesn't know the rules". The rules being that teenagers are obnoxious and if movies have taught us anything, it's American teens are more obnoxious, stupid and self centred than most. It certainly seems that Bill Plympton has made exactly the film he wanted to... a pretty disgusting, dialled up to 11 X-Rated version of The Rugrats do Carrie. His style signposts every inch of this and feels devoid of outside interference, which in itself is pretty cool. For all it's B-Movie cool though, it boasts a pretty decent cast of voice actors. I can honestly say I've never seen anything quite like this before.
Você sabia?
- CuriosidadesThe original idea for the film was inspired by a dream that Bill Plympton had, of a skull that oozed all these scary Gothic creatures - snakes, lizards, spiders and bugs. He felt that this image was perfect for a 50's teen "revenge at the prom" film. Once he had the concept, he began making concept drawings that evolved into storyboards.
- Erros de gravaçãoTodas as entradas contêm spoilers
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Hair High?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Saçlar havaya
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 5.342
- Fim de semana de estreia nos EUA e Canadá
- US$ 983
- 6 de ago. de 2006
- Faturamento bruto mundial
- US$ 5.342
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente